40 Very Best TV Shows on Netflix Canada You Haven’t Yet Seen

When I learned about Street Food the first time, I was reluctant to sit through yet another Netflix cooking show. They’ve made so many that when I want to bring up an episode with a friend I forget if I saw it in Ugly Delicious, Chef’s Table, Salt Fat Acid Heat or others. I can’t say that Street Food is a different format. It uses the same slow-motion takes of food, the same close-ups on chefs and the same style of interviews. Here is the thing though. Street Food might be similar to other Netflix cooking shows, but it’s also better than them in almost every way. Much better. It’s only 30 minutes long per episode, so it doesn’t indulge in egos or stray into unrelated stories. It doesn’t showcase kitchens where only the rich eat, like Chef’s Table often does, but stalls that are accessible to everyone. And in the best way, it connects the story of the food makers to the food. The show is mostly about middle-aged to senior women, and people who do not make that much money. It’s not about glamorous young chefs. It’s about food stripped away from any marketing or showbiz. Real cooking, real chefs, real diners. In its unpretentious nature, Street Food feels euphoric.

From the Oscar-nominated cinematographer of City of God, this is a Brazilian Netflix TV show that I can only describe as a smarter Hunger Games. In a dystopian society, the majority of the planet’s population lives in extreme poverty while a select 3% (hence the title) live in a heaven-like world called “The Offshore”. Every year, the 20-year-olds of the planet get a chance to join the 3% in a selection process that for the first time might harbor moles. With an intriguing first episode that shares just enough to keep you informed but engaged, it’s easy to want to binge-watch the whole first season of 3% in one sitting.

This is an amazing mini-series of 7 episodes marketed as being the same as the Netflix hit show Making a Murderer. While the two share some of the defining tones, The Keepers is a much more interesting show. It trades cliffhangers for substance, without compromising at all on the mystery of the murder addressed. It gives the bigger picture on what was going on in Baltimore at the time of the murder, and then heavily focuses on the victims from after the murder. It’s a riveting tale of injustice, sexual abuse, and corruption. If you so much as like true crime shows (or movies like Spotlight), you’re going to not only love The Keepers, but you will find it inspiring in how it addresses the uncovering of secrets.

Think of Dix pour cent, or, as it was horribly translated to English Call My Agent!, as a smart French version of the U.S. hit show Entourage.

The show is the kind of production that can easily turn into a binge-watching obsession. It chronicles the life of an aspiring talent agent at a French casting agency. New to Paris, she lands that dream job, but is confronted with a variety of very stressed-out characters. Dix pour cent is the perfect definition of a hidden gem.

(It features countless guest appearances by some famous French actors and actresses.)

Violent, very Western, and in a breath of fresh air: female. Godless is a show about strong bad-ass women that govern their own town in the late 1800s. Roy Goode is their visitor, an outlaw chased by another, much worse outlaw, Frank Griffin. It’s an honest and powerful show with some amazing performances, and even more amazing aesthetics. If you love Westerns but find them too predictable, this show was made for you.

Who doesn’t need a good 20 minute-per-episode comedy show in their life? We all do. The Letdown delivers on that front, but because we live in the age of the “cerebral” TV (or whatever you want to call it) it tricks you with some deep feeling stuff. It’s like paying for laughs. The show is about motherhood, as it follows a new mom and her struggle to cope with the demanding turn her life has taken. If you’re not yet a mom (for example, if you’re a man), this show will be really instructive for you; but if you’re a mom, you’re bound to see your experience portrayed maybe for the first time in an honest way. And with that honesty comes hilariousness on one hand, but also a lot of hard stuff (aka deep feeling stuff). A fun, real, and well-written show.

A wealthy family has to cope with the sudden loss of their fortune and their relocation to a dreary town that the father once purchased as a joke. Their life changes but their expectations of life don’t. Expect the undemanding, easy hilariousness of reality television. This is definitely a no-brainer TV show that gets better as the seasons go by and you get more used to its kind of humor.

