Shia Laboeuf and Stellan Skarsgård star in this true story about one of the greatest tennis matches in history: the 1980 Wimbledon final. The movie dissects what drives both competitors (one played by Laboeuf and the other by Sverrir Gudnason). Their personalities, considered opposites, are studied through their paths and how they got into tennis. All this leads to that one match, in this beautiful story of dealing with competition and fear of failure. Don’t stop watching when the credits roll, read what they say!
Jessica Chastain and Oscar Isaac star in this slow-burning but impeccable crime thriller.Abel Morales (Isaac) owns a fuel distribution company in 1980s New York. His competitors are violent and corrupt, and the feds are after him. The temptation to resort to unlawful methods is high, especially that his wife (Chastain) is the daughter of a mobster.A Most Violent Year is about how this temptation of corruption unfolds and whether Abel will surrender to it or not.
Girl won four awards at the Cannes Film Festival last year and was nominated to 9 Magritte Awards. It was also Belgium’s entry to the Oscar for best foreign-language film. When a dance school accepts her, Lara has the opportunity to realize her dream and become a professional ballerina. The dancing takes a toll on her body, but her biggest obstacle is that she was born into the body of a boy. Girl illustrates the trans teenage experience with sensitivity, slowly and humanly making Lara’s anguish become the viewer’s. Based on a true story.
Thunder Road is both a single-shot 13 minute short and a 91-minute feature-film expanding the story. Both are excellent and award-winning, but I really recommend the full experience!Jim Cummings (above) is the director, writer, and main actor of this dark comedy. He plays a police officer having the worst day of his life as he tries to sing Bruce Springsteen’s Thunder Road at his mother’s funeral.This sight is funny, and so is most of the story. But it’s also cringe-inducing, and because the main character is so sincere in his decline, will make you feel guilty about laughing so much.
Philipp Seymour Hoffman stars in this family drama next to Laura Linney as siblings. They have to unite to support their father who after the death of his girlfriend finds himself alone. The Savages, after the family name, have dynamics that are all too common and easily recognizable. This is a beautiful and real movie.
Demian Bichir was nominated for an Oscar for his role in this movie where he plays an illegal immigrant and father. You might be wondering "who is that?", but trust me you won't after watching this movie. The kindness, complexity, and authenticity he brings to this story are unparalleled.A Better Life is about the illegal immigrant experience, about the line between the fear of being caught and the aspiration for a better future. It's an excellent and important movie.
An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie.
We all love Jeff Bridges. We all agree that we shouldn't leave a movie he won an Oscar for unwatched. That's enough reason to watch this movie, but there are so many others. The story is fantastic and based on true events: a country musician living rough and having a shot at happiness after he falls for a journalist who interviews him. The score is composed by T Bone Burnett. The journalist is played by Maggie Gyllenhaal and another musician is played by Colin Farrell.So many reasons to watch.
Russel Crowe, Nicole Kidman and Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. Crowe plays the father, a priest, and Kidman the mom, a religious person as well. When their son comes out as gay, they decide more or less with his acceptance to send him to a conversion therapy center. The movie is about the experience of the center but it's also about the family dynamic as a whole. Also stars Joel Edgerton, who also adapted the screenplay (a true story) and directed the movie.
This true story of a white-supremacist and the civil rights unit that tried to stop his group was so gripping. You might recognize the title from the Oscars ceremony, as a shorter version of Skin (same director but different actors) won the Academy Award for Best Short Film. The longer movie provides much more time for the characters to develop, and room for more of a commentary on the current political situation in the U.S.Fun fact: see that scary man in the picture? That’s Billy Elliot star Jamie Bell who went through a transformation for the role, including always wearing a device to pull his ears closer to his head because they were “too cute”.
A razor-sharp script and beautiful scenery make this one of the best road movies in recent memory.When their cynical best friend dies, Seph and Alex embark on a journey to scatter his ashes over four spots he wants to go back to. Tupperware of ashes in the glove-box, they start their big adventure.Burn Burn Burn, an expression their friend quotes from Kerouac, is a chance for the two friends to escape their hectic city life and to discover themselves. It’s a beautiful movie.
