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Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle’s critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle’s Whiplash, or the dreaminess of La La Land, Babylon’s restlessness doesn’t resemble […]

Chances are good you missed this movie the first time around due to the studio’s big mishandling of it’s promotion. The posters and trailers were squarely aimed at the lowbrow audience, ironically turning off the kind of viewers that would have appreciated the film. They promised an exploitation flick about an old black man keeping a […]