10 Best Western Movies to Watch Right Now

Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.

Written by actor-turned-screenwriter Taylor Sheridan (Sicario) and directed by David Mackenzie (who is responsible for the prison drama Starred up), this well-acted Western is one of the most captivating movies of 2016. Chris Pine and Ben Foster play two brothers, one cautious and out to better himself, the other, an ex-convict with an itchy trigger finger, whose family ranch is threatened by the local bank. Both set out to make a high-risk living of travelling and robbing that bank’s local branches. On the other side of town, grizzled Texas ranger Marcus, played by none other than Academy Award-winner Jeff Bridges, has one foot in retirement but is bent on solving their case. The film’s spectacular cinematography is reinforced by the brooding original music, composed by none other than Nick Cave and long-time collaborator Warren Ellis. It takes you on a journey that is as much about the two brothers’ violent upbringing as it is about the decaying towns they visit, making this modern-day crime western not only a great thriller but a tribute to the Texan way of life.

This is quite the movie. It’s based on the true story of Brady Jandereau, an ex-rodeo star who suffered from an injury that took him away from riding horses. This is the best part, in the movie, he actually plays himself. His friends in the movie are his real-life friends. And the horse taming scenes are real wild horses being trained (by him). The line between reality and the filmmaking process is so thin here. An absolutely mesmerizing movie, directed by Chinese filmmaker Chloe Zhao. The Rider. Don’t miss it.

Robert Ford is an aspiring gangster who idolizes Jesse James, leader of the notorious James gang. When that admiration reaches a level where it can transform to challenge and resentment, he starts considering the unthinkable. The cast is excellent- Brad Pitt, Casey Affleck, Sam Rockwell, Jeremy Renner, Sam Shepard, Paul Schneider, and Garret Dillahunt. Brad Pitt delivers an amazing performance which truly captures the presence that Jesse James brought to a room, one that seemed to overcome those around him. In addition the soundtrack is superb, one of the most memorable I have ever heard. This is a very unique, thrilling, and well-shot movie, it is easily one of the most underrated films of the past 10 years.

Tom Hardy, Guy Pearce, Gary Oldman, Jessica Chastain, and Shia Laboeuf (the good Shia Laboeuf) all star in this true-story-based gangster tale. As a result, Lawless is cliché-free, fast, and violent – yet it doesn’t take itself too seriously. Bootlegging Bondurant brothers live according to different rules, yet run a successful business during the prohibition era. When new authorities try to shut them down violently, each one of them has a way of dealing with it. The story runs very smoothly, and added to the perfect performances and great staging, Lawless becomes very entertaining, and a true pleasure to watch.

This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.

Two misfits, an immigrant and a traveling cook, team up to start an unlikely enterprise in this slow but captivating drama. The story, set in 19th century Pacific Northwest, evolves around the arrival of the first cow to that part of the world. This presents a unique opportunity that the two main characters try to benefit from.

First Cow is a mix between a Western and a modern-day plot-less indie drama.  It has likable characters, stunning scenery, and a fascinating look into how social outcasts lived back then.

The work of two people stand out here: the actor Christian Bale and the cinematographer Masanobu Takayanagi (Silver Linings Playbook, Warrior, The Grey, Spotlight, etc.) Bale plays an Army Captain who agrees to escort a dying Cheyenne war chief and his family through treacherous lands. The general and the chief, being old enemies, embark on a journey where their conflict seems the least of their worries. The cinematography is lush and reminiscent of the classics of the Western genre. It is a harshly stunning film you should watch.

There is a lot to admire about this revenge film from director Mouly Surya—the breathtaking shots of rural Indonesia, the grisly practicality of the titular Marlina, the relevant observations on gender politics, and the simple yet stylistic way all of this is revealed. Fans of Westerns and Spaghetti Westerns are also treated with an Eastern reimagining of tropes as the film exchanges long guns for Kabeala knives and sprawling deserts for tropical hills.

Packed with so many delights, Marlina the Murderer in Four Acts is a near-impossible miss. But if you somehow find none of this gripping, you can always rely on the sure thrill of seeing scorned women bloodily and rightfully avenge themselves. 

Written, directed, and scored by Viggo Mortensen, The Dead Don’t Hurt is a visually stunning, emotionally potent, but still impressively restrained period drama that flips the script on typical Westerns. On the surface, it looks like it could be one—there’s even a bad guy clad in black who slings guns outside a saloon—but the film decidedly focuses on Vivienne and her everyday life. Viewers might think nothing is happening, but in fact, everything is happening, such is Mortensen’s framing of the value of these overlooked aspects of life. Immigrants, too, who are usually just extras in Westerns populate this movie and make it their own—as they should. They’re the backbone of America after all, and yet they’re usually relegated to the background in period dramas. The icing on the cake is that the film is breathtakingly beautiful, each frame a transportive picture of 19th-century America.