It is very easy to become lost in Netflix land and believe you’ve already seen everything worth watching. Rest assured, there is very little chance you have. For the second time we have curated a list of the best movie suggestions on Netflix: the best highly-rated, little-known titles available to stream. This is a list we update almost every week to adjust for new arrivals and expired titles.
agoodmovietowatch is your gateway to on-demand streaming services, but instead of recommending the same movies to you you’ve been hearing about for the past 20 years, we focus on the good ones that were overlooked. This way we introduce you to movies you haven’t yet seen, that you can watch immediately and love. To do this, we only recommend movies that have received a high rating from viewers combined with a high score from critics. This means that these movies have been appreciated by both, so you can trust that they’re awesome. We also only suggest movies that didn’t make a huge splash at the box office or which didn’t get the attention they deserved, so there is little chance you have already seen them. Below we count down again our best movie suggestions available to stream on Netflix Instant America. For other countries, visit agoodmovietowatch.com/netflix and use the region selector in the top bar to switch to your geography.Appears on: Staff Lists
An inspiring documentary about famed artist Ai Weiwei who has been the source of arguably the biggest public confrontation with the Chinese government by any artist. His straightforward attitude is made to provoke and to defend the people of China against the totalitarian regime. The film portrays Weiwei’s very visible struggle for redemption and invoke a sense of accountability from the government. The documentary is also about him as a person, his intimate relationships and his interactions with his family as he prepares for a big exhibition. A rare insight into a fascinating mind.
Chadwick Boseman who you might now know as the Black Panther had his break out role in 42, the true story of the first Black major league player Jackie Robinson. A story of expected struggle but also a humbling and humane account that is full of warmth. Jackie Robinson’s coach is played by Dustin Hoffman, adding to the caliber of amazing performances in this movie, all put together by Oscar-winning writer/director Brian Helgeland (Mystic River, L.A. Confidential). From the baseball sequences to the personal life of Jackie Robinson, and of course his confrontation with racism, this is a powerful and uplifting movie.
In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.
When Russian director Vitaly Mansky is commissioned by the North Korean government to make a documentary about an average Pyongyang child, he follows their every guideline. Except the end result, Under The Sun, is the complete opposite of what they had intended. For example starting every take earlier than they thought, he makes the documentary about the watchdogs around the child and other mechanisms of propaganda. He uses quiet storytelling to expose how brainwashing in a fascist regime takes place, and how the people caught in it function. May just be the smartest, most important film you can watch on North Korea.
Dheepan is a French film from the director of A Prophet. It contrasts elements of Sri Lankan and French culture to provide interesting insights into both, while crafting a heart-wrenching and heartwarming tale of makeshift families in unimaginable circumstances. Like A Prophet, Dheepan makes occasional and shocking use of violence to underscore elements of culture and illuminate the inner workings of the characters. A fascinating and exhilarating movie, winner of the 2015 Palme d’Or at Cannes.
A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts.
This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.
Michael Keaton is the founder of McDonald’s. Well, not exactly, because this movie is the story of how the man he plays, Ray Kroc, took over the company from two very innovative brothers named Mac and Dick. Played by John Carroll Lynch and none other than Nick Offerman, the brothers put up a fight while Kroc works to franchise the name and make it into a billion-dollar empire. It’s a real-life story of the pursuit of the American dream through both persistence and ruthlessness, retracing Kroc’s history from a struggling salesman to a fiercely pragmatic business giant. A crazy story and a cautionary tale of sorts, this is a movie that showcases America for what it is.
A Serious Man is an almost inexplicable and philosophically dark comedy from the Cohen Brothers. Its protagonist, Larry, is a professor at a quiet university whose wife decides to leave him for one of his more successful colleagues. His unemployed brother moves on to the couch and both of his kids start acting out. He starts a quest for meaning and clarity within his Jewish community. The movie’s aesthetics and comedy will be appreciated by all Cohen Brothers fans. However, the intricacies and struggle of the protagonist will hit home for anyone who has had a religious upbringing: Jewish guilt, and by extension Catholic guilt (or any other religious guilt) are big themes here. An original, weird, hard to understand masterpiece. Other than the prologue, you’ll feel like you have to watch it many times to understand it. The film earned itself many nominations for the Oscars, including Best Picture.
An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.
