La Haine
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Pick #176

La Haine

Dir. Mathieu Kassovitz · France · French

8.1 Our score

1995 Movie Drama

The Criterion Channel Kanopy Amazon Video Apple Itunes

Our take

At the risk of being cliché, I’m going to state that only the French could have made a movie about racial issues and the troubles of youngsters in the suburbs and still make it elegant. I’ve tried looking for other adjectives, but I couldn’t find one that better describes those long takes shot in a moody black and white. But despite the elegance of the footage, the power of the narrative and the acting makes the violence and hate realistic as hell, dragging you into the story and empathizing with the characters until you want to raise your arm and fight for your rights. Aside from this unusual combination of fine art and explicit violence, the most shocking thing about La Haine is how much the issues it addresses still make sense right now, even though the movie was released 20 years ago.

What it won

Awards

Cannes

1 win

Won: Best Director

European Film Awards

1 win

Won: Young European Film of the Year

César Awards

3 wins · 6 noms

Won: Best EditingWon: Best FilmWon: Best ProducerNominated: Best ActorNominated: Best CinematographyNominated: Best DirectorNominated: Best Screenplay, Original or AdaptationNominated: Best SoundNominated: Most Promising Actor

The story

What happens

After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.

Elsewhere

What the critics said

Notable Critics

"The movie is powerful but irritatingly vague and fatalistic. One gets the impression that for Kassovitz, hopelessness is somehow more pure and beautiful than ambition or even the desire to survive."

— David Denby

"A searing portrait of urban despair."

— Chris Darke

The details

About this pick

Year
1995
Type
Movie
Genre
Drama
Director
Mathieu Kassovitz
Cast
Abdel Ahmed Ghili, Hubert Koundé, Saïd Taghmaoui, Vincent Cassel
Language
French
Country
France
Rated
Not Rated

Streaming arrival

  • The Criterion Channel

Who picked it

About the author

Helena Barker

Helena Barker is a contributing writer at A Good Movie to Watch, reviewing films and shows across the major streaming services.

Comments

  1. Even though the tension was building up throughout the movie, I did not see the climax coming. 90 mins of pressure cooker scenarios leading to one explosive final sequence that leaves the viewer shocked. Hate will always come your way even if you do not reciprocate it. But does that mean we go an eye for an eye? That’s the million dollar question.

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