100 Best Foreign Shows on Netflix Right Now

Based on the 2019 Taiwanese drama, A Time Called You is a fresh take on the time travel romance with its unique premise and structure. The series seamlessly shifts between the decades, flitting between them with ease. It simultaneously introduces both couples on separate, parallel timelines, 1998 at the start of the love triangle, with 2023 at the untimely end of Jun-hee’s. These two timelines merge through time travel via a gifted cassette tape. Because of these shifts, the show creates the expected nostalgia, but it also effectively drives the show’s mystery, as Jun-hee tries to figure out the photo and the trio on it. While the show takes its sweet time doing so, A Time Called You twists the heart in exploring the grief of lost love, and the hope for a second chance.

Less medical drama and more spy bromance, The Patients of Dr. Garcia is a new perspective on World War II Spain. Starting from the Spanish Civil War, the country is torn between the Republicans (“Reds”) and the fascist-aligned Nationalists. The titular doctor, a liberal Republican, hides the wounded spy Arroyo in his quarters, much to the disapproval of Garcia’s Falangist lover. Arroyo later pays back this favor by forging a fake identity for Garcia, but invites him to his mission to infiltrate Nazi escape routes. The overall plot, with its steady pace, political details and ever changing forged identities, can feel overwhelming, especially for those unfamiliar with Spanish history. However, the stunning cinematography, divine sets, and unexpected plot twists make the espionage series compelling to watch.

Song of the Bandits takes time to gain momentum, but when it does, it crackles like gunpowder. The first few episodes take great pains to explain occupied Korea’s complicated political situation (China, Japan, and a few Western bodies fight over its resources), and unsurprisingly, Song of the Bandits champions the motherland’s cry for independence. It’s a very patriotic show that doesn’t leave a lot of room for other sides, often even bordering on melodrama in its calls for justice, but that should be expected in any war-set story. Once it gets into gear, however, it delivers all the thrills you’d expect from a neo-Western. There’s a lot of gunslinging, backstabbing, espionage, and sure enough, bandits chasing a loaded train on horseback. Depending on where you stand, it also comes as a satisfying revenge thriller, one that distorts history to give this fictional Korean rebel army their due. It’s a bit like Inglorious Basterds in that it follows a paramilitary group comprised of offbeat but vicious characters, but I’d say it’s mostly similar to another Netflix history K-drama, Mr. Sunshine. If you like either (or better, both), then you’ll love Song of the Bandits. 

African Folktales Reimagined is exactly what it says in the tin. The anthology isn’t exactly a cohesive, one-plot show – it’s a collection of folktale-inspired short films from six different countries, by six different filmmakers, funded by grants from a rare Netflix-UNESCO partnership. As such, the collection features a variety of genres and styles. If you like Westerns, you might want to watch Katera of the Punishment Island. If you’re into Afrofuturistic sci-fi, try watching Halima’s Choice first. Into supernatural stories? Watch Enmity Djinn. Katope and MaMlambo lean more on the fantastical side of the folklore, while Anyango and the Ogre feels like a straightforward drama. It’s a fairly varied collection, and there’s something here for everyone. African Folktales Reimagined takes a modern twist to the folktales that shaped the continent.

Honestly, if we’re going to choose between the two Netflix samurai releases dropped on Japan’s Culture Day… It’s going to be Blue Eye Samurai. However, Onimusha is a fairly decent Japanese anime, even if it is overshadowed by the Asian-American revenge saga. The show takes the strengths of the original game – samurai fighting oni-controlled zombies – while shifting the show’s timeline to a calmer era that allows it to develop a cohesive plot, unlike old video game adaptations. While the 2D-3D blend falters in exposition scenes, the show’s spectacular horrors, great action scenes, and a cheeky Toshiro Mifune-inspired Miyamoto Musashi makes Onimusha a fun watch.

Bright, chaotic, and surprisingly funny, Wake Up Carlo seems like one of those kid’s shows that could make adults laugh. The show first starts in an idyllic, nature-filled island that feels like a feverish acid trip complete with a talking mountain, but this strange setting gets replaced with rectangular blocky buildings, an influencer-esque dictator, and unethical memory wiping of small joys common people have lost. Through every neon colored frame, Carlo and his friends go through familiar absurdities with the fast paced jibber-jabber, but it still keeps it PG enough that kids could enjoy. While some of the jabs might be too kooky for some viewers, Wake Up Carlo is a reminder for adults to remember childhood’s simplicities, while it pokes fun at the ever complex world we’ve created.

Detective Forst isn’t a mindbending, totally original crime thriller that would revolutionize the detective genre, but sometimes we just want something familiar. The thriller adaptation of Remigiusz Mróz’s book series mostly sticks to the classic tropes, with eerily strung up bodies being investigated by the gruff, hardened detective, portrayed well by Borys Szyc. It’s not immediately clear what brought Forst to the mountains– whatever it was, it’s enough to gain the mistrust of his new station, and it’s possibly the reason behind his splitting migraines– but that’s part of the fun, as an additional mystery alongside who is behind the murders. That being said, the show plans to depict a whole series, so the ending of its first season might exasperate viewers who just want a complete story. Still, with the striking scenery of the Tatra Mountains, Detective Forst is at least stunning enough to watch, even with all the moody murder mystery tropes onboard.

With a ludicrous amount of cash, and one of the perpetrators escaping into a luxurious European life posted on Facebook, it’s no wonder Netflix decided to create Baby Bandito. The source material practically writes itself, and it’s easy to fictionalize some details for added drama. The show does this, turning the original robber into a well-meaning skateboarder Kevin Tapia that steals the plans of a mob in order to escape his rough neighborhood, but some of the characterization falters, specifically when it involves his girlfriend Génesis. There are moments it goes into generic territory, but the series is certainly well-shot, full of charm, and daring in the way it focuses more on the consequences rather than the heist itself.

Ensemble romance stories are great for exploring different aspects of relationships, but this time, Taiwanese comedy drama Let’s Talk About CHU tackles sexual relationships. Centered on the Chu family, each of the members struggle in that aspect of their relationships– the parents are at the brink of divorce because of it, Ai prioritizes pleasure but not connection, Yu-sen is taken for granted because of it, and Wei struggles with the expectations of having children. It’s refreshing to see the show tackle these issues, which, until recently, has been mostly taboo to talk about, but it also happens to be direct, honest, and forthcoming about them in such a relatable way. While the show does struggle to balance the plotlines, Let’s Talk About CHU is a multi-generational conversation that’s important to have.

Children’s television isn’t likely going to be controversial, daring, or particularly groundbreaking, but certain shows acknowledge that they can impact the way their audience views the world. Luz: The Light of the Heart has a familiar Disney-esque plot of a child going on an adventure to learn more about her roots, but through that basic formula, the first Brazilian Netflix kid series takes the opportunity to respectfully portray the indigenous Kaingang community in their plot, who takes care of and is more knowledgeable about the natural land, and whose teachings may be acknowledged if Luz, potential land heiress, manages to find out the truth. There are some of the standard childish shenanigans, like privileged boarding school drama that occurs when Luz enters the school, but overall, Luz: The Light of the Heart isn’t a bad choice if you’re looking for something to watch with children.