40 Best Romance Movies on Netflix UK

Hit Man is many things—a romance, neo-noir, comedy, and thriller. And though it sometimes feels like it doesn’t quite reach its full potential in all those areas, it’s hard not to be blown away by Powell’s Rolodex of characters and his palpable chemistry with Arjona. The story itself isn’t as sturdy as I hoped it would be, but it’s supported by a strong, funny script co-written by the ever-reliable Linklater (who I suspect is behind the deep existential ruminations) and Powell (who must’ve supplied the cache of modern jokes), ultimately making Hit Man a smart, funny, and deeply pleasurable watch.

This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.

This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want.”

It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.

Full of charm and nostalgia, Bang Woo-ri’s first feature film is a love letter to the late 90s—and to the heartstopping experience of first love, as high school student Na Bo-ra tries to get to know her friend’s crush Baek Hyun-jin. While at times immature, she comes across as endearing through Kim Yoo-jung’s charismatic, devoted performance. And as Na Bo-ra goes through all the ways people wooed each other in the 90s—figuring out each other’s phone numbers, filming each other through old camcorders, renting out VHS tapes—the film evokes memories of our own first loves. Even with some underdeveloped characters and certain contrived moments, 20th Century Girl is still a stunning picture of young love at the turn of the century.

Dakota Johnson and Casey Affleck star in this comedy-drama as a small-town couple, one of whom gets diagnosed with a terminal illness. Their best friend (Jason Segel) puts his life on hold and moves in with them, picking up the husband when he faints at the hospital, shaving his head in solidarity with the wife, and even taking care of the dog who also gets sick.

It might seem like just another terminal illness drama, but Our Friend is based on a true story, and it’s as much about the illness as it is about how to be there for people, and reversely, the power of people being there for you.

Though Eternal Summer isn’t able to fully engage with its queer characters—maybe due to its being released in the mid-2000s—it still makes for a more interesting character study than you’d expect. This romance between three school friends has more on its mind than simply pitting two romantic pairings against each other. Unrequited feelings, unspoken secrets, and identities that are constantly in flux make Eternal Summer compelling just for the way these people try to dance around one another’s emotions. And since it’s shot in the muted colors of early digital filmmaking, this is a love story that becomes all the more melancholic just in the way it looks.

We sacrifice so much for our dreams, so if it all fails, whether that be because of ourselves or because of extenuating circumstances, sometimes, a bit of perspective is needed to get back up. The Taiwanese-Japanese romantic drama 18×2 Beyond Youthful Days is centered on two young adults that meet in a karaoke bar in Tainan, one who hopes to pass the summer with some money, and the other hoping to fulfill her dream of travelling the world. It’s a familiar coming-of-age concept, but it’s done so bittersweet and beautifully as the adult Jimmy recalls each moment they shared while on the journey to fulfill their promise to meet each other after they reach their dreams. 18×2 Beyond Youthful Days doesn’t tread new paths, but the film’s way of depicting memories as well as the charming chemistry of the leads transforms the real life travelogue into a moving testament of the connections we form while travelling.

Entergalactic, a vibrant animated romcom from the mind of musician Kid Cudi, follows new neighbors Jabari (Cudi) and Meadow (Jessica Williams) as they navigate their way through the ups and downs of modern love. They’re both established artists at the height of their careers, but when it comes to romance, they’re still scraping for lessons, which they mostly get from equally clueless but funny friends.

Featuring songs from Cudi’s latest record of the same name, Entergalactic doubles as a visual album that comes to life with every beat and movement. It also stars many familiar names, among them Timothée Chalamet, Vanessa Hudgens, Ty Dolla $ign, Jaden Smith, and Macaulay Culkin.

A light and simple feel-good movie with great performances from an impressive cast. Ewan McGregor plays the country’s best fisheries expert who is approached by a consultant (Emily Blunt) to help bring the sport of fly-fishing to a desert in the Middle-East, a place at the peak of tensions. The Prime Minister’s office, with the help of the media, try to then bring this story to the public as a show of something good happening in the region. It’s a quirky movie with a beautiful love story and a few interesting ideas on the current state of journalism. Both leads are absolutely charming together.

This movie is a complete no-brainer.

It follows two assistants in busy New York City, both of them overworked and underpaid. They come up with a plan to set up their bosses (Set it Up) so that when their bosses finally take some personal time together, they could too. In a lot of ways, it’s the perfect argument to anyone who says that the rom-com genre is dead. It’s light, it’s easy, and it’s entertaining.

At the same time, there is a heartwarming vibe that’s not too cliché, and a couple of well-known actors — Lucy Liu and Taye Diggs — that help carry the plot. Don’t expect to be mind-blown but this film will leave you feeling content.

A poetic and peculiar movie from Senegal about a girl who is forced to marry a wealthy businessman instead of her love interest. The latter, a poor construction worker, embarks on a risky journey across the sea to Europe. The story takes a supernatural turn thereafter, one that is unlike anything seen before in stories around immigration, but one which makes sense. Still, the excellent acting and the long takes that immerse you in what life is like in Senegal, both in and out of the margins of society, are the reasons to watch here. Atlantics’ characters are believable and will capture your interest throughout the usual and unusual parts of the movie. They provide rare insight into narratives that most of us have never been exposed to.