December 13, 2024
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One thing about Netflix is that it never runs out of originals to release. With partnerships from across the globe, you can be sure it has everything from Bollywood musicals and impossible K-dramas to Nordic mysteries and Aussie dark comedies (it’s a thing!). But that also means it can be overwhelming to sort out the genuinely good from those the outstandingly bad. So in this article, we’re gathering and ranking the best TV shows on Netflix to come out this 2024.
We’ll be regularly updating this list with new titles as 2024 rolls along, so make sure you bookmark it or keep it open along with your other hundred tabs, at least! While you’re at it, why not check out our 2023 list?
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Saints used to be given divine messages, but in the modern age, what if God, or any higher power, communicated to us through social media? Kübra explores this idea in serious contemplation, with fewer intelligence agencies than Netflix’s 2020 Messiah, and more interest in the chosen messenger himself. The show is surprisingly more meditative than thrilling, as the lost ex-militaryman Gokhan and his loved ones quibble over the messages possibly from Allah, through the titular screen name. Of course, they point out that the very idea is ludicrous. At worst, it could be a delusion influenced by a stranger that wants to manipulate a war veteran for nefarious purposes. But the journey and the excellent performances allow us to ponder how prophets came to be– how faith and purpose are intertwined, and how much life’s difficulties can push us to hope for a miracle.
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After the successful release of The Gentlemen (2019), it would have been easy to just continue the story with the same cast of characters, but instead Guy Ritchie makes a spinoff with the same cannibis chaos, but instead expands it to a startlingly funny depiction of the British aristocracy and the criminal underworld. It has all the action-packed styling Ritchie is known for, with each episode bringing up a new inheritance issue Theo James as Eddie Halstead has to solve, with the help of a cool and cunning Kara Scodelario. While the episodic troubles do feel a bit tired after eight long episodes, The Gentlemen keeps the intrigue through never losing sight of the tension occurring between the main duo.
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When people donate to temples, they rarely contemplate the way these donations are used for its upkeep and renovation, and they would never think to imagine the possibility of profit. Netflix Thai drama The Believers centers on three young entrepreneurs, who, due to debt, decide to partner up with an abandoned temple as a money making scheme. It’s an audacious scheme, one that, of course, terribly exploits its devotees. But the show also examines the ways these schemes help draw genuine devotees towards the religion, creating a mutualistic relationship between the temple and profiteers that can’t be easily undone. With the recent fraud investigations around Thai temples leading to controversial imprisonments a few years ago, The Believers is a timely examination of a rarely examined issue.
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This series is proof that no matter how silly or brutal things get, pro wrestling can always serve as someone’s sanctuary. Though they sprinkle in pixie dust to make the industry as sketchy, barbaric, and ambiguous as possible, there’s a sparkle to the show’s energy that makes it feel like you’re watching a sweet cinematic drama, or rather a dreamy depiction of the monstrous world of ‘80s joshi wrestling. Ultimately, they do a stellar job conveying intimacy in interpersonal drama and portrayal of combat (even when combat amounts to stabbing someone’s head with a fork), and taken as a whole, makes for such a breezy and mesmerizing pro wrestling drama.
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Structured more like a network procedural than a gritty streaming miniseries, the TV adaptation of The Lincoln Lawyer feels easy, even nostalgic, to watch. The formula is simple: in every episode, Mickey handles a new case (most of them wrongful convictions against people on the fringe), all while dealing with a larger, more complicated case and his inner demons. There to help is his trusty driver Izzy (Jazz Raycole), who gets him everywhere in his Lincoln Town Car, and his two ex-wives, with whom he shares a surprisingly healthy relationship. All these elements come together to make an entertaining legal drama. It’s not the most compelling thing out there, but it’s consistently enjoyable and endlessly likable.
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