Rita is a comedy-drama about a strong, unapologetic high-school teacher in her 40s, living and teaching in rural Denmark. It’s a great show to watch as someone who has no relation to Denmark because the way topics of sex, family, and personal life vs. professional life make it culturally fascinating. There is a lot to learn but a lot to enjoy as well. Rita’s character is incredibly complex and multi-layered. And the show’s also often funny – as it will be obvious from the first episode, where Rita meets her son’s father-in-law who turns out to be none other than her high-school sweetheart.

A captivating documentary series on the struggling state of the police department in Flint, Michigan; and by extension a large proportion of American cities. The town that had made the news for its water crisis is home to another crisis that dates back further: an exponential rise in crime.  The police department, however, keeps losing funding year over year, so much so that they can only have less than 9 one-officer cars patrolling the (large) city at any one time.  A sobering and impressive account that follows officers facing not only harrowing situations in a failing city, but also the constant fear of being laid-off.

Netflix is stopping at nothing to collect the best true crime stories around, a bit like an African dictator looking for aid programs. The latest addition is the incredible thriller mini-series, “The Staircase.” It originally aired in 2004, but Netflix took the same director and allowed him to add new episodes in 2018 to complete the story.

The plot: A famous American novelist’s wife is found dead, and he is accused of killing her. His life comes under scrutiny as everyone asks whether she died in an accident or was murdered. If you liked their other hit, “Making a Murderer,” you will love this. You should also definitely check out “The Keepers” or Netflix’s binge-worthy crime documentary, “Evil Genius.”

There are only 20 seats in Formula 1 each year, which means that drivers are racing not only to win but to keep their spots. Every single driver faces cut-throat competition from the rest, as not everyone will be able to compete in the next season.

Just like Losers, the other Netflix show that premiered around the same time, Formula 1: Drive to Survive focuses on the back of the grid. Lewis Hamilton, the five-time world champion, is rarely seen for example. Instead, you get an inside look into the drivers who are under the most pressure of losing their seats – trying to get the most out of cars that are usually not up to par.

This makes for a thrilling show that covers almost all of the 2018 championship. If like me you don’t follow F1, the events that take place will be completely new to you too. Which means even more suspense in this well-made and engaging docuseries.

Rilakkuma and Kaoru is that perfect mix of cute and profound that you’d expect from a Japanese show about a woman living with teddy-bear roommates. The first episode is about cherry blossoms, but really, it’s about loneliness. Actually, the best term I can find to describe this show, and I’m not joking, is “slice-of-life.” The stories are endearing and intimate. You won’t be able to help but relate to the main character as she deals with being single while her friends are in relationships, her apartment building being demolished and she can’t find another affordable place to move into, her stressful job, etc. I have never seen a show combine this many absurd elements (the woman lives with three goddamn teddy bears), with so much realism. And all of this is done in an easy, quiet tone.

Olivia Colman stars in this crazy comedy about an unusual family of intellectuals living in the English countryside.

Colman plays Deborah Flowers, the mother of the family and a music teacher. She’s struggling in her marriage to her miserable and unfaithful husband Maurice (played so well by Julian Barratt). Together they live with a Japanese butler who barely speaks English and their adult twin children who are always on the verge of killing each other.

Broken families have always been a premise for jokes on TV, but if you think about it or if you watch Flowers, you’ll be reminded that broken families are also a serious and dreadful affair.

This may well be Netflix’s first successful attempt at a traditional weekly television show, a brief and well-made set of videos on topics ranging from the wealth gap to monogamy to cryptocurrency.

The idea is decidedly not unique. The only thing YouTube might have more of than make-up advice videos are explanatory monologues by self-declared Illuminati.

But the production value, the research, and the dedication that went into Explained set it apart. Expect sharp and factual 15-minute takes on contemporary topics that deeply benefit from Vox’s experience in making easily digestible informative content.

At best you will end up more knowledgeable on topics. But expect your special uncle to yell at the “fake news-media liberal snowflakes” on television.

