Honeyland (2019) | agoodmovietowatch
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Honeyland 2019

A cinematic achievement in the portrayal of the last wild beekeeper in Europe

Our Take (by Bilal Zouheir)

The first movie to be nominated for both the Documentary and Foreign-Language Oscar categories and the most awarded film of the 2019 Sundance Festival, Honeyland quietly accompanies the last wild beekeepers in Europe over three years. It portrays the lonely and primordial life of Muratova, which is centered around harvesting honey according to the rules of her ancient ancestors and caring for her ailing mother.

Originally planned as an environmental documentary, this film evolved into something completely different, as it often goes with immersive documentaries, when the Macedonian directors Tamara Kotevska and Ljubomir Stefanov met beekeeper Hatidže. The film takes another sudden turn when Muratova’s life is upended by a nomadic family settling next door, threatening her tradition, her way of life, and her natural environment.

This unbelievable cinematic journey is a feast for the eyes thanks to the amazing work done by cinematographer Samir Ljuma. However, despite the awe-inspiring imagery, Honeyland never imposes on its subject, creating an incredible intimacy with Hatidže’s life and her natural environment. Breathtaking!

Notable Critics

"Its narrative construction depicts extraordinary tensions and conflicts with a clarity and coherence that a screenwriter might dream of. At the same time, the film's dramatic power comes at the expense of the reportorial side of documentary filmmaking."

— Richard Brody

"Brief and to the point, Honeyland proves more meditative than its premise suggests."

— Lillian Crawford

Synopsis

When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

Awards

Other

1 nomination

Nominated

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About the author

Bilal Zouheir

Bilal Zouheir

Bilal Zouheir is the founder of A Good Movie to Watch. He is US-based and a member of the Nevada Film Critics Society. He grew up in Morocco, where he learned English from watching movies. Bilal's work with A Good Movie to Watch is focused on offering an alternative to streaming algorithms, which are often used as commercial tools by streaming services.