Frances (Greta Gerwig) lives in New York – but not the glamorous NYC of Woody Allen movies. Taking place primarily in the gritty and rapidly gentrifying North Brooklyn, the black and white film paints a picture of an extended adolescence. Focusing on the goofy and carefree Frances, who loses her boyfriend, her best friend and her dream of being a dancer. She moves in with two guys, both of whom are more successful than her, and becomes even more determined to fulfil her goals, impractical as they may be. Fans of HBO’s Girls and other odes to not being a “real person” yet will love this film.
A Cormac McCarthy novel adaptation (like No Country for Old Men), The Road is an apocalypse movie set in a ‘scorched Earth’ rendition of the world. It follows a father (played by Viggo Mortensen) and his son as they battle to survive everyday life. Throughout the movie, the son’s trust in his father grows and shrinks depending on choices the father makes, as he attempts to protect his son from cannibals, bandits, and the threat of starvation. The gritty realism this movie presents sets it apart from many other more theatrical releases, with the setting of a charred world illustrating a rather depressing new reality. A very down to earth and heartfelt story. Definitely worth the watch if you’re willing to feel like you’ve been punched in the gut.
The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche’s character, Maria, blurs the line between fiction and reality, her old age and her assistant’s young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.
Tenoch and Julio, mischievous and sex-crazed teenagers and best friends, embark from Mexico City to a remote and mythical beach with the company of an older and very attractive woman. This poetically written and directed film has it all; great acting, cultural relevancy, thought-provoking questions, and beautiful scenery. All put together by Alfonso Cuarón and his brother in star-making efforts for both of them.
Tom Hardy channels (and transcends) his inner Colin Farrell with this film which takes place inside of a BMW SUV in its entirety. A mature drama that pays homage to anyone battling internal demons, Locke is an 85 minute road trip in which the viewer acts as the passenger. Intricately constructed with a series of intense phone calls and conversations, the film will reward you with an immersive experience with palpable anxiety that has moments that at times feel all too real.
Filmed as a “found footage” of a Norwegian college film crew investigating local poachers, this movie really surprised me. To be fair, I didn’t really know what to expect. But I definitely didn’t expect to like this movie as much as I did. The pacing is on point. The suspense hits you at just the right times. There are a few drops of humour trickled throughout to keep a smile on your face. And that’s how my face stayed when the credits rolled.
Based on the Stephen King book, this is a slow-burning horror thriller with a seemingly limited premise. Jesse and Gerald are in a house in the countryside and their attempt to spice up their relationship turns out catastrophic. Gerald suffers from a heart attack while Jesse finds herself handcuffed to a bed without the keys. The movie follows her, and at every turn blows your mind about what can be done in a movie where the main character is glued to a bed for most of the run-time. An original movie for true horror fans only, as it might seem a little too absurd and slow for anyone else.
From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.
Vivian Maier was a French-American photographer whose art, like many of the greats, only gained widespread success after her death. Most of her life was spent working as a maid for families in Chicago. Her masterpieces were only introduced to the world when the director of this documentary purchased a box of her negatives. This movie is about him trying to put together the pieces and retrace her life by interviewing the people that knew her.
Right from the beginning of this documentary her photos will have you in awe. They gave me chills and made me feel exactly what I needed to feel to understand each photo. Cue Vivian’s unexpected dark side along with really messed up backstory, I was completely absorbed. Interviews, along with Vivian’s own photos and home videos show the complexity and mystery of the artist.
Charlotte Rampling and Tom Courtenay both won Berlinale Best Actress and Best Actor for this movie. They play a couple who are only a few days away from their 45th marriage anniversary when they learn that the remains of the husband’s first lover have been found. He then starts obsessing about his previous relationship, to the extent that when the day of the anniversary comes, there might not be a marriage left to celebrate. This is a very ‘adult’ movie – it’s quiet, sometimes slow, very well-executed, and overall a fascinating look at marriage.
The Gift is Joel Edgerton’s directoral debut, a twisted and smart thriller that sneaks up on you where you least expect it. He also stars in it as Gordo, a friend from the past that enters a new couple’s life (played by Jason Bateman and Rebecca Hall) and brings a secret that has been hidden for decades. A very “movie” movie, it has enough in it that’s original and enough that’s not to make for a very enjoyable 100 minutes.