Rectify is an incredible show about the emotional journey one man takes upon his release from death row after 19 years. The acting, direction, and soundtrack of this series is unparalleled. While it does tackle some pretty intense topics like the death penalty, corruption, spirituality, and more, the show’s primary focus is exploring a story of a much more intimate nature. Daniel is the show’s main protagonist – a smart, thoughtful, damaged man who’s both vulnerable, yet mysterious. His release affects everyone in his family very differently – some, like his sister, Agatha, had been fighting for his release since the day he was arrested. Others, like his brother-in-law, suspect he’s guilty of the crime he was accused of. Still others, like the town sheriff, want to find new evidence to lock him away again. That said, this is a story that’s driven primarily by characters – and it’s a slow burn. The plot might be too slow for those who want to find out right away if Daniel is innocent or not of the crime. But if you watch the scene in the very first episode when Daniel meets his mother and sister outside of a prison cell for the first time in nearly twenty years and you don’t feel a torrent of powerful emotion, then this may not be the best series for you. But the rest of you will surely be mesmerised by the thoughtfulness and beauty of this show.

Bodyguard scored record viewing numbers for the BBC (the highest in 10 years). That’s only the tip of the why-you-should-watch it iceberg. Watch the first 20 minutes, just the first 20 minutes, and you will understand. If you don’t feel like you’re on an emotional roller coaster that’s about to derail by the end of the second episode, you should email me and I’ll try to get your Netflix subscription refunded. The ONLY problem with this show, and it’s a big one, is the last episode. But it’s just that one, the last episode. I’m not going to tell you why. You’ll see. But the rest of the ride is hella sweet.

As the name indicates, Losers tells stories of failure in sport – an unconventional way to look at competitive personalities. The first episode is on boxing, the second is on soccer, and so on. But if you stick around, you’ll make it to episode five – my favorite (full disclosure: it is set in Morocco, where I’m from).

Every episode is about a different story, so you can watch one or two not in any particular order, then keep the rest for later. It is the perfect documentary style with enough of a narrative to keep plot-addicted people like me captivated.

A bonus is that this show is created and directed by renown animator Mickey Duzyj – prepare for stunning yet purpose-driven animations.

There is footage and coverage to prove that the pizza bomber story actually happened but watching Evil Genius: The True Story of America’s Most Diabolical Bank Heist everything is so intriguing it is almost impossible to believe. A pizza-delivery guy shows up to rob a bank with what he says is a bomb secured around his neck, something that he claims is part of a treasure hunt. By robbing the bank, he will unlock the next set of clues that will allow him to defuse the bomb. Bank tellers comply but on the way out he is suddenly arrested by the police, who doubt his claims, handcuff him and keep him at a distance. The device he has around his neck then starts beeping. What follows is one of the most unusual investigations ever led by security forces, brilliantly framed by executive producers Duplass brothers. A perfect follow-up to their other amazing True-crime Netflix collaboration, Wild Wild Country, it’s a tight 4-episodes that is equally terrifying and intriguing.

This is the type of show where you will laugh your ass off in one scene, and then find yourself moved to tears in the next. It’s so heartfelt, so smart, and so, so well-written. The premise of the show is the revelation of a Nobel laureate that he used his own semen in his trailblazing research on fertilization. This prompts his daughter to search for her unknown siblings. She is stuck with two particularly interesting sisters, one of whom is a lawyer who tries to sue their father. One additional plus for me personally is the Australian accent. I love it in a comedy/drama, ever since I watched The Let Down on Netflix.

I can’t think of a good reason why this review shouldn’t just be two words: David Attenborough. With a voice that makes you wish every other voice in your life was the same, the star of Planet Earth teamed up with Netflix to make this new nature show. It took four years to film, and it bounces countless times between continents in every episode. It’s rich, vivid, and oh so beautiful. So they just made another Planet Earth? Not exactly. Our Planet has a much stronger environmental message. It’s not a line here and there about the negative impact we’ve had on the planet – it’s the theme behind the whole show. It’s frank, sad, but always, always, stunning.

