January 15, 2025
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One thing about Netflix is that it never runs out of originals to release. With partnerships from across the globe, you can be sure it has everything from Bollywood musicals and impossible K-dramas to Nordic mysteries and Aussie dark comedies (it’s a thing!). But that also means it can be overwhelming to sort out the genuinely good from those the outstandingly bad. So in this article, we’re gathering and ranking the best TV shows on Netflix to come out this 2024.
We’ll be regularly updating this list with new titles as 2024 rolls along, so make sure you bookmark it or keep it open along with your other hundred tabs, at least! While you’re at it, why not check out our 2023 list?
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With a film version that didn’t live up to the hype of the original novel, Netflix’s adaptation of One Day released just in time to wreck the fans’ hearts all over again, but this time, it’s a good thing. The expanded runtime allowed Netflix to delve more into the moments in the novel, with each episode dedicated to a day in the year in Emma’s and Dexter’s lives, contrasting their respective worlds and opportunities available to them as different members of London society. And the couple is played beautifully by Leo Woodall and Ambika Mod, with a believable chemistry that isn’t formed in a single spark, but made in multiple moments. If you’re needing a good cry just right before Valentine’s Day, One Day is a superb slow burn romance to let those tears out.
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When people donate to temples, they rarely contemplate the way these donations are used for its upkeep and renovation, and they would never think to imagine the possibility of profit. Netflix Thai drama The Believers centers on three young entrepreneurs, who, due to debt, decide to partner up with an abandoned temple as a money making scheme. It’s an audacious scheme, one that, of course, terribly exploits its devotees. But the show also examines the ways these schemes help draw genuine devotees towards the religion, creating a mutualistic relationship between the temple and profiteers that can’t be easily undone. With the recent fraud investigations around Thai temples leading to controversial imprisonments a few years ago, The Believers is a timely examination of a rarely examined issue.
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This series is proof that no matter how silly or brutal things get, pro wrestling can always serve as someone’s sanctuary. Though they sprinkle in pixie dust to make the industry as sketchy, barbaric, and ambiguous as possible, there’s a sparkle to the show’s energy that makes it feel like you’re watching a sweet cinematic drama, or rather a dreamy depiction of the monstrous world of ‘80s joshi wrestling. Ultimately, they do a stellar job conveying intimacy in interpersonal drama and portrayal of combat (even when combat amounts to stabbing someone’s head with a fork), and taken as a whole, makes for such a breezy and mesmerizing pro wrestling drama.
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Structured more like a network procedural than a gritty streaming miniseries, the TV adaptation of The Lincoln Lawyer feels easy, even nostalgic, to watch. The formula is simple: in every episode, Mickey handles a new case (most of them wrongful convictions against people on the fringe), all while dealing with a larger, more complicated case and his inner demons. There to help is his trusty driver Izzy (Jazz Raycole), who gets him everywhere in his Lincoln Town Car, and his two ex-wives, with whom he shares a surprisingly healthy relationship. All these elements come together to make an entertaining legal drama. It’s not the most compelling thing out there, but it’s consistently enjoyable and endlessly likable.
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After the cool partnerships Titmouse and Netflix had, their next work was bound to be something to look forward to. Jentry Chau vs. The Underworld starts with a slow start, but the supernatural horror comedy is fun and entertaining, taking inspiration from Asian mythology and classic teen comedies, but writing these tropes and themes in exciting ways, weaving them into a cute, compelling coming-of-age story that reckons with intergenerational conflict, parental control, and self-acceptance. The story works really well, and it’s matched with bold, colorful animation, catchy K-pop soundtrack, and stunning sequences we’d love to watch more of. The lead might have trouble fitting in, but Jentry Chau stands out with its unique storytelling.
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