The Best Unrated Movies to Watch

This heartbreaking Russian drama takes place in Leningrad six months after the end of the war. A boy is asked to do an impression of an animal, any animal, but the boy stands still. “Just do a dog then”, one person says, to which another remarks “he’s never seen one, they’ve all been eaten.”

In this bleak context, two friends meet again and try to restart their lives. Masha is a soldier who has just come back from the war in Berlin, and Iya, a tall woman nicknamed “Beanpole”, is a nurse who suffers from PTSD episodes that freeze her body. Both characters, so brilliantly acted, personify the thin line between desperation and hopefulness in this difficult but incredibly well-made drama.

There is a lot to admire about this revenge film from director Mouly Surya—the breathtaking shots of rural Indonesia, the grisly practicality of the titular Marlina, the relevant observations on gender politics, and the simple yet stylistic way all of this is revealed. Fans of Westerns and Spaghetti Westerns are also treated with an Eastern reimagining of tropes as the film exchanges long guns for Kabeala knives and sprawling deserts for tropical hills.

Packed with so many delights, Marlina the Murderer in Four Acts is a near-impossible miss. But if you somehow find none of this gripping, you can always rely on the sure thrill of seeing scorned women bloodily and rightfully avenge themselves. 

This teenage crime drama contains enough grit to stand on its own, but The Tribe’s real hook is in the way it’s told: entirely in Ukrainian sign language, without subtitles. Set in a boarding school for deaf students, new arrival Sergei must contend with an institution that’s run like a gang. His journey through the ranks is extremely violent and graphic, including unflinching depictions of rape and a back-alley abortion that lingers long in the mind.

Its unpleasantness will be a barrier for some, but for the curious, it’s an oddly balletic film. Among the misery, actors communicate the entire story via body language. Emphatic dialogue delivery conveys the mood of each scene (which often changes for the worse), and the characters’ actions speak loud and clear. Narratively it breaks little ground, and its darkness can’t be overstated, but there’s grace to its reliance on everything but words to tell its story. A film you won’t stop thinking about.

A Spanish 500 Days of Summer mixed with a more urban and up to date You’ve Got Mail. I liked this film a lot. I connected with both the main characters in the film. Their feelings of loneliness on the inside, yet, still going on with their day to day all while being mixed with their phobias, longings, quarks, and vulnerabilities. This movie works, it works on every level. Beautifully shot and beautifully written. Watching this will not be a waste of your time.

Clive Owen stars as a struggling writer who reluctantly accepts a lucrative offer to work as a croupier at a London casino. His characteristic aloofness, hatred of gambling, and sharp observational skills allow him to remain uncompromised and able to catch any attempt at cheating within his field of vision. But when a savvy professional gambler he shares an attraction with asks him to participate in a heist in an uncompromised way, he’s forced to consider playing the angles. Owen’s coolly detached performance is a marvel, and the depiction of the London casino scene is detailed and gritty, both of which make for compelling British noir.

An indigenous language is dying, and the last two people who speak it have not spoken to each other in 50 years. In this calm drama from Mexico, linguists are sent to try to get them to talk so they can document the language. 

The story goes that two men have stopped talking because they fell in love with the same woman, so there is a romance wrapped neatly within the linguistic story. What truly steals the show, however, is the breathtaking nature in which it’s all set – the stunning region of Chiapas.

The Last Man on the Moon is a documentary about astronaut Eugene Cernan, Commander of the Apollo 17 lunar landing mission in 1972. Chronicled by Cernan himself as he reminisces on his life, the film follows his early career with the Navy, his recruitment and training as an astronaut, and his participation in 3 trips to space: Gemini 9A, Apollo 10 and eventually Apollo 17—the last of NASA’s six expeditions to the Moon. Cern also delves heartfully into his loss of friends as well as his regretfulness for missing out on so much family time while away. It’s a poignant and inspiring account, with Cern providing a fine lesson in the confidence and diligence in takes to pursue and accomplish one’s dreams

An award-winning American independent Fantasy, Ink has become a sleeper hit worldwide. The film portrays a struggle between the forces of good and evil over the soul of a man and a little girl caught in between. The film’s deliriously realized dream sequences make clear that no matter what life throws at you, in the end the path you take is yours to choose, leaving the viewer with the simple message that, yes, there is hope.

