100 Best TV-MA TV Shows on Netflix Right Now

The family dynamics at the heart of this show are given plenty of room to breathe, with many tender moments baked into the frequent little conflicts. Then, it’s terribly heartbreaking when it needs to be, ripping apart what you latch onto. Pablo Derqui is incredible in his nuance between his public face and his private face, embodying all the strands of a torn up heart. The mysterious woman he later meets is dodgy in a way that bleeds through her kind eyes and mannerisms. This series has strong performances all around in scenes that get time to shine, and a pace that answers enough questions that lead to new ones, leaving you wanting a bit more.

Our cold open sees a classic patient on the loose scene, then quickly followed by the multifaceted drama and gang warfare that sits at the heart of the story — a multi-pronged attack that doesn’t always merge so smoothly. High tension happens within the sci-fi elements that the viewer is always learning to process, which can be an efficient way to pick up on many aspects of the story, but it can also feel like a juggling act. There’s a little bit of everything here mood-wise: a little romance, family drama, superpowers, and unintentional comedy. When it all gels, it’s pretty straightforward, but never truly feels like a silky smooth ride.

Perhaps the best thing to be said about this series is that isn’t dripping with sensationalism. Then again, most works in the genre don’t get the survivors’ side of the story, as it pulls off in an excellent first episode. Sadly, that’s not the case for all episodes, but all the same it still feels a lot safer than most true crime. It gets to the heart of the matter quickly with intimate and honest interviews, and its barebones approach to its elements is another fantastic green flag. Of course, it’s still true crime though. If you don’t like that, you won’t suddenly like this series.

It takes some time for the action to pick up, with the off-putting atmosphere and various character dynamics being opted to be slow-cooked. The choice certainly pays off with an ecosystem of concerning little stories slowly crashing into each other like dominoes, and creating drama that you have to pursue in the next episode. There’s an uneasiness about the whole story largely carried by the settings alone—the rain, the houses, the nearby establishments, etc. It can be a little difficult to pick up on the intricate details at first, and the prodding pace certainly isn’t for a lot people, but for those who stay, there is an intriguing story that awaits.

If you’ve seen one too many true crime documentaries, you might shake your head at the things sixteen-year-old Penelope does upon running away from her high school camp. You might (rightly) ask, why is she camping in the middle of nowhere all alone? Why is she trusting all these different strangers who, for all she knows, could be a serial killer or a trafficker? And why approach that bear? Why sleep in that clearing? But the sooner you let go of those worries and accept that Penelope is more of a fable about growing up and finding yourself than it is a literal survival tale, the better. Which isn’t to say it fails as the latter—Penelope is surprisingly watchable as she learns the ways of the wilderness. In fact, one near-silent episode is dedicated to just Penelope learning the ropes, literally, and it’s one of the season’s best. As long as you don’t get stuck in the details of Penelope’s journey and take aside your cynicism for just a while, you’ll find something touching and humanizing in this short but sweet series.

Partially due to the surviving Norse myths, as well as certain modernized cinematic depictions, most people think of the Norse gods as fairly benevolent, if a bit violent, entities. With Zack Synder at the helm, it’s unsurprising that he would take an edgier approach to the Twilight of the Gods, but this time, it works well, transforming these arbitrarily powerful beings as the villains they would actually be, at least in the perspective of the humans trampled by their thoughtlessness. It’s beautifully depicted, with lovely character designs and great voice performances, and it’s an interesting depiction of a mythology not often depicted.

With games creating whole virtual worlds, with stunning landscapes, powers, and storylines, it’s easy to escape into the fictional simulations, to the point of being addicted. Good Night World reimagines this idea in the present as a family drama, where video game addict Tachiro Arima struggles to relate with his family because of his addiction. As the show progresses, the game integrates with the real world, with real life-threatening consequences, but the show slowly uncovers how this game unraveled the Arimas’ family bonds, through neglect, depression, and shared trauma. It’s an interesting series about connection and video games, if you can get into the world of the series.

There are plenty of divorce-related Korean dramas, but Divorce Attorney Shin is a gem among them. Based on the webtoon with the same name, the show is centered on an eccentric lawyer, whose trot-dancing ways and unconventional handling of clients doesn’t detract from his winning cases. Instead of the ruthless and collected attorneys we’ve seen previously, Shin Sung-han has a human side, a side that enables him to empathize with his clients. And like the lawyer, the show does the same, handling multiple cases, without discarding them by the end of the episode, and embracing its nuances in a well-rounded way.

Child kidnapping is any parent’s nightmare, and it’s the nightmare that drives the events of Spanish crime thriller The Snow Girl. Based on the 2020 novel of the same name, the limited series takes a unique double-pronged approach to the case at hand. The show goes through the regular police investigations we’ve seen previously, but it also comes mainly from the perspective of journalist Miren Rojo, whose previous trauma understandably limits her trust with the authorities. As the show moves the story from New York to Malaga, and switches between perspectives, and timelines, The Snow Girl adeptly maintains the novel’s original suspense, without over sensationalizing the crime at hand.

Created by Harlan Coben (the crime novelist-turned-showrunner behind many streaming mysteries), Safe is a fast-paced thriller following a widower in search of his missing daughter. The more he digs, the more he realizes that his town is anything but small and sleepy, and that he can’t trust the people closest to him. It’s the sort of show that involves multiple people and plotlines, which could easily go south if it fell into the wrong hands, but Safe manages to make it all work. It doesn’t require you to care deeply about these characters, but it does pull you in with its shocking secrets and (at times frustrating) cliffhangers. Sure, it can get soapy at times, but it’s never not entertaining. And though it revisits the night of the disappearance often, it always features a new angle and point of view, making it feel fresh every single time.