This is a slightly weird and not so slightly quirky movie to be avoided by anyone with a low tolerance to the weird or quirky. Greta Gerwig (Lady Bird, Frances Ha) and Noah Baumbach (The Squid and the Whale, also Frances Ha) write the story, while Gerwig plays a lead role. Two girls, one a New Yorker and the other having just arrived in New York for a writing program, get in touch because their parents will marry. The writer is fascinated by the personality of the New Yorker and follows her everywhere to understand her more, and eventually write about her. Mistress America is their journey through friendship and through New York. Stick around the first 40 minutes or so, because the second half of this 82-minute movie is hilarious.
This is a gorgeous Danish period drama that’s based on a famous story and book in Denmark called Lykke-Per (or Lucky Per) by Nobel Prize-winning author Henrik Pontoppidan.Per, the son of an overbearing catholic priest, leaves his family house in the country side to seek a new life in Copenhagen. His passion about engineering was at the time contrary with the Christian faith, but manages to introduce him to the capital’s elite, and a chance at social ascension.Lykke-Per and A Fortunate Man are about nature versus nurture. Per’s passion about engineering and renewable energy (back in the 1920s) is set against his need to emancipate and the pride that was instilled in him by his upbringing.
Graduation is a Romanian movie from the director of the Palme d’Or winner 4 Months, 3 Weeks and 2 Days (also number 15 in the BBC’s 100 Greatest Films of the 21st Century.)Romeo is a 49-year-old doctor in the city of Cluj-Napoca. He is immensely proud and dedicated to his daughter, Eliza, who gets awarded a scholarship to go to Cambridge provided that she does well in her last high-school exam.The day before this exam, Elisa is sexually assaulted outside her school, and her wrist is broken. The event haunts the family and jeopardizes Elisa’s chances of succeeding in her exam.Romeo, still determined to ensure his daughter’s success, vows to do anything to not let the assault ruin his daughter’s future. Graduation is about this father and daughter duo as they go against a corrupt but quickly changing Romanian system.
This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality.The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling.Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.
Shoplifters is the Winner of the 2018 Cannes Film Festival from Japan. It's about a poor family made of small-time outlaws who live from shoplifting amongst other petty crimes. They take in a new girl they find outside in the cold and introduce her to their otherwise happy family. But when the second-youngest member of the family finds himself teaching her how to shoplift, he faces a moral dilemma that threatens the fabric of the family.From renown director Hirokazu Koreeda, and if you don't know who that is - I really recommend checking out his other movies. Namely, Still Walking, Like Father, Like Son and After the Storm.Koreeda is often referred to as the best Japenese filmmaker alive, and Shoplifters is solid proof that he deserves that title. Its affecting story and slow-burning nature are sure to stay with you for a long time.
A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience.Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story.Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.)This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against.Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.
This movie’s energy is completely intoxicating.It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.
Cinematography is a big part of Cold War, the story moves through stunning shots of the Polish countryside and later on an incredibly delicate portrait of Paris. All of that would be a waste if you watch it on an iPhone, so I really recommend watching this on as big of a screen as you can get your hands on.In 1950s Cold War Poland, a band of folk musicians find themselves used as a tool for Soviet propaganda. Their travel through the country is hijacked by this agenda, but it remains an incredible journey. It goes through different seasons and aesthetics uncovering lost Polish songs and poems.The leader of the band falls in love with one of the dancers, and the limits imposed on the couple under communist rule make them seek alternatives. Cold War is a statement on how far artists go for their art, especially when they become constrained not only by politics but by romance.It’s a poetic yet quiet movie that doesn’t scream its point but rather invites you to come to your own conclusions.
A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.
This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.
Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race.
This film really satisfied my craving for an original thriller, despite the fact that I spent most of it thinking about how Logan Marshall-Green looks like a budget Tom Hardy.He plays a guy whose wife is killed during a violent mugging that also leaves him paralyzed in the aftermath. When a billionaire approaches him with an Artificial Intelligence solution that would "upgrade" his body, he has a chance to take vengeance.This is Robocop meets Ex Machina meets Blade Runner. It's original, low-budget without feeling low-budget, and honestly just so thrilling. It gives the genre of sci-fi a much needed upgrade.
