100 Best Foreign Shows on Netflix Right Now

Hitmen are just cool. But rather than bring us the same fists and bullets that we usually see with these killers, Sakamoto of Sakamoto Days does his best to keep to his normal humdrum life, rather than jump back into the bloodshed. It’s an interesting twist to the gangster thriller. Rather than try to surpass any choreographed fights, or bring up the angst by killing everyone dear, the series humorously contrasts the over-the-top drama these assassins have over the straightforward ordinary life, which, as Shin realizes, is actually great. Sakamoto Days celebrates ordinary life as something worth protecting, and it’s pretty fun to see the crew do so.

This new Russian thriller show has an immaculate production value that can rival the biggest Hollywood shows.

It’s about a deadlier flu pandemic than the one we’re living through; one that kills anyone who becomes infected. It strikes Moscow first, quickly throwing the city into chaos as criminal gangs take over.

The show follows two families who live in a wealthy Moscow suburb as they try to reach a safe haven. Based on the famous book by Yana Vagner.

Reporting for Duty is a delightfully chaotic workplace comedy that seeks nothing more than to entertain, and it fulfills this mission by packing each of its 30-minute episodes with lovable characters and silly plotlines. This alone makes it worth the watch, but it has layers to it that give it more heart and nuance than you’d initially expect. For instance, both the show and the precinct are led by the soft-hearted Suzano (Leandro Hassum), who proves to his team that you don’t always have to be tough and violent to get results. His presence also inspires the precinct to adopt a wider perspective and appreciate life outside the grind-and-hustle culture expected of them. To be sure, Reporting for Duty is a breezy, lighthearted watch, but I appreciate the underlying ideas that fortify its comedy.

Fear and paranoia are the hallmarks of plenty of thriller series, but Who Were We Running From? takes this paranoia on a whole other level. Based on a 2007 novel, the Turkish mystery series is centered around a mother-daughter duo with a codependent relationship. Flitting from hotel to hotel, what’s normal for Bambi is an unhealthy bond with her mother, to the point where they personally believe that it’s them against the world. Yet, on some level, as they attract scrutiny, this paranoia feels almost justified. Through cinematic visuals, contrasts between them and everyone else, and near silence from the mother’s perspective, Who Were We Running From? creates a compelling mystery that stands out from other crime series available on the platform.

After a whole pandemic, rising inflation, and a whole climate crisis the world hasn’t yet resolved, it can be hard to feel hope towards a new day. However, the third collaboration between director Oh Choong-hwan and screenwriter Park Hye-ryun feels like a reminder to keep hope despite life’s circumstances. Castaway Diva has the classic manic pixie dream girl, but you have to admit that Seo Mok-ha’s optimism and survival instincts despite serious life circumstances makes it easy for her to root for. The way she appreciates what modern life has to offer makes it easy to appreciate how much good came up even just within 15 years. And with an unexpected mix of ecology and abuse themes, it stands out from other dramas, even when it gets instantly and unexpectedly serious.

Continuing on the 2021 film, which in turn, was the prequel to the Belgian-Dutch series Undercover, Ferry: the Series now delves into the titular mob boss’ start of his ecstasy empire. While the drug lord was suitably menacing in Undercover, Bouman in his beginnings is broke, trying to create bigger deals that would allow him to continue sustaining his small-scale drug pushing, and personally bumping with the cops in some botched buyings. As the future kingpin deals with day-to-day mishaps, there’s an old-school, lightly comedic tone as Bouman tries to gain the same respect he’ll get in Undercover. It makes for a goofier and less serious side on the all-too-familiar organized crime plotlines, and makes it a fun series to watch.

Tragedy can strike at any time, but some instances are preventable, and rare is the instance where people do seek justice for it. After all, after losing so much, it would be awful to fight and lose again. But these instances do still exist, and one such incident is the Uphaar cinema fire. Trial by Fire depicts this tragedy, but rather than focusing on the fire itself, it focuses on the fight the victims’ families took in order to seek justice. The show doesn’t play out as a courtroom drama, it takes an intimate look into their day-to-day actions, faithfully portrayed by the excellent Rajshri Deshpande and Abhay Deol. And while the industrial giants depicted tried to file an injunction against this show’s screening, thankfully, Trial by Fire is still able to make its stand. It’s solemn and grim, but it’s a potent reminder of the power we hold as a collective.

Any parent would defend their kid in court, though, sometimes it depends on the case. A Nearly Normal Family brings one such Swedish family through a case, as their nineteen year old daughter is accused of murdering a man, four years after the family decides not to prosecute their daughter’s rapist without evidence. The thriller series unfolds into a compelling murder mystery, as the show plays with the family members’ different perspectives that expands and continues the show’s intrigue, even if you think you have it all figured out. And as the investigation continues, the family’s secrets slowly get unveiled, threatening to break the Sandells apart, with their conflicting morals and unresolved trauma. While some viewers might not appreciate the slow burn, it’s an interesting crime thriller-family drama mix that questions how far we’re willing to go for our loved ones.

Viewers are familiar with cuisines around the world such as the food from France, Italy and Japan, but now it’s Filipino cuisine that takes the spotlight. Replacing Chef Chico portrays different Filipino dishes in each of its eight episodes, but these meals are great side dishes to sous chef Ella’s journey in managing the Hain fine dining restaurant. Alongside this journey of self-discovery comes heartwarming stories from the Hain restaurant’s customers, the receptionist’s cheeky commentary, and sweet tracks from Leanne & Naara. They all mix into a lighthearted, if a tad bit familiar, cooking drama series, and it does so with the breezy and calm attitude of lead character sous chef Ella.

When watching fantasy anime, there’s a wonderfully whimsical world that viewers can fully explore. Spectacular magic, brave warriors, and strange creatures are all expected, but every exploring troop needs supplies. Money, weapons, and of course, food are needed to survive the wondrous yet perilous adventures they set out to embark on. Delicious in Dungeon recognizes these practicalities, and creates a whole episodic adventure that focuses more on the possible food ecosystems of a fantasy world rather than the seemingly serious quests they embark upon. It makes for a slightly silly approach poking fun at the fantasy genre, but it’s definitely something unique, especially when it brings about mouthwatering exotic dishes made from monsters.