Ask yourself how many Palestinian movies you have seen before. You will want to give this smart and twisty Academy Award nominee by Golden Globe winning director Hany Abu-Assad a chance to change your answer. Omar, a Palestinian baker, climbs the West Bank Wall to see his lover, Nadia, whom he wants to marry. When Israeli soldiers catch and humiliate him, he gets implicated in the shooting of an Israeli soldier, and eventually gets arrested and faces an extremely lengthy sentence. Later, his captors’ motives and his own get tangled up in politics, friendship, trust, and love. Omar is a highly realistic, compelling crime drama you don’t want to miss.

Cloudburst is the very funny and heartwarming story of two old ladies, Stella (played by Academy Award winner Olympia Dukakis) and Dotty (played by another Academy Award winner, Brenda Fricker) who escape their nursing home and drive to Nova Scotia, Canada to get married. Along the way, they meet Prentice, a hitchhiker on his way home to Nova Scotia as well. Cloudburst is the story of their road trip. Dotty is lascivious and loving. Expect to be shocked by Stella’s potty mouth. The whole film is a great love story about devotion, acceptance and living life to the fullest.

Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.

Mélanie Laurent both directed and wrote this, her fifth movie.

She offers an impressive display of deft film-making and honest, insightful storytelling. Charlie is a teenage high school student, there’s seemingly nothing unusual about her. When Sarah, a Nigerian girl, joins her school, they quickly form a transformative friendship.

Breathe sometimes veers to darkness, which helps to make its portrayal of the bond between two teenagers genuine, and unexpectedly fun.

Francois Cluzet, who you may remember from The Intouchable, plays a man whose wife is killed and is accused of murdering her. To make matters even more confusing, signs that his wife is actually still alive surface. This well thought out thriller is at all times the furthest thing from boring and has, among other great components, well crafted chase scenes as the protagonist looks for 8 years of unanswered questions.

Though it starts off somewhat slow, I was delightfully surprised at how much I loved this movie. A 28-year-old man ventures through Europe with a buddy, ending in Copenhagen, where he hopes to contact the last of his family. There he enlists a local girl to help him. An interesting relationship unfolds as they take a captivating journey through Copenhagen in search of William’s grandfather. The tag line of the movie is “When the girl of your dreams is half your age, it’s time to grow up” and William really does have to grow up when he’s faced with his own personal tumult.
The girl is played by Frederikke Dahl Hansen, who gives an exceptional natural performance, which adds even more to the abundance of charm in this film.

In 2013, following the Ukrainian government’s termination of an EU agreement (in blatant disregard of what its citizens have been calling for), a wave of peaceful protests start to crop up at the country’s capital. Things escalate when the police violently disperse the protestors, but the people of Ukraine are not so easily held down. They fight back, growing in number and conviction each time they do, until an all-out war finally breaks out. 

Winter on Fire documents this series of events, staying close to the ground and allowing bits of humanity to shine through its subjects. In between chilling clips of the clashes, we’re shown intimate interviews with people of all walks of life. They’re doctors, actors, students, bankers, lawyers, and clergymen, from various classes, races, religions, and genders. Despite their many differences, all of them share one hope: to secure a better future for the people of Ukraine. 

A Kurdish-Iraqi immigrant runs into serious immigration problems as he tries to immigrate from France to England in order to be reunited with his girlfriend. Eventually he begins to train in swimming, in an attempt to swim the channel between France and England. Welcome is a gripping tale of tolerance as well as relationships between locals and immigrants. It also gives a great look into the shortcoming of the European immigration system, and will have you crying by the end of it, no question.

A comedy (!) that follows James (Benedict Cumberbatch) a man terminal cancer who knows that he doesn’t have long to live, so he goes on a journey with his closest friends, Bill (Adam Robertson), Davy (Tom Burke) and Miles (JJ Field), to Barafundle Bay in Wales. The journey itself is funny and the characters have many issues to sort out, some lighter than others, but the film is by no means completely lighthearted, so if you aren’t prepared for some tears with your laughter, maybe look elsewhere!

