When Sr. Lino started his warehouse job, he had to work for 11 years before being able to sit down during work hours. This is because there was one chair, and he had to wait for his more senior colleague to retire before he could have his turn.Now, many years later, he’s about to retire. A new recruit is sent to replace him just five days before he leaves. Sr. Lino is disgruntled that the new kid will only have to stand for five days, but on the second day, the kid brings a chair from home and sits.Warehoused is a comedy about these two characters with completely different personalities as they interact during the few days left in Sr. Lino’s career. The most interesting thing is perhaps how little seems to happen: the warehouse is empty, unvisited, and yet religiously maintained by Sr. Lino.It’s such a joy to watch the two actors carry this movie. And behind the funny and simple premise, there is a lot that this movie tries to deal with: deceit and lies, the weight of modern working life, and more.
Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris.The hand storyline is not gory by the way, except for one or two very quick scenes. Mostly, this is a film about loneliness and not being able to find your way back, both as an immigrant who misses how they were raised and as a hand who misses its body.Sporting some of the most beautiful animation work this year, this movie premiered at Cannes where it became the first-ever animated film (and Netflix film) to win the Nespresso Grand Prize.
Scarlett Johanson, in her best performance since Lost in Translation, and Adam Driver, in the peak of his career, star in this heartbreaking drama as a couple going through a divorce.They are respectively an actor and a director living comfortably in New York. They’re keen to make the divorce go smoothly so as not to affect their son, but with entirely different visions of his future, this proves to be difficult. This premise makes for familiar territory for director Noah Baumbach who specializes in dramatic storytelling of the intellectual upper-class (like his other Netflix movie The Meyerowitz Stories). Here, Baumbach made his best film yet.Divorce is a recurring topic of our daily lives, but somehow there hasn’t been a movie that treated it with as little melodrama and as much compassion as this one. It’s still a difficult movie, but it’s good difficult. Perfect difficult.
This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus.When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past.Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.
The Young Offenders is a comedy about two Irish teenagers who go on a 160km bicycle trip to salvage 7 million euros worth of lost cocaine.As they sit on a hill overlooking their city, they imagine what they would do with that money. The answer is building a house that has lava lamps, “big gold walls”, Spanish girls, and an English butler to wake them up every morning with the phrase “what’s happenin’?”.You get the vibe. It’s is a silly movie, although the premise is actually based on a real-life event where cocaine from a capsized smuggling boat washed up on the Irish coast.The Young Offenders wears its heart on its sleeve. It’s a sweet funny movie, half slapstick and half plot, which sports an infinity of highly quotable one-liners.
I can’t get a song out of my head from this movie: the 1985 UK hit Desire As from Prefab Sprout.It plays when the two main characters, a sensitive kid who’s bullied by his school for not liking rugby, and the school’s rugby star; talk over the “Berlin Wall” that separates their dorm room.The song echoes “It's perfect as it stands, so why then crush it in your perfect hands?”. These two seemingly incompatible personalities form a friendship that comes under threat from their school’s traditional authority, especially as one of them is revealed to be gay. It might seem like a tough premise, but Handsome Devil is actually a comedy. It’s a sweet and easy coming-of-age comedy.
The Tragically Hip was a deeply beloved band from Ontario that peaked in the 90s with hits like Grace, Too or Nautical Disaster.The Hip, as their fans refer to them, had just finished recording their latest album in 2015 when the lead singer was diagnosed with a fatal disease.This movie is about them deciding to go on one last tour to say goodbye to their fans and country. Mostly, it’s about the singer, Gord Downie, and how his personality and love for the music shined through his illness.Picture someone who is giving an immaculate performance despite being a few weeks away from death, and a packed stadium of people singing along in tears - this is this movie.It’s truly an incredible story of human ambition, empathy, and the bond that music can create between an artist and a whole nation.
This is a gripping and incredibly well-made documentary about the demise of the last two Brazilian presidents, Luiz Inácio “Lula” da Silva (2003-2011) and Dilma Rousseff (2011-2016). The first is now in prison, while the second was impeached. The Edge of Democracy is narrated in English by the filmmaker, Petra Costa, a renown Brazilian director. Costa intertwines her family history with Brazil’s, as her parents were activists who were sent to jail in the ‘70s (her mother was held in the same facility as ex-president Rousseff). This grounds the documentary and turns it into a personal story that illustrates the bigger political picture. The Edge of Democracy knows that you don’t know much about Brazilian politics, but makes that a source of suspense rather than a disadvantage. It’s a perfect instructive watch.
A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did.This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.
This movie is like thriller-candy. It is full of twists, it is very atmospheric, and in nicely predictable fashion it will deliver that excitement rush we (most of us) love. Accused of murder, a wealthy entrepreneur hires the best witness preparation expert he can find. They have three hours before the trial to come up with the most solid, plausible defence. But ?, a new witness surfaces. Don’t expect anything overly original, but expect to be entertained.
This movie is a dramatic masterpiece and a tribute to loving middle-aged women everywhere. It is unparalleled in the way it portrays its characters and the subtlety with which it tells their stories. The events are centered around a 52-year-old Georgian woman who decides to leave her family home and live alone without much of a notice. She trades chaos and domestic disputes for solitude, and the prospect of sad old age for an opportunity to build a new life for herself. In other words, she trades being the secondary character to her mother, husband, and children, to being the hero of her own story. A genuine and beautiful film. If like me you grew up with a mother who sacrificed everything for you, this will hit very close to home.