A hilarious BBC/Viceland comedy about an underground hip-hop station and the unique characters that run it. Kurupt FM is lead by MC Grindah, a disillusioned but dedicated DJ. He is introduced in the first episode by his wife as someone who has been arrested before, but only for “silly little things” like “drug dealing and hate crimes”. His friend and manager is Chabuddy G, a “business” man who lives in the cybercafé he runs with his Eastern European wife he can’t communicate with, all while trying to start a company to import “peanut dust” (the last bits of peanut that remain at the end of a peanut pack). People Just Do Nothing is legitimately funny with quick episodes and even quicker seasons. The first one only has four episodes, so it’s a guilt-free yet amazing binge.

Ozark is a show about how a seemingly average family that gets tangled up in very unusual circumstances.  Jason Bateman plays an accountant who launders money for a big Mexican drug cartel from Chicago. When things go wrong with the Cartel leader, he is forced to set up shop in the Ozark valley and change practically every aspect of his wife and two kids’ lives. The show is not only an exciting crime drama but an interesting manifestation of very common American family discussions and concerns.

An extremely bingeable and thrilling Norwegian TV show about a world in which Norway decided to stop its oil production to fight climate change. Russia, with support from the EU, occupies Norway.

This scenario might seem far-fetched at first, but watching Occupied I wondered how there is a future in which it doesn’t happen (I’m sure there is, I just don’t want you to think this show is not realistic).

At the center of the story is the police department, who, just like in most occupations, have the difficult position of protecting both their population and the invaders. There are personal stories and geopolitical dynamics, all intersecting to make for a deeply engaging series.

Unbelievable is one of the best Netflix productions in a while and definitely the best detective-centric show since the first season of True Detective.

After a rape victim is not believed by the detectives who are assigned to her case, details of a similar incident surface elsewhere.

Two detectives played masterfully by Toni Collette and Merritt Wever, embark on a relentless journey to catch the perpetrator in this thrilling and insanely bingeable true-crime show.

Sex Education is an original mix of what its title would indicate, but also of heartfelt and funny stories. Otis, a British teenager whose mom is a sex and relationship therapist, starts harnessing her knowledge to help the sex woes of the kids in his high-school. Hilarity regularly ensues as you’d expect from anything involving sex and uninitiated teenagers. But for all its worth, Sex Education is never cringe-worthy. Its realistic writing of teenage misadventures can teach any adult a thing or two. If you liked Lovesick, another Netflix British comedy about sex trouble, you will like Sex Education.

An 11-time Primetime Emmy nominated BBC series. Two words: Idris Elba. This is his show. He stars as DCI John Luther (watch this show and you’ll never be able to pronounce that without a British accent), an extremely smart, committed yet unpredictable and sometimes violent detective. The creator and writer, Neil Cross (Doctor Who), has said to be inspired by a mix of Sherlock Holmes and Columbo. The show really succeeds at hitting that right balance. The only difference is that both the crimes portrayed and the context of the show are very modern. Luther will sometimes play with your mind, entertain you at others, but mostly it will keep you captivated. And without realizing it, it will make you develop an interesting closeness with Elba’s character. The supporting cast, from other police officers to villains, are all terrifically acted. This is British mystery at its very best.

If you liked Netflix’ Stranger Things gloomy suspense, sit tight because there is a lot more of where that came from in Dark. Here is what they have in common: the aesthetic, great music, and they’re both about the disappearance of a child. Other than that, it is very difficult to compare Dark to anything else I’ve seen before.

This German show is about a town with a long and dark history, which is brought to the forefront of the collective conscious when a child goes missing. The plot twists and turns through decades of history – and that’s as much as I will share without ruining the show for you.

Dark uses beautiful aesthetic, both visually and musically, to be compelling and painfully tension-ridden.

Season two has more bouncing between timelines and more dark and inexplicable events, as now six people are missing.

