When Sr. Lino started his warehouse job, he had to work for 11 years before being able to sit down during work hours. This is because there was one chair, and he had to wait for his more senior colleague to retire before he could have his turn.Now, many years later, he’s about to retire. A new recruit is sent to replace him just five days before he leaves. Sr. Lino is disgruntled that the new kid will only have to stand for five days, but on the second day, the kid brings a chair from home and sits.Warehoused is a comedy about these two characters with completely different personalities as they interact during the few days left in Sr. Lino’s career. The most interesting thing is perhaps how little seems to happen: the warehouse is empty, unvisited, and yet religiously maintained by Sr. Lino.It’s such a joy to watch the two actors carry this movie. And behind the funny and simple premise, there is a lot that this movie tries to deal with: deceit and lies, the weight of modern working life, and more.
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A sweet feel-good movie starring Nick Offerman as a dad who has to deal with his only daughter leaving for college and his record store struggling. The daughter is played by Kiersey Clemons who you might recognize from the show Easy. And Ted Danson has a great role too. This is a relatable and heartwarming movie, one of the best the so-called "indie" genre has known in a long time.
The true story of a grandma who gets diagnosed with a fatal disease and her family who keeps that information from her. They organize a fake wedding in China where she lives to say goodbye (hence the title).Rapper Awkwafina is incredible as the granddaughter at the center of the story. Living in New York and having a complicated relationship with China, she embodies the cultural question at the center of the story: is it OK not to tell the grandma? But also: can a wedding that's really a funeral to everyone but one person be held without that person's suspicion? The best thing about The Farewell, and it’s mostly thanks to Awkwafina’s performance, is that it’s never melodramatic. It’s technically a comedy, it's often funny, and when it’s sad, it’s heartfelt.
This story of a filmmaker who stayed in Aleppo, Syria during the war, got married then had a child called Sama, is a mix of difficult and inspiring.There are stories of unsurmountable loss, as the filmmaker’s husband is one of the 30 remaining doctors in Aleppo (a city of almost 5 million), and she films many of the victims that come to his hospital. But while this is happening, there are also uplifting stories of resilience and rare but profound moments of laughter and joy.We’re growing too sensitized to violence in Syria, and this movie, possibly the most intimate account of the war, can stir back a much-needed awareness of the injustices that take place.When things get really bad in the documentary, it’s hard not to wonder where the humanity is in all of this. You quickly realize that it’s right there, behind the camera, in Sama and her mother’s will to live.
What makes Apollo 11 stand out is its sharp minimalist approach, allowing the archival footage of the mission to the moon to speak for itself. It’s stunning to think that at one point or another we had collectively seen a bulk of the footage in this film, and yet somehow let it lay dormant until the moon landing had been reduced to black and white stills in our collective imaginations. Not only does this film reinvigorate the moon landing with the power that it once held, but it does so in a way that is more thrilling than anything the Marvel CGI wizards could muster. The vibrant score adds a layer of ferocious tension, while the breakneck pace gives the feel of a rollercoaster ride. If there is any fault to find here, it is most definitely with the film’s MAGA style yearning for a time and place that never existed. Spare us the teary-eyed patriotism and the clips of Nixon, a disgraceful criminal, and vile racist, yammering on about the world becoming one. Nevertheless, this is a fantastic example of why most biopics should just be documentaries and why the fanatical fear of spoilers is a tad silly. Spoiler alert: they land on the moon.
This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus.When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past.Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.
There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself. He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf.
A beautifully shot movie about a high-schooler who's pushed by his father to always work and exercise the hardest. He aces his exams and always wins at wrestling, but nothing is ever good enough for the father and there is no margin for error. When things with both his body and his relationship start going wrong, his existence comes crashing down. This movie has two parts, and it takes a lot of narrative risks, but the beautiful camera work and believable characters land every single risk. It's an incredible achievement and a movie that should have gotten much more attention than it did.
The first movie to be nominated to both the Documentary and Foreign-Language Oscar categories, Honeyland is a portrayal of one of the last wild beekeepers in Europe shot over three years. Her life consists of taking care of her ailing mother and harvesting honey according to rules her ancestors taught her, such as only taking half of the produced honey at any one time. These rules are broken when a nomad family arrives. The father, anxious about securing for his children, threatens the beekeeper's way of life.There is so much incredible footage in this difficult documentary, from hazardous mountain climbs to a kid helping a cow give birth. But throughout, the question of "how am I watching this?" often comes up, since the footage the filmmakers gained feels unobstructed by anything: it doesn't feel like there is a camera around.
Adam Driver, Annette Bening, and Jon Hamm are among the many recognizable faces of this star-packed political drama.Driver, pictured above in his ‘I’m goofy but I will save the world’ signature stare 😍, plays Daniel J. Jones, an investigator working with the Senate. He is assigned to write a report (“the” report) about the CIA torture program post 9/11.If you so much as liked Vice, the hit movie from earlier this year, you will love The Report. It covers similar grounds: incompetency, unclear intentions, confusion, etc; but in a way that is more to-the-point (which might make it feel dry to some). It also helps in understanding or getting a refresher on, how the Senate works and how organizations like the CIA interact with (bully) other branches of government. I would almost go as far as to say that if you are a U.S. citizen, watching this movie, with its many goofy Adam Driver moments, is your civic duty.
This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story".Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling.American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.
Before you press play on this movie, I highly recommend you take deep, deep breaths. The suspense in it grows in such an incremental way that you will be out of breath before you know what happened. And it doesn’t use anything other than amazing acting and an amazing story to achieve all of this. One man, in the equivalent of a 911 police center in Denmark, and a room. That’s it. He receives a call that turns his night around and puts him in front of very important questions on his ethics and how far he can go to help the people that call him. This movie feels like it was made on a $100 million budget, but the reality was very far from that. It doesn’t even believe in budgets. Grab someone next to you and go watch it so that you can discuss it after.
A sweet and romantic German movie about two Berliners who meet randomly and go on a road trip to the south of Europe. It might seem like a silly premise but it's actually a philosophical movie, one that feels very realistic. The two characters debate human nature, politics, relationships, etc; almost throughout their trip. And they're played by excellent newcomers who ooze charisma and make the question of what will happen between them incredibly thrilling.
This is a gorgeous French-Canadian movie with out-of-this-world sound work.Laurence is deeply in love with his girlfriend, Fred. On his birthday, he announces to her that he wants to restart his life as a woman, having always hated his male body. Fred doesn't know how to take the news: “everything I love about you is everything you hate about yourself”.Laurence Anyways is about how their romance continues after this revelation. There are so many reasons to watch this movie: the story, the acting, the cinematography; but trust me, the soundtrack alone is reason enough.
A flawless Daniel Day‑Lewis stars in this thought-provoking romance. He plays a successful dressmaker in post-second-World-War London who falls for a waitress while on an excursion to the countryside. It's hard to tell you what this movie is about without ruining the story for you but I can tell you how it made me feel: it kept me guessing the whole time. Day-Lewis' character is so masterfully played that I felt that every move he made was calculated and that every line meant something. Plus, expect stunning dresses, beautiful country-side sequences, and an all-around gorgeous aesthetic experience.