When asked about starring in First Reformed, Ethan Hawke said it’s the kind of role he would have never dared to audition for 10 years ago. This is coming from the same goatee icon who did Gattaca 22 years ago, and Training Day 18 years ago. Needless to say that his performance in this movie is exceptional, and we hope that it will be rewarded with an Oscar. The film centers around his character, a reverend of a church in New York, who is trying to help a couple with marital issues (deciding the fate of a pregnancy). Instead, he uncovers a deeper story and becomes unexpectedly involved. Religion intersects with ethical questions on activism, abortion, and environmental issues. I know that sounds like a lot, but First Reformed delivers on everything. The writing by Paul Schrader is delicate yet ensures that the movie keeps a gripping pace.
Steve Carrell delivers an amazing performance here. Beautiful Boy is a movie that is based on a true story that first appeared as a best-selling serialized memoir. It’s about a son’s journey through drug abuse and how his relationship with his father evolves. The son is played by Timothée Chalamet (Call Me By Your Name), Carrell is the dad. As you can probably guess, the themes of drug addiction and family are made to induce tears, which this movie manages to do in a lot of ways. It can come across as somewhat emotionally manipulative at times. In those moments, it helps to remind oneself that it is based on a true story. The performances and the exploration of the limits of the father-son relationship remain the reasons why you should consider watching this movie.
It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.
A relevant and deeply entertaining movie that only has the appearance of being about politics. In reality, it is about television, and one brilliant journalist’s pursuit of the perfect interview. Richard Nixon stepped away from the public eye after the Watergate scandal, and was counting on a series of interviews three years later to redeem himself. His team assigns an unlikely reporter to sit in front of him, a British reality TV host named David Frost. Both men have everything to gain from this interview by going against each other, as Frost tries to extract a confession of wrongdoing in Watergate that Nixon never gave. Who will win? The master manipulator or the up-and-coming journalist? Frost / Nixon was originally a play, and this adaptation is full of drama and boosts great dialogue.
It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.
Finnish director and megastar Aki Kaurismäki hits with yet another absurd but poignant movie. The Other Side of Hope is about a Syrian refugee and his journey across Finland, both the country and the culture, in hopes for a fresh start. It's a genuine and simple movie, played masterfully by a cast of newcomers. But in its simplicity, it elicits empathy on a subject that most of us choose not to dwell on nowadays. Aki Kaurismäki has the unbelievable skill of distilling tragic events into their humane component. A movie to give credit to, and to watch without any prior expectations - unless you're familiar with Aki Kaurismäki's previous work.
I always seek out Icelandic films; something about the quality of light and quirky sensibility that appeal to me. Having developed a fondness for sheep on a recent Welsh trek, "Rams" had a double attraction. A tale of brothers divided by life but ultimately united in and by their deep, tender, inspiring love of their rams. Close to perfection. Sigurdur Sigurdurjonsson is luminous in the lead role.
Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did.This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.
You live in a strange world. Or at least, that's what the generation before you thinks. Eight Grade is a movie that follows a girl going through her generation's strange world. Social media, selfies, Youtube; you name it. But also, the weight of her expectations (as shaped by the internet) versus her reality. Written and directed by famous comedian Bo Burnham, it's a gentle and often funny look at our anxieties and how they shape our growth. Prepare for a lot of cringes.
If you’ve never heard of Sonia Braga, you’re in for a ride with this movie.She is, in my opinion, one of the best actresses alive today. In Aquarius, she stars as a 65-year-old trying to keep the home in which she pledged to die. In a quiet, yet stoically powerful performance, she reminds us that identity often intersects with the spaces in which we live.
It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.
A24 + Steve Buscemi = ?. In “Lean on Pete,” Buscemi plays a guy called Del Montgomery (of course), who is a racetrack horse owner in Portland, Oregon. He befriends a kid, Charley (Charlie Plummer in an amazing performance), who had been abandoned by his family and is new to Portland. Together they take care of Montgomery’s only horse, until the kid discovers that the horse is set to be slaughtered. He embarks on an impossible journey across the U.S. to try to save the horse while also looking for his family. This movie flew under most peoples’ radars. It is truly amazing. If you like “Lean on Pete” you should watch other A24 gems like “Lady Bird” or “The Florida Project.”
As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor's debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called "A Fantastic Woman".