A black and white movie, A Coffee in Berlin is an early Woody Allen reminiscent film with a great emphasis on the emotions it handles.  It flows naturally, telling the story of Niko, a young college dropout in a period of his life where he has to face loneliness and lack of money and success. He goes from observing the people of Berlin to first realizing he is becoming a stranger to them and then lastly deciding to do something about his life. It’s a whimsical German film with a lot of heart, as much of a tribute to youth as it is a tribute to the city of Berlin.

This is one of the most compelling and personal documentaries I’ve seen, revealing a side of life most people never consider. It’s the story of a young man recovering from a head injury and the obsession he’s developed with models and action figures. Not content with merely collecting, we see the man develop elaborate story-lines and plots between them – in short, the creation of an all new world. While not a commercial success, this film was beloved by critics and is highly recommended for AGMTW fans.

An electrifying portrayal of a girl growing up in a poor Paris suburb. This coming-of-age story follows Marieme, a girl struggling in high-school who learns that she will be rerouted out of academia and onto a track where she will learn a trade. Frustrated by the news and fearful of an abusive elder brother, she finds solace in a gang of girls from her neighborhood. Initially she decides against joining them but does so at the prospect of pursuing a crush. Her new friends take her into the center of Paris and to a more violent and crime-driven lifestyle. An undeniably grim movie, Girlhood compensates with an amazing character study – themes of identity and adolescent need for belonging are at the center of a type of a story that rarely ever gets any attention.

I didn’t know anything about the movie before watching it (this was my husband’s pick for ‘one of us picks something that the other knows nothing about’ night). It is Korean, sweet, funny, touching, unique, odd, poignant. I think the fact I knew nothing about the movie when I watched made it even more enjoyable so I hesitate to write more details in this review! Since watching it I have read that an American remake may be in the works, so I would recommend watching it before there is too much info out there about what is destined to be a less charming and successful version

A fun science fiction movie from the UK,  Frequently Asked Questions About Time Travel stars Chris O’Dowd and Anna Faris. The plot centers around two geeks and their cynical friend who go out for a couple of pints and end up having a night they won’t soon forget. To go any deeper would court spoilers, but suffice to say there is time travel, witty banter, hilarious scenes and just an all-around good time.

A delightfully screwy comedy about a guy and his struggling bar (of the title). The film is full of food, music, dancing, romance, and crazy coincidences. Our hero, Zinos, has just be abandoned by his girlfriend. On top of that his bar is struggling, he’s recently thrown his back out, he desperately needs to find a new chef, and his shady brother has just come to the Soul Kitchen looking for a job after being let out of on “partial parole.” Will it all work out in the end? Of course it will! This film is a lot lighter than Akin’s previous features, but maybe after all those challenging pictures he just felt the need to have a good time, which this film definitely delivers.

This is a hard movie to describe, but I’ll do my best without giving too much away. The movie takes place in three separate segments that eventually come together. Half of the story takes place in Germany, half in Turkey, with almost all of the central six characters spending time in both countries while either searching for each other or trying to redeem themselves. Daughters search for their mothers (and vice versa) and one character’s actions will eventually bring everything more-or-less full circle. The film is as much about the characters though as it is about the cultural exchange happening between the two countries. If you have even a passing interest in films from this part of the world, I recommend giving this one a try.

Another indie zombie movie? Far from it. One Cut of the Dead, written and directed by Shin’ichirô Ueda, became a global sensation following its small theatrical run in Japan for its creative and original screenplay. A hack director and film crew are shooting a low-budget zombie movie in an abandoned WWII Japanese facility when they are attacked by real zombies. That’s all you need to know about the plot, as the film is full of surprises that will catch you off guard. Wondering how an independent film with a budget of just $25,000 was able to gross over $30 million worldwide? The answer lies in the film itself. 

This incredible documentary is about the elusive Iranian artist Bahman Mohassess, whose work has the uniqueness of a Picasso or a Salvador Dalí.

