100 Best Foreign Shows on Netflix Right Now

After a whole pandemic, rising inflation, and a whole climate crisis the world hasn’t yet resolved, it can be hard to feel hope towards a new day. However, the third collaboration between director Oh Choong-hwan and screenwriter Park Hye-ryun feels like a reminder to keep hope despite life’s circumstances. Castaway Diva has the classic manic pixie dream girl, but you have to admit that Seo Mok-ha’s optimism and survival instincts despite serious life circumstances makes it easy for her to root for. The way she appreciates what modern life has to offer makes it easy to appreciate how much good came up even just within 15 years. And with an unexpected mix of ecology and abuse themes, it stands out from other dramas, even when it gets instantly and unexpectedly serious.

Continuing on the 2021 film, which in turn, was the prequel to the Belgian-Dutch series Undercover, Ferry: the Series now delves into the titular mob boss’ start of his ecstasy empire. While the drug lord was suitably menacing in Undercover, Bouman in his beginnings is broke, trying to create bigger deals that would allow him to continue sustaining his small-scale drug pushing, and personally bumping with the cops in some botched buyings. As the future kingpin deals with day-to-day mishaps, there’s an old-school, lightly comedic tone as Bouman tries to gain the same respect he’ll get in Undercover. It makes for a goofier and less serious side on the all-too-familiar organized crime plotlines, and makes it a fun series to watch.

Tragedy can strike at any time, but some instances are preventable, and rare is the instance where people do seek justice for it. After all, after losing so much, it would be awful to fight and lose again. But these instances do still exist, and one such incident is the Uphaar cinema fire. Trial by Fire depicts this tragedy, but rather than focusing on the fire itself, it focuses on the fight the victims’ families took in order to seek justice. The show doesn’t play out as a courtroom drama, it takes an intimate look into their day-to-day actions, faithfully portrayed by the excellent Rajshri Deshpande and Abhay Deol. And while the industrial giants depicted tried to file an injunction against this show’s screening, thankfully, Trial by Fire is still able to make its stand. It’s solemn and grim, but it’s a potent reminder of the power we hold as a collective.

Any parent would defend their kid in court, though, sometimes it depends on the case. A Nearly Normal Family brings one such Swedish family through a case, as their nineteen year old daughter is accused of murdering a man, four years after the family decides not to prosecute their daughter’s rapist without evidence. The thriller series unfolds into a compelling murder mystery, as the show plays with the family members’ different perspectives that expands and continues the show’s intrigue, even if you think you have it all figured out. And as the investigation continues, the family’s secrets slowly get unveiled, threatening to break the Sandells apart, with their conflicting morals and unresolved trauma. While some viewers might not appreciate the slow burn, it’s an interesting crime thriller-family drama mix that questions how far we’re willing to go for our loved ones.

Viewers are familiar with cuisines around the world such as the food from France, Italy and Japan, but now it’s Filipino cuisine that takes the spotlight. Replacing Chef Chico portrays different Filipino dishes in each of its eight episodes, but these meals are great side dishes to sous chef Ella’s journey in managing the Hain fine dining restaurant. Alongside this journey of self-discovery comes heartwarming stories from the Hain restaurant’s customers, the receptionist’s cheeky commentary, and sweet tracks from Leanne & Naara. They all mix into a lighthearted, if a tad bit familiar, cooking drama series, and it does so with the breezy and calm attitude of lead character sous chef Ella.

When watching fantasy anime, there’s a wonderfully whimsical world that viewers can fully explore. Spectacular magic, brave warriors, and strange creatures are all expected, but every exploring troop needs supplies. Money, weapons, and of course, food are needed to survive the wondrous yet perilous adventures they set out to embark on. Delicious in Dungeon recognizes these practicalities, and creates a whole episodic adventure that focuses more on the possible food ecosystems of a fantasy world rather than the seemingly serious quests they embark upon. It makes for a slightly silly approach poking fun at the fantasy genre, but it’s definitely something unique, especially when it brings about mouthwatering exotic dishes made from monsters.

With the stakes involved in plenty of cases, legal dramas tend to be more serious and dramatic. However, sometimes, ludicrous events can happen in these courts, and they have, in real life. Maamla Legal Hai may not be 100% factual, but the way they mix and match real life legal headlines gets into unexpected, hilarious ways, poking fun at how ridiculous the Indian legal system can be. It might shy away from the serious cases, but Maamla Legal Hai smartly depicts the legal ecosystem, from the wily higher ups, to the idealistic newcomers, with unique charm and witty humor.

This historical show with immaculate production value is about the fall of Constantinople in 1453. It’s fully in English, despite being a Turkish production, featuring a mix of entertaining interviews and dramatic reenactment. The way it’s narrated is reminiscent of History Channel documentaries (with frequent recaps), which is unfortunate. Still, the story and the production compensate well enough. The young 21-year-old Ottoman Sultan Mehmet risks everything in pursuit of Constantinople, a city twelve armies, including his father’s, have failed to take. This moment is pivotal for so many reasons: it marked the end of the Roman empire, it turned the Ottomans from local power to a global one, and the use of advanced military techniques (such as a new generation of cannons) changed warfare forever. But knowing that Mehmet will enter Constantinople (now Istanbul) changes nothing to the appeal of this show. The question is not will he win, but at what cost, and how.

Being a Viking is “the easiest job in the world” a villager tells the town’s most feared fighter: “sit on a boat, stab people with swords — it’s as basic as it can possibly get”. In Norsemen, a variety of characters try to fight this basicness. They take fashion risks like putting horns on a helmet for the first time, try to be more culturally diverse by interacting with a Roman slave, fall in love and raid tribes (often at the same time), and so on – you know, every day Viking stuff. Norsemen’s first season was viewed by more than a million people in Norway, a country of five million.

In this compelling new Belgian legal drama, the story is as much about the jurors who are chosen to decide on the crime, as it is about the crime itself.

Usually, the jurors are quiet characters whose job is to be unmoved by hotshot lawyers. The Twelve, somehow the first TV show to do this, digs into how their personal pasts influence their decisions.