50 Best PG-13 Movies on Netflix Right Now

For skeptics of the western, Silverado might be too overstuffed with storylines that feel more appropriate for a series than a single film. But those willing to give it a chance should find a consistent level of entertainment with the movie’s wide array of cowboys and sheriffs trying to outmaneuver each other. The action gets surprisingly intense, with impressive stunts and shootouts selling the idea that these characters could go at any time. And with the relatively young and fresh faces of Kevin Kline, Scott Glenn, Danny Glover, Kevin Costner, John Cleese, and Jeff Goldblum popping up, it feels like a greatest hits of the ’80s and ’90s, with these charismatic actors all getting a turn playing in the sandbox.

Funny, refreshing, and heartwarming, You Are So Not Invited to My Bat Mitzvah gives the seminal girlhood film Are You There God? It’s Me Margaret. a Gen Z update. Stacy and her friends are constantly on social media and watch each other for potentially politically incorrect terms, but they also struggle with period pain, crushes, and falling out with former friends. It’s a confusing time in a kid’s life, and  You Are So Not Invited, like Are You There God? before it, honors that. It never condescends, never strays far from the child’s perspective. It’s jubilant and heartwarming, and (to me at least) it’s always fun to see real-life families play themselves in movies. Judd Apatow experimented with this structure in his semi-autobiographical films Knocked Up and This Is 40, which first gave us a glimpse into his daughter Maude Apatow’s acting prowess. I feel You Are So Not Invited will do the same to its young star Sunny Sandler, whose effortlessly funny and charming performance will surely carve a path for a promising career in the future.  

Bank of Dave is a simple but well-told film that feels utterly satisfying from start to end. Dave is the little guy who only wants to give back to his community, but stopping him from achieving his noble goals are the big guys in suits with vested interests and too narrow a focus to appreciate the good that Dave is after. The film is David versus Goliath, countryside versus cityside, socialist versus capitalist (or, if you like, ethical capitalism versus unethical capitalism). You know who will triumph in the end, but that doesn’t detract from the film’s overall enjoyability. The dialogue is smart and stirring, and you can’t help but root for the film’s small heroes to win big. 

In the years since Fan Girl’s original release in the Philippines, its ultimate message and execution has become polarizing: is it enough that the film shows the corruption of a parasocial relationship into an abusive one, without offering much hope? Is its vision of justice actually constructive or disappointingly limited? No matter where you fall, it’s exciting that a movie can stir up these kinds of questions through a bizarre dynamic between characters, in a place that’s clearly set somewhere between reality and delusion. The narrative is circular and frustrating for a reason—a constant push and pull as the titular fan girl keeps getting drawn back into the celebrity’s orbit—and the film only grows more disturbing with each repetition.

When Toni Morrison taught at Princeton, she told her students, “Don’t write about your little life. Create something.” This documentary follows her instruction by being more than a simple biography. Apart from telling the story of her rich, fully-lived life, The Pieces I Am doubles as an artful and educational history lesson about the unique African-American experience. It’s dotted with beautiful artworks and insightful anecdotes shared by Morrison’s colleagues from the various schools and publishing houses she worked at. But most important of all, Morrison gets to narrate the film in her own beautiful, poetic words and, in the process, reveals different facets of herself. There’s Morrison the teacher, editor, writer, and mother, but also: the delightful baker, the supportive friend, the party enjoyer, the critical philosopher. The Pieces I Am is a great collection of many things, a moving collage that pieces together the most interesting parts about the beloved writer in question.

Narrated by the familiar voice of Jack Black, Apollo 10 ½ is a throwback story told with admirable specificity and imagination. Black plays a grown-up Stan, who looks back on his younger years with a mix of fondness and wonder: how did they get away with the things they did then? American suburbia in the 1960s was both loose and conservative, caught between a generation holding on to the reins of the earlier century and one eager to launch into the next. 

Stan, as the youngest child of a big, rowdy family, gives us a charming look into the times, as well as a projection of his own fascination: Apollo 11 and the space age. He inserts himself in this monumental narrative and generously brings us along in his fantasy. Sometimes it’s hard to tell whether Stan’s recruitment by NASA is actually fact or fiction, but that’s part of the fun, especially since Stan himself doesn’t seem to mind at all.

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.

An uplifting and inspiring movie with Felicity Jones and Armie Hammer. Jones stars as Supreme Court Justice Associate Ruth Bader Ginsburg in this biopic centered around her hallmark case against sex-based discrimination. While it doesn’t feel like it truly conveys the power of Ginsburg’s story, her determination, or all the odds that were stacked against her, it serves as a mellowed-down preview of her remarkable story. Watch this if you’re in need of a good dose of inspiration.

The documentary starts off with a feeler that this is a wild soap opera, a real life science experiment that cannot be enacted in good conscience. If you’d never read the blurb, you’d see the coincidences slowly revealed layer by layer until the story finally clicks. Early on, it feels reliant on telling as opposed to showing, but it could just be a case of working with what you have footage-wise. The openness of our main interviewees does get better with time, but the exploration of the psychological effect and implications of such an event was lacking considering the level of coincidence we’re dealing with. All in all, it’s heartwarming, albeit with the exciting story beats very spaced out.