If you liked Netflix’ Stranger Things gloomy suspense, sit tight because there is a lot more of where that came from in Dark. Here is what they have in common: the aesthetic, great music, and they’re both about the disappearance of a child. Other than that, it is very difficult to compare Dark to anything else I’ve seen before.This German show is about a town with a long and dark history, which is brought to the forefront of the collective conscious when a child goes missing. The plot twists and turns through decades of history – and that’s as much as I will share without ruining the show for you. Dark uses beautiful aesthetic, both visually and musically, to be compelling and painfully tension-ridden. Season two has more bouncing between timelines and more dark and inexplicable events, as now six people are missing.
Ozark is a show about how a seemingly average family that gets tangled up in very unusual circumstances. Jason Bateman plays an accountant who launders money for a big Mexican drug cartel from Chicago. When things go wrong with the Cartel leader, he is forced to set up shop in the Ozark valley and change practically every aspect of his wife and two kids' lives. The show is not only an exciting crime drama but an interesting manifestation of very common American family discussions and concerns.
There is footage and coverage to prove that the pizza bomber story actually happened but watching Evil Genius: The True Story of America's Most Diabolical Bank Heist everything is so intriguing it is almost impossible to believe. A pizza-delivery guy shows up to rob a bank with what he says is a bomb secured around his neck, something that he claims is part of a treasure hunt. By robing the bank, he will unlock the next set of clues that will allow him to defuse the bomb. Bank tellers comply but on the way out he is suddenly arrested by the police, who doubt his claims, handcuff him and keep him at a distance. The device he has around his neck then starts beeping. What follows is one of the most unusual investigations ever led by security forces, brilliantly framed by executive producers Duplass brothers. A perfect follow-up to their other amazing True-crime Netflix collaboration, Wild Wild Country, it’s a tight 4-episodes that is equally terrifying and intriguing.
Bodyguard scored record viewing numbers for the BBC (the highest in 10 years).That’s only the tip of the why-you-should-watch it iceberg. Watch the first 20 minutes, just the first 20 minutes, and you will understand. If you don’t feel like you’re on an emotional roller coaster that’s about to derail by the end of the second episode, you should email me and I’ll try to get your Netflix subscription refunded.The ONLY problem with this show, and it’s a big one, is the last episode. But it’s just that one, the last episode. I’m not going to tell you why. You’ll see. But the rest of the ride is hella sweet.
Set in Victorian London, it’s about a guy who sets out on a mission to find his missing family. He is helped by a mysterious medium played by the ever-amazing Eva Green.If you make it to the second season, I genuinely think it’s the better watch. The first season is good, so it won’t be that hard to get there. (Side note: This super cool show pays tribute to some familiar fictional characters like Dr. Frankenstein, Dracula and, Dorian Gray. )
A captivating documentary series on the struggling state of the police department in Flint, Michigan; and by extension a large proportion of American cities. The town that had made the news for its water crisis is home to another crisis that dates back further: an exponential rise in crime. The police department, however, keeps losing funding year over year, so much so that they can only have less than 9 one-officer cars patrolling the (large) city at any one time. A sobering and impressive account that follows officers facing not only harrowing situations in a failing city, but also the constant fear of being laid-off.