November 21, 2024
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Action movies can get a bad rap for being shallow or brainless (which isn’t always a bad thing), but there really is an artistry to getting action right—making sure it flows coherently, looks beautiful, and carries narrative or emotional weight. On Netflix you can find a huge number of action films, though many of them might only be good for a quick fix or a background watch. So for this list below, we’ve put together a number of lesser-known movies that we believe have gripping, well-made action, while also still being strong films in one’s own right.
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Tom Hardy, Guy Pearce, Gary Oldman, Jessica Chastain, and Shia Laboeuf (the good Shia Laboeuf) all star in this true-story-based gangster tale. As a result, Lawless is cliché-free, fast, and violent – yet it doesn’t take itself too seriously. Bootlegging Bondurant brothers live according to different rules, yet run a successful business during the prohibition era. When new authorities try to shut them down violently, each one of them has a way of dealing with it. The story runs very smoothly, and added to the perfect performances and great staging, Lawless becomes very entertaining, and a true pleasure to watch.
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A special forces team conducts a raid at a multi-story ghetto building where a criminal boss runs his business. Things quickly go wrong and chaos ensues. Full of pure action, with no overblown Hollywood-type CGI nonsense. It is made the way action movies should be made, full of realistic fight scenes. It is exciting, brutal and thrilling. The Raid: Redemption is definitely among the best action movies ever made.
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The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes – instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company – a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.
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Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But man, is it good. Okja tells the story of a “super pig” experiment that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (Okja). When the company who originally ran the experiment want their pig back (performances by Jake Gyllenhaal and Tilda Swinton) – the two find an ally in an animal advocacy group led by Jay (Paul Dano). This is a straightforward movie, but nevertheless it is entertaining and full of thought-provoking themes and performances from an excellent cast.
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A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.
The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.
It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.
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This movie is like thriller-candy. It is full of twists, it is very atmospheric, and in nicely predictable fashion it will deliver that excitement rush we (most of us) love. Accused of murder, a wealthy entrepreneur hires the best witness preparation expert he can find. They have three hours before the trial to come up with the most solid, plausible defence. But ?, a new witness surfaces. Don’t expect anything overly original, but expect to be entertained.
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Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.
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Set in 1920s India, RRR follows two revolutionaries who strike up an unlikely bond and fend off the British regime from their home. In their epic journey to protect their people, they encounter a number of setbacks that prompts them to put their incredible combat skills on full display.
Despite its three-hour run, RRR never drags, thanks in large part to its breathtaking action sequences and eye-popping visuals. It may contain all the familiar beats of a blockbuster, but RRR is notably grounded in its central, political theme of anti-colonialism, the sincerity of which keeps the film’s big heart beating palpably throughout.
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The journey of transitioning can be tough, but it’s not likely to be as wild as the journey undertaken by the titular rich mob boss of the crime thriller romance musical Emilia Pérez. It’s pretty surprising, with the incredibly stylish and totally unpredictable ways the plot unfolds, all made possible by the ridiculous all-or-nothing methods and means of a Mexican mob, and it’s a delight to see Zoe Saldaña and Selena Gomez feel at home in their respective Spanish-speaking roles. There are certain moments where the film bites off more than it can chew, but the visuals are stunning, the story is daring, and there’s really nothing like Emilia Pérez right now.
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For skeptics of the western, Silverado might be too overstuffed with storylines that feel more appropriate for a series than a single film. But those willing to give it a chance should find a consistent level of entertainment with the movie’s wide array of cowboys and sheriffs trying to outmaneuver each other. The action gets surprisingly intense, with impressive stunts and shootouts selling the idea that these characters could go at any time. And with the relatively young and fresh faces of Kevin Kline, Scott Glenn, Danny Glover, Kevin Costner, John Cleese, and Jeff Goldblum popping up, it feels like a greatest hits of the ’80s and ’90s, with these charismatic actors all getting a turn playing in the sandbox.
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