The true story of Oscar Grant III, a 22-year-old black man on the last day of 2008, where his will to change is challenged by his past and the police. You’ve probably read and heard a lot about young black men's’ encounters with the police, and for this reason, you might feel like skipping this film. Don’t. Produced by Academy Award winner Forest Whitaker, it is compassionate and powerfully told, that it surpasses the sadness of its subject matter to be a celebration of life. It is an extraordinary film and important watch.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.
Revealing the gaps in the social safety net, I, Daniel Blake, is a tale centered around a blue collar worker navigating the welfare system in England. At a time where class and social mobility could not be more politically salient, this film calls into question the notion of the “citizen” and exposes the inaccessibility to the social protections in which one presumes entitlement.At the forefront of this, is a heart-warming parable of paternal companionship between Daniel (played by Dave Johns) and a single mother – Katie – (played by Hayley Squires) who is wading through similar terrain. The acting in the film is unfathomably raw which cultivates the deepest source of gut wrenching compassion. Ken Loach has created a film that exposes the true power of empathy, leaving you feeling helplessly human.
A couple decides to raise their six children in the wilderness of the Pacific Northwest, far from modern culture. They teach them how to raise and kill their own food, how to live in nature, but also give them classes on literature, politics, and music. The family drills boot camp-like workouts and climbs rock faces to create physical endurance. Then the wilderness adventure comes to an abrupt halt with a telephone call, and the family enters the world -- with hilarious and sorrowful results. Emotionally raw and honest, with terrific performances by Viggo Mortensen, George MacKay and the entire cast of "children."
Written and directed by Kenneth Lonergan (Manchester by the Sea) and featuring the ever-reliable Mark Ruffalo as well as a fantastic performance from Laura Linney, You Can Count on Me is a beautiful and beautifully told story of siblings growing apart and later finding each other again. Sammy (Linney) helped raise her younger brother Terry (Ruffalo) after they were orphaned at an early age. Now a single mother, her life turns around when Terry comes back after a long time of being absent, with the two having become almost completely different people in between. Such an honest, genuine exploration of unconditional love, think of it as much more hopeful The Skeleton Twins.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).
On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival.Two strangers have the same dream every night, they meet as deer in a forest and eventually fall in love. When they run into each other in real life, they search for the love they experience unconsciously. The reality of their introverted personalities and their surroundings make it hard to establish that same connection.This unconventional love story is passionately told by Hungary’s best director, Ildikó Enyedi. Before it, she had taken an 18-year break from making movies, something that kind of makes sense when you watch On Body and Soul. That break was probably the only way to come up with something as thoughtful and creative as this.
This movie is about Tim Lake who discovers that men in their family can time travel but can't change history, only their own lives. He uses this special ability to achieve the future that he envisioned. As one would imagine, there are a lot of what-ifs and cerebral moments in this movie. Great performance by the cast especially the lead roles (Rachel McAdams and Domhnall Gleeson). It'll make you laugh, cry, and fall in love. It will make you realize how important time is in our life and the consequences of every action we take. It's an amazing romcom movie. It gave me a movie hangover! The genius of About Time is that it is enjoyable yet at the same time offers an engaging story, and takes on interesting ideas. The phrase "pleasure to watch" may not apply to a movie more than it does for About Time, and I'm happy to say that it is way more than just that.
Enough Said is a realistically sweet movie that handles serious emotions without compromising its comedic chops. It portrays the difficulties and doubts that come with post-divorce relations in a somewhat goofy and original way. James Gandolfini is impeccably wonderful in his last lead role, and joined by Julia Louis-Dreyfus they generate exquisite chemistry right from their first scene together all the way until the movie ends. Like many other beautiful movies such as Your Sister’s Sister, Enough Said is hilarious, romantic, but to that it adds being smart and realistic. You'll love it.