One of the best, twistiest con movies in recent memory. Seasoned con artist Marcos takes young Juan under his wing after witnessing him pull a bill-switching scam in a deli. Soon Juan is learning the game and the two are roped into trying to pull off the largest scam in Marcos’ storied career, the selling of a set of incredibly rare stamps (the “nine queens” of the title). Along the way they will have to deal with a rotating cast of schemers, thieves, crooks — and Marcos’ estranged sister. A superior little crime thriller, this one will have you guessing right up until the end.

Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger.
Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.

One of The Drop’s many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn’t be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting.

The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.

The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of “Drive” and “The Network”.

The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you’re the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal’s performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.

Based off the real life experiences of the film’s writer, Jack Asser, Starred Up is a gritty crime drama set within a violent offenses prison in the UK. The film’s name references a youthful offender who, by virtue of his crimes, is sent to an adult facility. The film hums along like a taut bit of wire, keeping the viewer on the edge of their seat as the enormity of the prison subculture is unfolded in front of them.  Unlike many other prison dramas, this film isn’t afraid to break cliches and explore new ground, and is populated with disturbingly real character studies, slices of dark and broken humanity.