This is the type of movie I completely fell in love with but cannot articulate exactly why. Maybe it's the mixture of beauty and pain portrayed, maybe it's the intricate sounds and beautiful imagery, maybe it's the story, maybe it's all of the above. A woman is hit with sudden disability after an accident and calls on an unlikely companion, a night club bouncer by the name of Ali. Together they explore her new predicament and its implications, while forming a special bond. This is a movie that will call upon your internal strength, while portraying how us humans can become strong together. Most of all it provides an immensely powerful, ultimately simple story that is both touching and will stay with you for a very long time. Directed by Jacques Audiard (A Prophet).
This movie is a dramatic masterpiece and a tribute to loving middle-aged women everywhere. It is unparalleled in the way it portrays its characters and the subtlety with which it tells their stories. The events are centered around a 52-year-old Georgian woman who decides to leave her family home and live alone without much of a notice. She trades chaos and domestic disputes for solitude, and the prospect of sad old age for an opportunity to build a new life for herself. In other words, she trades being the secondary character to her mother, husband, and children, to being the hero of her own story. A genuine and beautiful film. If like me you grew up with a mother who sacrificed everything for you, this will hit very close to home.
To All the Boys I've Loved Before is not only the best rom-com on Netflix, it's one of the best rom-coms in recent memory, period. It has all the originality and freshness of Juno, the inclusiveness and relevancy of The Big Sick, and the sweetness of all your favourite 2000s romantic comedies. Lara Jean is a high-schooler who's never been in a relationship and who, instead of communicating her feelings to her crushes, writes them letters that never get sent. Her world is turned upside down when those letters do end up in the hands of their recipients. Her first relationship, however peculiar, comes out of the incident. The acting is top notch, the characters are lovable and well-written. Just go watch it, OK? It's a true triumph and an innocent-fun movie, there is no scenario in which you will be disappointed.
A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too. It grossed around $80 million on a budget of $8.5 million.
There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses.
A beautiful coming-of-age story that is mixed with one of the best depictions of a mother character in movie history both make Lady Bird an absolutely exquisite film. Its slice-of-life story taps into the universal issues, dreams, and frustrations that almost every small-town kid has faced; and it manages to do all of this without feeling forced or cliché. This is because of the attention and care that were given to it but also because of how tightly it's based on the life of its writer / director Greta Gerwig. A wonderful movie.
A Ken Loach type of vibe drives The Selfish Giant to be an interesting mix between anger, desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer. As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.
Short Term 12 is exactly like being injured in a part of your body where you didn't think it was possible to get injured before. It will hurt but it will make you care. Natural and understated by budget and by purpose, it is powered by perfect performances that will take you on an emotional roller coaster ride you will never forget. It is at times sweet, at times depressing and at times hilarious. The thing is, without even taking into consideration its small budget or the importance of the issues it talks about - we would still consider Short Term 12 as one of the best movies of the past 20 years.
It's often said that trying to make a comedy movie featuring a character with cancer is just a bad idea. And while there may be a good share of failed attempts in that category, 50/50 is not one of them. In a movie that comes closer to a believable real life situation than most, 50/50 manages to mine humor, pathos and simple honesty from a dark and traditional situation. Starring Seth Rogan and Joseph Gordon-Levitt, this film isn't afraid to 'go there' but you'll enjoy the journey.
BPM is centered around AIDS activist in the early 90s in Paris representing the French branch of the advocacy group ACT UP. In a time where information about AIDS was as limited as access to the appropriate medicine, activists were divided into groups depending on their preferred methods of shaking up the system. Some wanted to express their anger at it while others tried to maneuver within it. But themselves being HIV positive for the most part, they shared a common sense of urgency and passion towards the cause. BPM is a beautiful yet honest portrayal of these activists, a movie as full of life and emotion as the people it portrays.
Every once in a while there are movies that expand the definition of quality film-making. This is one of those movies.Here is an incredible, yet delicate film that follows three children from poor families who are stuck living in subpar motels. Their lives and friendships are portrayed with honesty and precise aesthetics. It’s a story that at first seems as plot-free as life itself.It succeeds in capturing an innocence that is usually reserved to a child’s imagination: a precarious living condition full of adventures and fun. It’s hard to describe it beyond that; it’s the kind of film that must be seen to be fully understood.And it ends on a very high note.