But unlike his European counterparts, most of Mohassess’ work has been destroyed. Some in the aftermath of the Islamic Revolution in Iran but most, interestingly, by the artist himself.

After the revolution, he went into exile. For 40 years his whereabouts remained unknown — until an Iranian filmmaker based in Paris tracked him in a hotel in Rome.

Very early in the film, director Mitra Farahani points out that Mohassess died half an hour after one of their filming sessions.

The urgency of their conversations, the genius of Mohassess and his relationship to his art, and the uniqueness of the untold story of his life, all make this more than just another documentary. It’s a work of immeasurable historic value.

Another fantastic documentary from 2012, this one tells the remarkable story of the 1992 Lithuanian Olympic Men’s Basketball team that received scant attention in the shadow of the renowned U.S. “Dream Team” of NBA superstars (Michael Jordan, Magic Johnson, etc.). The Lithuanians’ story is all the more fascinating in that it comes immediately on the heels of their country’s freedom from Communist rule. With little hope of participating in the Barcelona games, they received the most unlikely last-minute assistance from the Grateful Dead, of all sources. A really great true-life story, told with an exuberance and a verve not often expected from non-fiction filmmaking. I challenge anyone watch this one and walk away uninspired.

A fantastic and light Canadian comedy, the Trotsky stars Jay Baruchel as Leon Bronstein, a young man who believes himself to be the reincarnation of the Soviet leader Leon Trotsky. True to his past life, Leon soon begins a quest to organize a revolution at his father’s clothing company, while dealing with the transition from ritzy private to a Montreal public school. Smart and pointed, the Trotsky is a gem not to be missed.

This realistic drama produced by the director of Toni Erdmann is about a group of German workers who are sent to the Bulgarian/Greek border to build a water pump.

Their arrogant leader harasses a local and flies a German flag, prompting a clash with the nearby village.

Unlike the reference of its title, Western doesn’t follow any format and is not interested in portraying violence. Instead, it’s a quiet look at how people handle social and cultural tensions.

In 2010, Dutch 15-year old Laura Dekker set out on a mission to be the youngest person to sail solo around the world. Maidentrip is the beautiful and inspiring documentary film that tells her story as she took on this behemoth task.

The film lets you experience this adventure of a lifetime along with Laura, share at first in her loneliness at sea, and later in her desire to be left alone when surrounded by people. Documenting her thoughts and feelings during this voyage, Laura reveals herself to be wise beyond her years. Yet despite the magnitude of the task Laura has taken in, her teenager self still glows clearly with its distinct child-like quality – simply wanting to do what makes her happy – sailing and seeing the world. The sheer honesty in Laura’s narrative is what makes this story so extraordinary. You will accompany the young skipper against all odds as she follows her dream and in the process, lose and once again find her identity and sense of belonging. Maidentrip will leave you with an itch – an itch to travel, but more importantly, an itch to follow your dreams.

Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community.

Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time.

Remember the name Rufus Norris. “Broken” is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays “Skunk”, a twelve year old trying to make sense of life – and whose task isn’t made any easier by her own family’s internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We’re informed from the get-go that some sort of tragedy will befall the girl, but we don’t know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence’s presence rather than try to upstage her. “Broken” is equal parts cute, frightening, and brutally tense. It’s well worth checking out.

TRIGGER WARNING: THIS FILM IS NOT FOR THE FAINT OF HEART. CONTAINS VERY GRAPHIC SCENES. In fact, the movie opens with rape. While definitely not an easy watch, it is an incredible story and it should definitely be seen by more people. Set in the 1970s during the peasant revolts, a group of locals in the rural areas organize a rebellion against the government. The movie starts with the government fighting this insurgency by sending soldiers to the village, where they rape, torture, beat, and kill the villagers. The soldiers unknowingly cut off the locals from their ammunition supply by occupying the fields in which the ammunition is secretly hidden. Don Plutarco, an old man and violinist (who is missing a hand), attempts to pass this checkpoint though, in order to “check on his corn crops.” The soldiers agree, but only if he stays for a daily music lesson. As Plutarco comes every day, he secretly smuggles the ammunition into his violin case, right under the guards’ noses. The story is incredibly moving, showing the heart wrenching tragedies the peasants go through, as well as the way music moves the guards, despite what they think of the peasants. I’d highly recommend it, but only for those with strong stomachs.