This is a fantastic BBC thriller series. Perfect writing, exceptionally well-developed characters and great actors across the board make this production a classic crime show. A middle-aged Yorkshire Police sergeant is coming to terms with the release from prison of a man who had caused her great harm. His comeback coincides with a kidnapping attempt by a local drug kingpin. A seemingly quaint small town reveals its crime underbelly in a plot that mixes personal vendettas with life-threatening crime. Happy Valley has a great sense of suspense, it’ll keep you on edge at all times. It might not seem like much at the start of the first episode but grows on you. It also follows the BBC tradition (think Luther, Line of Duty, Broadchurch) of addressing the darker side of police work.

There hasn’t been a docuseries as worthy of a binge since the Netflix production Wild Wild Country. 1994 might be even more gripping since its modest episode count (five) doesn’t delay any revelations. And just like Wild Wild Country, the events in this show get more and more mind-blowing as the episodes roll. Most of the story would be hard to believe if it wasn’t… you know… based on facts and backed by footage and interviews. The show starts with Mexico’s prominent presidential candidate, a shrewd political activist who was determined to bring change to the political structure, getting shot during a televised political rally. What follows is a series of in-depth interviews, including with Mexico’s president at the time (pictured above) and pretty much all the relevant people to the story who are still alive today. This is a rich, informative, and fascinating account of a violent and tumultuous year in Mexico. As the people being interviewed point out, understanding the relevance of 1994 in Mexican politics will help understand the country’s political and economic landscape today.

If you’re looking for a funny yet original sitcom, look no further than Derry Girls.

It takes place in 1990s Northern Ireland where civil unrest reigns. News of bombings is regular. This is a cause for concern for a lot of people, but for one group of teenage girls life continues as usual. Making fun of the first boy at their all girls school and being embarrassed by crushes are unshakable priorities.

Derry Girls might have been a good show with just the 90s nostalgia and the political undertone, but the sharp and hilarious writing elevate it to greatness. It is truly one of the best sitcoms ever made. If you liked The End of the F***ing World, you will enjoy Derry Girls. They differ in plot but they both carry similar elements of dark and dry humour.

Watch out for Sister Michael, she is hilarious.

A British comedy series that was originally called Scrotal Recall before it was bought by Netflix and rebranded. It’s about Dylan and his friends, he is a desperate romantic in his 20s who suddenly discovers he has chlamydia, and therefore must contact all his (numerous) past sexual adventures and relationships. Every episode has the name of one of the girls he has to contact, and the story that goes with it. Dylan’s best friends are Luke, a hilarious seemingly confident but actually insecure, shallow business-school-type; and Eve, Dylan’s best friend who may have undisclosed feelings for him, she is a sarcastic, smart girl who is very well portrayed by Misfits star Antonia Thomas. Lovesick is a charming little series, that portrays failed relationships but ends up being beautifully romantic. Something you can easily find yourself watching many episodes in one take.

Two seasons are available now of this exquisite crime show made under the supervision of David Fincher. Mindhunter’s pacing, incredible stories, and great acting make it so easy yet so enjoyable to consume. The show is about FBI agent Holden Ford, who becomes involved with the freshly founded Behavioral Science Unit headed by agent Bill Tench (marvelously played by Holt McCallany). Together they go around the country interviewing serial killers and trying to solve open murder cases. It’s a retro account of the start of serial murders and law enforcement’s early attempts to understand them. Netflix’s most binge-worthy show so far, Mindhunter is a very interesting, almost scientific thriller.

A dramatic take on the life and capture of Ted Kaczynski, popularly known as UNABOMBER(UNiversity and Airline BOMber) from the eyes of an FBI profiler. Kaczynski was responsible for 16 bombings, and it took 17 years for the FBI to catch him. To date, he’s the target of the most expensive chase the FBI has ever launched. The show is not a mystery (facts are the matter of public domain) and doesn’t even pretend to be one. Instead, it focuses on the complex motives of the UNABOMBER, as well as the bureaucracy that the FBI ran through trying to catch him. It’s a really well-made, engrossing show that’s hard not to watch in one take. It’s 8 episodes of 40 minutes, so pick the time you start it wisely.

