Three half-Puerto-Rican, half-white boys grow up in suburban New York in this personal movie shot on stunning 16mm film.This movie follows the boys, often literally with the camera behind their backs, as their parents’ relationship goes through turmoil. The kids are often left unattended and have to fend for themselves. The beauty of We the Animals is illustrating how they grow-up swinging between the angry character of their father and the protective nature of their mother.This is one of the best movies I’ve seen in a long time, and I think I loved it so much because I was able to relate and feel for the main character (one of the boys). I really hope you will too.
As the name indicates, Losers tells stories of failure in sport - an unconventional way to look at competitive personalities. The first episode is on boxing, the second is on soccer, and so on. But if you stick around, you’ll make it to episode five - my favorite (full disclosure: it is set in Morocco, where I’m from).Every episode is about a different story, so you can watch one or two not in any particular order, then keep the rest for later. It is the perfect documentary style with enough of a narrative to keep plot-addicted people like me captivated.A bonus is that this show is created and directed by renown animator Mickey Duzyj - prepare for stunning yet purpose-driven animations.
Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race.
Maniac is really original. Original as in aesthetically weird, in a good way. Jonah Hill and Emma Stone star in this tale set in an alternative world that is a blend of 1990s technology and fictional words and concepts. Their characters, suffering respectively from schizophrenia and heartbreak, participate in a drug test that was supposed to cure their problems. Things don’t go as planned. This show is like if Eternal Sunshine of the Spotless Mind had a child with Inception, and then that child grew up to marry Get Out. The child of that marriage is Maniac. A refreshing, original and beautifully creative miniseries well worth your time.
A dramatic take on the life and capture of Ted Kaczynski, popularly known as UNABOMBER(UNiversity and Airline BOMber) from the eyes of an FBI profiler. Kaczynski was responsible for 16 bombings, and it took 17 years for the FBI to catch him. To date, he's the target of the most expensive chase the FBI has ever launched. The show is not a mystery (facts are the matter of public domain) and doesn't even pretend to be one. Instead, it focuses on the complex motives of the UNABOMBER, as well as the bureaucracy that the FBI ran through trying to catch him. It's a really well-made, engrossing show that's hard not to watch in one take. It's 8 episodes of 40 minutes, so pick the time you start it wisely.
A Netflix documentary mini-series that follows the relocation of a cult from India to a small town in Oregon and the ensuing events. It's a completely true story, but the events it portrays are so bizarre and unexpected that they have to be seen to be believed. The cult, led by a controversial Indian guru, drew worldwide attention to its beginnings in India and then to its conflict with the locals once it relocated to the United States. If you were a contemporary, you must know that the town is Antelope and the guru is Bhagwan or Osho, but if you were not, it is very unlikely you've even heard of it. What was a very significant moment in American media and history has been long forgotten, and is retold here in a captivating way. An extremely well-executed and a powerful account of a very unlikely story.
When asked to play Andy Kaufman, Jim Carrey decided that he would get into character and never get out, even when the camera was not rolling. This was extremely frustrating to everyone at first, especially the director, who had no way of communicating with Jim Carrey, only Andy Kaufman or Tony Clifton (an alter ego created by Andy Kaufman). At the same time, Carrey had allowed a camera crew to follow him in order to create a behind-the-scenes documentary. The footage was never released because Universal Studios expressed concerns that “people would think Jim Carrey is an asshole”. Jim & Andy is that footage being displayed for the first time since it was recorded 20 years ago, finding Carrey at a very unique point in his life. Sick of fame and almost sick of acting, he displays his true self – an unbelievably smart, fragile, and complex person. His commentary, when it’s not funny impressions, is extremely emotional and grounded – sometimes philosophical. This is one of the best documentaries that Netflix has ever bought the distribution rights for, and certainly a mind-blowing portrayal of a complex mind.