An absolutely delightful documentary about the first round of testing on the Large Hadron Collider in Geneva. Who knew that watching a roomful of scientists waiting for a blip on a screen could be so riveting? The science is explained in layman-friendly, easy-to-follow language, and the movie lends a fascinating and entertaining look behind the scenes at one of the world’s largest scientific collaborations.

This coming-of-age drama is set in a remote fishing village in Iceland. It follows a group of boys during a summer who catch a break from the harsh Icelandic nature. They spend a lot of time outdoors bonding together and discovering themselves.

One of the boys develops feelings for his best friend, Kristian, while Kristian chases a girl.

Watching the boys wrestle with their growth in this wasteland playground is amazing, but the shots of fjords, beautiful coastline, and living so in touch with nature, all of that almost steals the show.

This extremely unusual movie about the life of legendary Chilean filmmaker Alejandro Jodorowsky (as in Jodorowsky’s Dune) was financed by an Indiegogo campaign, giving his already unusual style full freedom. There are cardboard trains, ninjas, and disturbing sex scenes. It all serves to tell his life of growing up in a bohemian neighborhood in Santiago, Chile, going against his family, becoming a poet, and joining the Chilean avant-guard movement. Jodorowsky, now 91 years old, went on a 23 year hiatus before making this movie and its prequel, The Dance of Reality, both about his life.

Three guys in their twenties love wine and women but feel incomplete because they are still virgins. Under the guise of a wine tour they embark on a journey to Spain hoping to have their first sexual experience. Unlike most sex romp comedies, this one explores deeper territory: Jozef is blind, Philip is paralyzed from the neck down and Lars is in a wheelchair with a brain tumor. Despite these difficulties, the three protagonists are determined to have their experience and complete this rite of passage.

Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger.
Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.

Get ready for one hell of a journey. From the writer of City of God, Elite Squad: The Enemy Within is a poignant and powerful action-packed movie. Set in Brazil, the film follows two seemingly opposed characters (one a police officer, one a professor) as they both work to treat the systemic social ills that corrupt the country. As much a social commentary as it is an action-packed drama (think The Departed and The Wire), Elite Squad will take you on a whirlwind journey that will leave you considering the larger issues of poverty, crime, and “doing good” in the world.

Nominated for an Academy Award for best documentary feature. On the day before Hurricane Katrina, a young aspiring rap singer in the 9th Ward turns her new video camera on herself and her neighbors. She keeps shooting as the water rises, neighbors struggle to rescue each other, people panic and flee. Weeks later she returns to her neighborhood and records the death and decay left behind. Raw and real, worth watching.

This documentary is about a unique program in Chicago called CeaseFire whose sole aim is to stop violent deaths in poor urban areas. CeaseFire is staffed by ex-gang members and ex-convicts who try to intervene in conflicts in their community, particularly those that may escalate into extreme violence or death. In these neighborhoods though, violent conflict can result from something as minor as someone making a funky comment about someone else’s shoes. This makes total success for a project like CeaseFire nearly impossible. It is not a totally depressing film though as the program and its practitioners are all pretty amazing, and director Steve James (who made Hoop Dreams) has unparalleled access to these struggling communities.

It shouldn’t be a surprise to anyone that the mix of ideas and aesthetics that gave us Her has roots in Japan. Borrowing from the country’s poeticism, attention to detail and just appreciation for beauty; Tony Takitani is Her’s quiet and delicate elder brother-film, and one of the best this genre has to give. After spending a solitary childhood, a Japanese kid with the American name Tony grows up to be a successful technical illustrator. Without the time for the outside world or any luck with it, Tony indulges in his work and by extension his loneliness until he suddenly falls a distinctive young woman. Tony Takitani is a slow film, which quickly becomes a memorable experience due to its profound study of loneliness.