The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He looses his wallet, his children fight, the art he oversees is does not make sense to an interviewer... Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that's just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!
Two strangers in Germany deal with their Turkish identity in separate ways but are joined together when they agree to a fake marriage in order to help each other break free. This is a dirty, gritty and heart-wrenching story about culture, love and the violence that unites them. Winner of a Golden Bear and "Best Film" as well as "Audience Award" at the European Film Awards.
What goes well with a love story? Creative architecture. Columbus the movie is such a great and genuine exploration of this idea, filmed in Columbus the city - a weird experimental hub for architecture that actually exists in real life! After his architect father goes into a coma, Jin (John Cho), a Korean-born man finds himself stuck in Columbus without a foreseeable end. In Korean tradition when a parent dies, the son should be in the same place physically otherwise they can't mourn. While waiting to see what will happen to his father he meets Casey (Haley Lu Richardson), an aspiring architect herself, who's also stuck in Columbus because of her mother. This is a beautiful movie with real-life issues and situations, to be especially appreciated by viewers who don't mind a slow narrative in exchange for a meticulously-crafted movie.
Charlotte Rampling and Tom Courtenay both won Berlinale Best Actress and Best Actor for this movie. They play a couple who are only a few days away from their 45th marriage anniversary when they learn that the remains of the husband’s first lover have been found. He then starts obsessing about his previous relationship, to the extent that when the day of the anniversary comes, there might not be a marriage left to celebrate. This is a very ‘adult’ movie – it’s quiet, sometimes slow, very well-executed, and overall a fascinating look at marriage.
Nostalgia for the Light is a documentary about Atacama desert and the two activities that go on there: astronomers in ALMA space observatory examine the sky, and the relatives of murdered people dig the ground hoping to find their loved ones. The way the director compares these seemingly totally different topics (searching the sky and searching the sand) is pure poetry. It's a serious, but not depressing nor boring movie. All the interviewed people are amazingly relevant and have great insight. They made me feel like I want to get to know them personally. If you're looking for a detailed "for dummies" introduction about Chile, ALMA observatory or Pinochet's concentration camps, this movie is not for you. It's for viewers who want to learn to appreciate the beauty of life and history, and the surprising parallels they sometimes offer us.
The Reader is a German-American drama from 2008, based on the best-selling novel by author Bernhard Schlink. The storyline begins with adult Michael (Ralph Fiennes) reminiscing about his adolescence in post-World War II Berlin and his fateful relationship with an older woman named Hannah (Kate Winslet). 15-year old Michael is beset by Scarlet Fever and helped off the street one day by Hannah. Taken into her care, they soon begin a passionate affair, quickly forsaking family and friends for every opportunity to ensconce themselves in a world of lust and desire. As their time together progresses, Hannah begins urging Michael to read to her daily—to which he draws from many classic novels and delights in their rich interchange. Hannah suddenly disappears from Michael’s life, however, only reappearing several years later when young law student Michael is stunned to find her facing a World War II war-crimes tribunal. Tied to a real-life series of trials against former Auschwitz employees, The Reader is a strikingly original and exceptionally well-made film that is recommended to those who appreciate sophisticated, emotionally mannered cinema.
Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.
Emily (Evanna Lynch), a strange, unique girl does not receive the long awaited letter from her father on her birthday. Sick of worrying, she decides to break away from home to visit him in the psychiatric institution where he stays. The plan requires the help of Arden (George Webster), a boy from school who is ready to drop everything and accompany her on a journey that quickly becomes as adventurous as it is heartfelt. In this film, director Simon Fitzmaurice take will take you on a trip through the beautiful Irish landscape to find nothing else but simple and true love.
This is a movie with which you can easily connect. I have never experienced such deep connection and feelings towards characters. Seven friends get together for a dinner, and they decide to share every text message, email, and phone call they receive. The difference we all have to some degree between our public selves and private lives is the same one that comes out and threatens the balance between these long time friends. The film may feel a bit claustrophobic for some but that same feeling allows you to laugh, to shiver, and to even feel the deepest sorrow alongside the characters. For me this is a must watch.
