100 Best TV-MA TV Shows on Netflix Right Now

This docuseries is a straightforward account of what actually happens in emergency rooms and about people who dedicate their lives to this extremely demanding work.

Set in a New York hospital that has struggled in the past to compete with bigger establishments, it follows two brain surgeons, an OBGYN, and an ER physician.

If you like ER, Grey’s Anatomy, or anything similar, and want to know how it actually works – this is a great show. Hint: reality is light years away from how ERs are usually depicted.

Lenox Hill a tough watch that might not be for everyone — there are people diagnosed with horrible things and pretty much every single scene is highly emotional.

This sci-fi thriller based on a podcast by the same name is about Dan (Mamoudou Athie), a video archivist who takes a job to restore a set of burned Hi8 videotapes. When he starts seeing the footage, he discovers that it is from a now-missing woman trying to document a cult in the ’90s.

The events of the footage take place in an unassuming apartment building in New York City; after the building mysteriously burned down, many were left dead and missing in its wake. As Dan tries to understand what happened, he uncovers details about the woman filming and something that links even his own family to the fire.

The show is at times more of an unsettling horror than a supernatural thriller, but it features a stunning performance from Mamoudou Athie. It’s also notably co-produced by James Wan, co-creator of the Saw, Insidious, and Conjuring franchises.

Mo is the semi-autobiographical tale of creator and star Mo Amer, whose tricky bouts with immigration, interfaith relationships, and growing up Arab-American all figure in the show. It’s a bittersweet series that brings the Palestinian and immigrant experience to the forefront—a tricky act that’s dealt with deft ease here. The series may be rife with social, cultural, and political issues, but there’s a big and heartfelt message at the center of it, and Amer tells it with genuine warmth and humor without ever being too self-serious and preachy, making Mo a breezy but meaningful watch.

From poaching elephants and smuggling sandalwood to killing people in the most ruthless manner possible, Koose Munisamy Veerappan’s crimes are manifold, and they engulfed all of Southern India. The first half of this four-part series chronicles his early life and the escalation of his criminal affairs through talking heads and archival footage. The documentary balances the perspective of the authorities with that of Veerappan’s gang in interesting ways; where officials saw him as cunning, people close to him, like his wife Muthulakshmi, praised his desire to create wealth for his people, regardless of caste. By the end of the pilot, you’re sure to be at the edge of your seat as the series raises the stakes and promises to be as challenging and compelling as the first episode.

Releasing a documentary and a mini-series on the same case on the same day, Netflix understands how compelling Rosa Peral’s story is. Burning Body dramatizes the case’s events, but it does so in a way that questions the police as an institution. With the case, it’s clear that the ones assigned to protect citizens from crimes are trained enough to hide their own. However, the series also underscores the blatant sexism in their ranks, from higher ups taking advantage of new recruits, to spreading revenge porn on their fellow colleagues. With Money Heist’s Úrsula Corberó on the helm, Burning Body paints a double sided look of a multifaceted woman.

The real-life Tapie may be more or less interesting than the Tapie Laurent Lafitte brings to life in Class Act, but that doesn’t really matter. The series introduces the French tycoon as if he were a completely new character, which is helpful to those of us going in the series blind. There is drama, there is scandal, and since Tapie is so tied to French life, there is also history. But more than anything else, there is business. Tapie is by no means perfect, but he is a smart businessman, and Class Act’s sharp and strong writing brilliantly conveys the addictive highs and soul-crushing lows of commerce. Narrative cliches are inevitable, but that doesn’t make this well-crafted series any less enjoyable.

Full of twists and turns, Queenmaker is a corporate turned political K-drama where a corporate fixer plays campaign chess against her former employers and retail conglomerate the Eunsung Group. Centered on her and the earnest human rights lawyer she’s trying to get elected, the show has Do-hee mentoring Kyung-sook in the art of PR, this time for the good. Even as the show reuses the genre’s classic tropes, the series’ plot points are entertaining, with each new twist naturally occurring as each side tries to dig dirt on the other and use it for political clout. It’s one of the most intriguing K-dramas we’ve seen this year.

With a long and chaotic 30 years in the industry, it’s hard to encapsulate Robbie Williams’ whole musical career in a documentary. There are plenty of songs to tackle, plenty of scandals to explain, and Netflix tries to portray it all through its latest four part docuseries. Given its lengthy subject matter, it’s impossible to tackle everything, of course, so it mainly focuses on the artists’ mindset and mental health as Robbie Williams himself looks back at previous footage of himself. There’s some comfort in the fact that the singer now feels more settled in himself, something comforting in the idea that depression can be handled and overcome, but it makes this docuseries a fairly vulnerable one for the artist, and it’s an intriguing behind the scenes look for his fans.

Life never goes the way we expect, especially for those who don’t have plenty of options. Because of this, parents strive to create a path for their kids to the best possible future they can manage, even if it causes some resentment. The Good Bad Mother portrays this, with some melodramatic flair, but the way the series tells its story is complex, layered, but totally compelling – as Jin Young-soon tries to reconnect with her son while also seeking justice for her husband, and Choi Kang-ho looks for family in any way he can. And it’s balanced with lighthearted humor and slice-of-life sequences that celebrate the lives of the ordinary people.

After the ending of the show Suburra: Blood on Rome, it had seemed like there was nowhere else for the franchise to go, with plenty of the main cast dead. But after three years, the world of Suburra is back on Netflix in Suburræterna, and despite the chaos that reigns in Rome, there are still opportunistic survivors circling over remaining scraps of control. One survivor is Spadino Anacleti, who, after he had left for a more tolerant Berlin, is now forced to return home, with no other suitable heir for the family. While new viewers might be lost with the names referencing previous characters, fans of the franchise would enjoy the way Suburræterna unfolds, as the Suburra story, inspired by the real life Mafia Capitale, takes on a life of its own.