13 Best PG-13 Movies On Tubitv

Find the best movies rated PG-13, as per MPAA rating standards. These recommendations are at the same time acclaimed by critics and highly-rated by users.

In the grand tradition of the ethnographic world tours like Mondo Cane, Samsara hits you in the face with the diversity and wonder of human life on earth. Unlike many of its predecessors, which often descended into colonialist gawping, Samara maintains a non judgmental gaze. This film uses no words or narration to travel the world showing you the breathtaking beauty of various countries, cultures, religions, cities, industries and nature. Shot on 70mm film, the definition and clarity has to be seen to be believed.

This is an initially touching film about a man who feels his life is over. His wife has died and he wishes to join her. Whenever he tries to meet his end, he gets interrupted either by his desire to make sure things in his neighborhood are being done properly and rules are followed, or by someone needing him to help them. Despite himself, he turns out to be a man that people are glad is around and they insist on making a friend of him. He helps families with small children, ostracized teenagers, and even elderly Volvo drivers. Ove's journey is always compelling. This Swedish hit has a remarkably good story to tell about finding tolerance in surprising places and it also portrays a good balance of sentimentality against a harsh reality.

In a stunning (re)introduction to James Baldwin, intellectual, author, and social critic, this movie digs very deep into the American subconscious and racial history. It is based off a book idea that would have studied the famous assassinations of three of Baldwin's friends: Medgar Evers, Malcolm X and Martin Luther King, Jr., he wrote about 30 pages of it before he passed away in 1987. Raoul Peck picked up the project and made it into this movie, highlighting at the same time Baldwin's genius, his unique and always eloquent perspective as well as the beauty of his soul as a human being. A mesmerizing experience, it is an immensely sad fact that the narrative still feels as relevant now as it was in 1979, and as such this movie serves as a reminder on how far America still has to go.

An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.

In this comedy/drama, Bill Murray plays an aged, dispirited war veteran named Vincent who openly disdains most people and gives little attention to anything beyond alcohol and horse racing. Living a life of solitude in Brooklyn, everything takes a turn when a young single mother (Melissa McCarthy) and her son Oliver move in next door. Vincent eventually takes on the responsibility of watching over Oliver when Maggie is at work. Murray is perfectly unpleasant in his darkly comedic role, as his relationship with Oliver evolves despite his own misgivings, providing young Oliver (Jaeden Lieberher) with the fatherly/grandfatherly presence he desperately needs. Though somewhat formulaic, St. Vincent rises above expectations by way of great dialogue, favourable performances from all of the leads, and an unbelievably touching finale that will melt your heart. Much better than you probably expect—definitely check this one out.

Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films. That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz). In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners. Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.

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