Let me just preface this by saying The Best of Youth is 6 hours long. Yes, that's 358 minutes of run time, and it puts off a lot of people. But if you're into unusual movie premises like me and up for the challenge - the reward is tremendous. The Best of Youth tells the story of four friends through a period of 30 years; what they go through how they develop their personalities, their worldviews, etc. And because it spans such an extended period of time, it acts as a highlight reel of moments from the characters' lives (so the long run-time actually feels short). It wouldn't be an understatement to say that you'll probably never know characters of any movie as well as you will in The Best of Youth. A perfect illustration of the genius of Italian cinema that gave us The Great Beauty and other amazing movies.
An absolute delight of a gem starring a young Winona Ryder as well as an amazing cast. Arguably Jim Jarmusch's best film, it tells the story of 5 different places at night from the perspective of cab drivers and their passengers: Los Angeles, New York, Paris, Rome, and Helsinki. It's really hard to pick a favorite among the stories, from a messy tomboy having to deal with a busy businesswoman, to a blind woman in Paris making a frustrated driver from Ivory Coast go insane. But look out for Helmut and Yo-Yo, from the New York story. I've rarely seen anything in film as fun as their story.
Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.
Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.
A hot summer night, around 2 a.m. You’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.The film depicts the story of David Foster Wallace, played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, played by Jesse Eisenberg.It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant.Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
This forgotten gem is the perfect family movie. It stars Michael Caine and Robert Duvall as the two eccentric uncles of Walter, a shy city kid (played by Haley Joel Osment). When Walter moves in with his uncles in rural Texas, he first has a hard time adjusting to his new surroundings. However his routine is changed after he starts hearing local gossip about his uncles, and reminiscence spurs in all three an incredible eagerness for adventure. Secondhand Lions has gathered impressive cult following in the past few years, and rightfully so. Its fast-paced, entertaining yet substantial storyline shines a light on the amazing performances by the cast, and offers a surprising mix of funny, heartwarming and sad. Look out for the flashback scenes.
Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it's too late to fix, and mourn the end of our successes.
Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.
Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach.The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.
This is an initially touching film about a man who feels his life is over. His wife has died and he wishes to join her. Whenever he tries to meet his end, he gets interrupted either by his desire to make sure things in his neighborhood are being done properly and rules are followed, or by someone needing him to help them. Despite himself, he turns out to be a man that people are glad is around and they insist on making a friend of him. He helps families with small children, ostracized teenagers, and even elderly Volvo drivers. Ove's journey is always compelling. This Swedish hit has a remarkably good story to tell about finding tolerance in surprising places and it also portrays a good balance of sentimentality against a harsh reality.
From Park Chan-wook (maker of Oldboy) comes The Handmaiden, a great movie in line with his now mastered style of portraying the beautifully weird. A rich Japanese lady isolated from the world accepts a new handmaiden, a shrewd young Korean girl with hidden motives. The men around them, full of greed and lust, complete the grand Victorian tale of deception, romance or lack thereof, and dark humor. You will find yourself at times screaming "what?", and at times bewildered by the general aesthetic of the film including clothes, traditions, and the stunning nature of both Korea and Japan. If you love cinema, you can't miss this movie. It's just too big of an achievement.
In The Salesman, Oscar-winning director Asghar Farhadi (A Separation, About Elly), tells the story of a happily married couple who live in Tehran: Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti). When they are forced to move to a new apartment, something about the previous tenant causes a sudden eruption of violence that turns their lives upside down, causing strain on their relationship. Farhadi does what he does best here: deliver on complex issues that characterize his society through ordinary events. Every scene is a privileged look into Iran's collective consciousness. And even with all that aside, the film still stands as an extraordinary drama, with a tense plot and amazing performances across the board.
Joy Division, formerly known as Warsaw, was a brilliant rock group that served its time and something that has lived through decades with the help of their songs, love for fans, and legendary performances – unfortunately for his band-mates and singer Ian Curtis, this picture-perfect scenery was cut short. Control is an exploration of his personal and professional musings, adding to the woes of his romantic troubles and inner desire to somehow break free from his deteriorating health. Thoroughly processed in black and white, this enthralling biopic starring the brooding, and then-relatively unknown Sam Riley is all parts gut-wrenching and borderline extraordinary.
One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what's going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main character's early role models), and Best Adapted Screenplay.
