100 Best TV Shows of the 2020s So Far

From a short pilot episode in October 2019, Hazbin Hotel has finally opened its doors for the small screen four years later. With the hellish premise and raunchy humor, it was surprising that A24 would choose this weird show from indie animator VivziePop as its first dip into animation, but with its release on Prime Video, it was totally the right choice. Reimagining the underworld as a red, white, and black urban, well, hellscape, Hazbin Hotel has such a bizarre mix of excellently handled mature themes, musical earnestness, and raunchy humor that just hasn’t been seen before.

Watching The Day of the Jackal feels like watching a film; it’s taut, fast-paced, and flashy, featuring incredible dual performances by Redmayne and Lynch. Like many thrillers before it, The Day of the Jackal centers on a cat-and-mouse chase between an official and a transgressor, but the series smartly blurs the line between good and evil. Redmayne’s Jackal is by all accounts the bad guy—he’s a hitman after all—but we’re shown his humane side and the lives he works hard to protect. Meanwhile, Lynch’s Bianca is a government agent, but her hands are dirtied with just as much (if not more) blood than the Jackal. Who’s really at fault here? Part of the fun in watching this is figuring that out, but it’s also just as enjoyable to see what disguise the Jackal whips out, and what moral quandary Bianca finds herself deep in, next.

Vigil is a murder mystery/political thriller set in the depths of British waters, particularly in the nuclear-powered missile submarine HMS Vigil. When a navy officer dies and a fishing trawler disappears at the same time and place, Detective Chief Inspector Amy Silva (Suranne Jones) is sent in to investigate the case.

While Vigil mostly dove under the radar when it first came out last year, the BBC production is drawing in new audiences as it streams on Peacock. Watching it, it’s easy to forget that this isn’t a box-office production, because it looks and sounds every bit like one. It’s got a massive budget, an epic scale, a thrilling political premise, and talented actors across the board—what’s not to love?

Betty follows a group of young girls unapologetically taking up space in the boys club that is skateboarding. It’s an impressive showcase of skill and an important testament to the need for inclusion, but perhaps more than anything else, it’s an affecting story of sisterhood. It’s about female friendships and how strong the bonds can get at this particular age when you’re still figuring out your place in this world. Kirt, Janay, Honeybear, and later on, Indigo, and Camille, have an effortlessly tight bond that’s made all the more apparent by their natural chemistry with each other. While still retaining an endearing sense of cool, they show us that they can achieve anything, whether it’s breaking up with your boyfriend or breaking barriers, together. 

Even without doing the important and long overdue work of uplifting Native American voices, Dark Winds manages to be an intriguing mystery, layered with complex performances and bolstered by the majestic expanse of the American Southwest (in the ‘70s no less!). Finally released from the shackles of supporting roles, Zahn McClarnon shines here; he’s in top form as the gritty but softhearted police officer who protects his tribe from encroaching federal forces. The mysteries that propel the show are compelling too; they have the same beats as any you’d expect from a crime thriller, but they’re seeped deep into Native American mysticism, making them intriguing and wholly unique. 

With the gorgeous period costumes, the romance, and the familial dynamics, you would think that Like Water for Chocolate’s latest screen adaptation would be just the same as the film, albeit with a Bridgerton-esque style. To a certain extent, this is true, as the essence of the novel still remains intact and the production is greatly upgraded, however, the added runtime allows this latest adaptation to expand on the novel’s commentary on race and class, and how this played out within the Mexican revolution that was mostly glossed over in the film. Como Agua Para Chocolate captures the novel’s much more rich and layered flavors, in much more fulfilling and scrumptious ways.

The scene: 1717, the Golden Age of Piracy; the people: brute criminals living on nothing but loot. Seems typical enough for a pirate story, but more than just an action-packed swashbuckling treat, Our Flag Means Death is also a raging ensemble comedy that is both modern and subversive as it dares to recast masculinity in a whole new light. 

The show follows Stede Bonnet (Rhys Darby), a flamboyant aristocrat who leaves his pampered life and turns to the sea in search of deeper meaning and purpose. Specifically, he’s out to figure out, once and for all, what it means to be a man. Does it entail remorseless murder and a stoic acceptance of one’s responsibility, as he’s been taught and taunted to do for so long, or is there more to it than that? The wannabe pirate gets closer to answering these questions when he meets and eventually falls for the legendary Blackbeard, played warmly and hilariously by Taika Waititi.

When a girls soccer team is left stranded in the wilderness, things quickly descend from worrisome to outright, delightful, and sometimes unbearably weird. It’s a classic tale of survival injected with fresh mystery and drama, and as you watch these girls navigate humanity in all its extremes—from the primal urge to live to the existential need to bond—you’re left feeling both wildly entertained and deeply disturbed all at once. 

Though Yellowjackets has drawn comparisons to beloved stories like Lost and Lord of the Flies, its unique pulse on the female experience is arguably its own thing: a sure and instant classic in the making. 

What if the 1960s space race never ended? For All Mankind imagines such a world; here, Russia’s cosmonauts arrive on the moon first, the galaxy holds resources beyond belief, and global wars have expanded in stakes and scale. More than just the final frontier, outer space is now the focal point of warring nations hungry to capitalize and claim new assets. 

For All Mankind’s out-of-this-world premise alone make it a thrilling watch, but you’ll be glad to know that the show also feels intimate and affecting thanks to its fully fleshed-out characters. If you’re looking for an epic but grounded story to lose yourself in, this is it. 

The Netflix four-part miniseries Lost Ollie is a bit like if Toy Story was adapted into a live-action dramedy. You’ll recognize the premise immediately: lost toy comes to life and loyally sets out on a journey to find its kid. But stuffed in between those points are poignant moments and reflections about life, family, and being.

The film isn’t also afraid to touch on darker themes, so if you’ve always wished for a slightly more mature but still kid-friendly version of this narrative—and if you’re a fan of the likes of Paddington the Velveteen Rabbit—then you’ll enjoy Lost Ollie.