Some of the best black actors working today team up for When They See Us – the list includes Michael K William (Omar Little from The Wire) Jovan Adepo (Fences) and Jharrel Jerome (Moonlight). And as most on-camera faces in this miniseries are recognizable (there is also Felicity Huffman and Michael Peña), so is the writer, director, and creator of the show, Ava DuVernay. She is the director of Selma, for which she became the first female black director to ever be nominated for an Oscar. I’m spending a lot of time on credentials because the performances and high-quality direction are one of the few things that will get you through this show. It’s a tough watch – chronicling the story of five black teenagers who get falsely accused of rape. The case, known as The Central Park Five, was also made into an excellent documentary by the same name (available on Amazon Prime). When They See Us goes through the mechanisms and details of how the U.S. justice system framed these teenagers. It also pays special attention to their time in prison, and their family relationships. It’s an excruciating but incredibly important watch.

Each episode of Abstract is a look into an art discipline through the lens of a selected contemporary pioneer. From illustration to footwear design, the show follows how the artists create and live, how they got started, etc. The documentary itself is really aesthetically pleasing, which kind of taps into your own creativity. The designers in the series are unknowingly well-known. Does that make sense? You will instantly recognise their work even though you’ve never heard of them before. A light, easy-going and inspirational documentary.

An original and compelling TV show about a World War 2 nurse who finds her life turned upside down by Scottish folklore. Her attempt to reconnect with her husband from before the war is interrupted by her finding a new love. I don’t want to ruin the first episode for you, but that’s all I can say without giving away to much. Outlander has both the charming desperation of World War 2 and the bravery and epicness of the Scottish resistance in the 18th century. Above all it’s a truly epic love story led by actors who boost a lot of charisma. It will feel like reading the book it was derived from, and in that sense it is incredibly addictive. A satisfying and adventurous show. Watch out for Episode 6 of the first season.

An amazing binge-worthy show that is a mix between a coming-of-age story, a romance, and a crime thriller. It tells the story of James, a 17-year-old who believes he is a psychopath (for some very convincing reasons). James decides he wants the victim of his first murder to be a new schoolmate, Alyssa.  He befriends her and keeps waiting for the perfect moment to kill Alyssa until he finds himself on a journey with her to escape her home. Somewhere near the middle of the show, and without you fully realizing it, it transforms from an original coming-of-age story or odd-boy-meets-odd-girl story to an intriguing view on adolescent insecurities and the role of parents into shaping them. It transforms from a mysterious, almost charming story to an interesting character study.  This is when the show will blow your mind.  It’s a fresh, smart, funny yet disturbing emotional thrill ride.

This show has fantastic action sequences, the best I’ve seen in a historical drama.

Based on the best-selling historical novel series The Saxon Stories, this is a story of adventure, war and complex characters that intersect during the Danish invasion of Britain.

Uhtred of Bebbanburg was a small who boy when he was kidnapped and then raised by violent Danes. He grows up to be a great warrior, but his half-Saxon and Danish roots make him the subject of skepticism on both sides.

Bold statement alert: There has never been a better alternative to Game of Thrones. While it’s not meant to be compared to Game of Thrones, the high production value, the multi-layered writing, and some great newcomer actors inevitably induce the same sense of addiction.

A Netflix documentary mini-series that follows the relocation of a cult from India to a small town in Oregon and the ensuing events. It’s a completely true story, but the events it portrays are so bizarre and unexpected that they have to be seen to be believed. The cult, led by a controversial Indian guru, drew worldwide attention to its beginnings in India and then to its conflict with the locals once it relocated to the United States. If you were a contemporary, you must know that the town is Antelope and the guru is Bhagwan or Osho, but if you were not, it is very unlikely you’ve even heard of it. What was a very significant moment in American media and history has been long forgotten, and is retold here in a captivating way. An extremely well-executed and a powerful account of a very unlikely story.