A wonderful, witty teen comedy—possibly the best the genre has known in a long time! In a powerhouse performance, Hailee Steinfeld plays Nadine, a high school junior at peak angst and awkwardness. Her roller coaster journey through family, friends, lovers, or lack thereof, gives her that all-too-common impression for people her age that life is unbearable. Things get more complicated when Nadine's dad passes and her only friend hooks up with an unexpected person. Her temperament and humor will help her see past her demons to understand what's important in life, putting you in privileged spectator mode to this highly smart and exciting coming-of-age story.
Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger. Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.
This is right up your alley if you have a thing for gangster films. Actually, if you have a thing for stupendous acting and just Robert de Niro in general, then A Bronx Tale might do the job for you. The 1960’s was a tough time for Lorenzo (de Niro), father to conflicted Calogero (Lillo Brancato), who seems to have befriended Bronx’s big man, Sonny (Chazz Palminteri). Torn between his moral integrity and a few other factors in the mix, the young boy’s leap to the crazed world of mobsters doesn’t get any more real than this. Tragedy and fascination take human form through the eyes of De Niro’s directorial debut and Palminteri’s work of art, leaving you with a gripping feeling long after the credits have stopped rolling.
Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
A heart-wrenching tribute to victims of natural disasters that is one of despair, suffering, and hope. And it wouldn’t be so damning if it weren’t based off a true story surrounding the tragedy that killed more than 230,000 people. Boxing Day 2004 was one of the most memorable dates for wedded couple, Henry (Ewan McGregor) and Maria (Naomi Watts, for an Oscar nominated performance). Just two days prior, they arrived at Orchid Beach Resort in Thailand to celebrate the Christmas holidays together with their three children. After a squabble with the crew regarding their room reservations, they are granted the privilege of staying in a peaceful villa and all seems to be well. Nature had other plans in mind, though, and facing it head-on is the bittersweet reality.
A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts.This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.
Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.
In the crowded genre of Mafia movies, Gomorrah finds its originality in not romanticizing anything. It's authentically gripping, violent without being excessively violent, and something that can only be described as a masterpiece of Italian cinema. It follows different protagonists' entry into organised crime in Naples, with the two main ones taking their inspiration from American gangster characters. Just to give you a sense of how well-rooted this movie is, after it was done shooting, many of the characters (including the guy who plays the clan boss in the movie), were arrested. In his case, he was caught trying to collect "pizzo", otherwise known as mafia tax.
There are movies that make you a bit more mature when you watch them. This movie is one of them. They took very hard and controversial topic, but presented in so you do understand both sides and agree with them. Winner of an Academy Award and a Golden Globe, it tells the true story of a man who spent 28 years campaigning for the right to end his own life. Now you get why I said it was a hard topic, right? It's a heart-wrenching watch to say the least, but thanks to a perfect performance from Javier Bardem the complex story gains such a big grasp that it ends up having uplifting and even funny moments.
Robert Downey Jr., Channing Tatum, and Shia LaBeouf star in this powerful drama about growing up in 80's Astoria, New York. It follows the memoirs of the author, director and musician Dito Montiel as he visits his ailing father after 15 years in Los Angeles, away from home. Told via flashback and present-day exposition, as well as several fourth-wall bending monologues, A Guide to Recognizing Your Saints is a coming of age film that leaves a deep impact, with two Sundance awards and heaps of nominations to its credit.
A couple decides to raise their six children in the wilderness of the Pacific Northwest, far from modern culture. They teach them how to raise and kill their own food, how to live in nature, but also give them classes on literature, politics, and music. The family drills boot camp-like workouts and climbs rock faces to create physical endurance. Then the wilderness adventure comes to an abrupt halt with a telephone call, and the family enters the world -- with hilarious and sorrowful results. Emotionally raw and honest, with terrific performances by Viggo Mortensen, George MacKay and the entire cast of "children."
A college professor (Richard Gere) provides a home for the abandoned Akita he encountered at the train station, against the wishes of his wife (Joan Allen). As a bond develops between dog and master and tragedy suddenly strikes the family, a true act of devotion is displayed by the pup. Based on a supposedly true story which played out in Japan in early 20th century, Lasse Hallstrom's Hachi finds beauty in its simplicity without being overly cloying and gets empathetic, frankly really strong performance from Gere.