30 Best Shows of 2025 So Far

The Residence is a treat for fans of whodunnit mysteries, primarily because it plays homage to the genre more than anything. Each episode is titled after a well-known mystery, like “Dial M for Murder” and “Knives Out,” which speaks to its self-awareness. But the show is more than just a Sherlock knock-off. It boasts a colorful cast of characters, many of whom are given enough backstory and depth for us to empathize with. Most striking of all is Detective Cupp herself, who is eccentric, confident, and very easy to like. She whizzes through The White House’s hundreds of rooms equipped with quirky one-liners and a jazzy score, so it never feels like she overstays her welcome. As far as murder mysteries go, The Residence may not present the trickiest puzzle nor the most cerebral dialogue, but it’s smart, funny, and likable. By the end of the finale, you’ll wish to see more of the cast.

Set in Nunavut in northern Canada, North of North follows the joys and trials of Siaja (Lambe), a 26-year-old Inuit woman who is, for the first time, learning to live for and learn more about herself. “I went from taking care of you to taking care of him,” she tells her mother after deciding to split with her narcissistic husband. It’s a desire any ambitious person stuck in a small town or unhappy marriage will sympathize with, but things like class and race complicate Siaja’s situation. “You’re acting like a white girl with options,” her mother replies. But Siaja forges on and applies for a job in the town center. The show is mostly sweet, comedic, and inspiring (think Reservation Dogs and Parks and Recreation). Romantic comedy and workplace hijinks abound. But it doesn’t glaze over the Inuit community’s bleak history and realities. Siaja’s mom’s unfortunate experience with residential schooling, for one, and the town’s struggle with climate change, for another, provide sobering, thought-provoking moments. North of North isn’t without its flaws—the writing can be sharper and the directing tighter, with less unintentionally awkward pauses—but for the most part, it’s pleasant and hopeful, which is refreshing to watch with everything going on.

Hitmen are just cool. But rather than bring us the same fists and bullets that we usually see with these killers, Sakamoto of Sakamoto Days does his best to keep to his normal humdrum life, rather than jump back into the bloodshed. It’s an interesting twist to the gangster thriller. Rather than try to surpass any choreographed fights, or bring up the angst by killing everyone dear, the series humorously contrasts the over-the-top drama these assassins have over the straightforward ordinary life, which, as Shin realizes, is actually great. Sakamoto Days celebrates ordinary life as something worth protecting, and it’s pretty fun to see the crew do so.

In many ways, the NBA is the face of basketball. They don’t just develop athletes, they create superstars—idols that people turn to for hope and inspiration. But even though the NBA is technically American, it’s never been more populated with international players than today. When it comes to the Olympics, that means fierce and exciting global competition. It’s hard to capture the enormity of all that, but Court of Gold succeeds with flying colors. The show strays from run-of-the-mill narration and generic footage. Instead, it gives us what we want: inside access into what goes down behind the scenes. We follow the top four teams in the games—USA, France, Serbia, and Canada—and hear from the athletes themselves. Kevin Durant, Victor Wembanyama, Nikola Jokić, and Shai Gilgeous-Alexander are some of the representatives who stand out the most. Some of these interviews and fly-on-the-wall moments prove to be even just as (if not more) exciting than the showdown on the court. But the latter is undeniably thrilling. It doesn’t matter that you know who takes the gold, or even that you care enough about the game. Court of Gold is a well-made example of showmanship and athleticism, as well as a wonderful attempt at humanizing larger-than-life stars.

A more cynical viewer might be put off by the pity party that happens in the first hour of When Live Gives You Tangerines (although as far as K-dramas go, this one is pretty mild). There is plenty of crying, especially by the child actors who seem forced to do the act. But it’s worth sitting through; the events that follow are lovely and moving. Set in the countryside of post-war South Korea, the series follows a young couple as they elope and raise a family with little means. It gets cheesy at times but leads IU and Park Bo-gum nail their characters to the ground, always keeping them relatable, likable, and true to times. The immersive production design and the clever time jumps pull you in and keep you longing for the next episode.

You’d be forgiven for assuming Celtics City would be like most sports documentaries on TV—unremarkable and over-the-top. But in this case, Celtics City deserves to be over the top. The NBA team, perhaps more than any in the league, has such a rich history, filled with wins and losses, joys and failures, shame and impact, that it makes sense to tell their story in multiple episodes. It’s not indulgent or forced, it’s deserved. The first part alone is an expertly woven argument about how race and sports, at least in America, are inextricable. You can’t talk about the Boston Celtics without recognizing the incredible things Bill Russell has done for the team, and yet that’s what happened in the ‘50s. This smart discourse, along with the thrilling footage of past games and the exclusive interviews with Celtics members past and present make Celtics City stand out among the many, many sports docs out there.

A town with no crime is a dream everywhere. It means safety, security, and trust for the residents within, so surely anyone would like to preserve that. That’s the case for the fictional town of Dhadakpur, the setting of Dupahiya. As the robbery happens, it understandably causes chaos in the town, but as the Jha family tries to solve the mystery, they also introduce us to the villagers– the humorous synchronicities that the town has, their simple but honest hopes and dreams, and the wit they have precisely because of their shared community– through various interconnected quests to preserve their individual, familial, and town’s reputations. It takes a while to all come together, but Dupahiya effortlessly weaves its threads through thoughtful writing and care for its characters.

Part court drama, part medical procedural, and part detective mystery, The Apothecary Diaries is the sort of anime that easily handles multiple genres and does it so well. With the insatiably curious Maomao investigating certain court ailments as a poison tester, it naturally creates a new mystery of the week, all deduced from her apothecary beginnings and her life in the red light district. It’s also integrated well into the main plot, as Maomao’s whole promotion starts from her sense of justice, with each mystery carefully revealing the court dynamics, various motivations each player has, and how the overall world of this Imperial China-inspired court operates. The Apothecary Diaries ties it all together with excellent writing.

Set in a high-crime neighborhood in Philadelphia, the series follows Mickey (Seyfried), a cop in search of her missing sister Kacey (Ashleigh Cummings), a struggling addict. Mickey believes her disappearance is connected to the strange series of deaths among female addicts in the city, but because her department would rather keep a blind eye, she has to investigate both cases in secret. All the while, she’s raising a child on her own and battling personal demons that trace back to her childhood. The premise, admittedly, is nothing you haven’t seen before. It even looks like the many other police thrillers out there, what with its grayed coloring and serious demeanors. It’s also paced similarly: slowly and surely. But what the series lacks in originality and speed, it more than makes up for in heart. It reframes common narratives about addicts—do they deserve help?—and urges us to sympathize with them, instead of ignoring or altogether ostracizing them.

The premise of The Bondsman is fun enough. In a small Southern town, Bacon plays a bad-ass bounty hunter who sends demons back to hell. And the episodes are easy to watch, too. Each runs for about 30 minutes, featuring a new monster for Bacon to slay. Inexplicably, the show is also, occasionally, a musical. But for the most part, The Bondsman is a straightforward horror thriller with comedic inflections. It’s most reminiscent of Supernatural, but somehow less charming. It’s nothing new or noteworthy, but it is an enjoyable way to spend some time, especially if you’ve been missing Bacon on screen. It’s Bacon and Beth Grant, who plays his mother and unlikely demon-hunting partner (cutely nicknamed “Momma Bear”), who elevate the series into a worthwhile watch.