100 Best Shows from the Last Five Years

Dark and almost too realistic, Wentworth is the women’s prison drama that I’ve been waiting for.

This Australian show might have the same set-up as Orange is the New Black — following a recently incarcerated woman as she discovers a new world — but the two series couldn’t be more different. Wentworth is more Breaking Bad than Orange is the New Black.

The difference: It doesn’t follow people who are wronged by the system or who are misunderstood, but women that have actually done violent things, and continue being violent in prison.

It appeals to everyone’s dark side: It seems impossible for any character to achieve redemption. The show’s biggest selling-point is that it never goes the violence for the sake of violence route. Its immaculate character development guarantees reason and authenticity behind every act.

This a true hidden gem.

The first episode is directed by the maker of Warrior, Gavin O’Connor, and shares its emotional, yet suspenseful and action-packed flow.

A white police officer and his squad are involved in an attempt to cover up the hit-and-run murder of a black teenager. You’ll see the officers weigh guilt and remorse against their fears of exposure and a backlash. You’ll also meet the teenager’s heartbroken family and a disorganized prosecutor.

Its tales of race and institutional bias are compelling, but its greatest strength is the script. Add strong acting, especially by Regina King and Russell Hornsby, and you get one of the best police dramas Netflix has ever had.

An eccentric billionaire. A freakishly strong character who is ashamed of his strength. A Captain America-esque leader. An old mentor in the form of a wise talking monkey. You guessed it; The Umbrella Academy is about superheroes.

One fateful day in 1989 many women across the globe give birth at the same time, but at the start of that day, none of them were pregnant. The eccentric billionaire adopts a number of these children to form The Umbrella Academy, a collective similar to X-Men or The Avengers. Except, because they are all kind of related, this show is about their family dynamic as much as it is about their superpowers.

The Umbrella Academy is an entertaining story of superheroes that is rarely original but always enjoyable. Ellen Page plays one of the kids (the black sheep of the family who has no superpowers), and she’s a joy to watch.

And substantial bonus: Mary J. Blige (!) plays a hitman.

Hanna the movie was the perfect mix between a coming-of-age story and a Bourne-Trilogy-type thriller. It was suspenseful, edgy, and so original.

How to make these attributes stick when the movie is stretched to a TV show? As it turns out, more of the same does the trick.

The majority of events have been imagined especially for the show, and it doesn’t stop there. The series is packed with great new talent who bring their uniqueness to the story. Hanna herself is played masterfully by British actress Esme Creed-Miles. Her father – much more present in the show than the movie – is also amazingly played by Swedish actor Joel Kinnaman (you may recognize him from House of Cards or The Killing).

High production value and incredible suspense make Hanna an enjoyable and prolonged thrill ride. It’s even more fun if you’ve never watched the movie, as all plot developments will be new to you. 

This is an thrilling BBC/Netflix show and a Yakuza drama that takes place between Tokyo and London. About half of the dialogue is in Japanese and the other half is in English.

Yakuza families are no longer at peace when a boss’s nephew is assassinated in London. Trying to bring the culprit in without interference from the British police, a Tokyo detective is sent to the UK to try to find him. 

There is an undeniable appeal to seeing the world of yakuza unfold, but the show’s title, which translates to Duty/Shame is a reference to the detective’s own personal conflict: the suspected murderer he’s looking for is his brother. Ouu.

This creepy miniseries stars Jason Bateman, Bill Camp, and Ben Mendelsohn. Based on the Stephen King novel of the same name, it follows an investigation into the horrific murder of a child where all evidence leads to the local baseball coach, Terry Maitland (Bateman). However, Terry’s demeanor and his shock when the police come to arrest him raise questions about whether he actually committed the crime. It’s a grim and slow-burning story with immaculate acting although it suffers from the thing it aspires the most to: the (not entirely satisfying) book. Created by The Wire writer Richard Price.

This comedy-drama is about a British family that moves from England to Corfu, Greece, in hopes of a better life.

At first the cultural shocks and mishaps are hilarious, but The Durells quickly becomes a heartfelt drama centered around the mother, who has to push through a lack of money, new responsibilities and a sense of loneliness on top of the cultural adjustment.

This comedy is about a girl whose family moves to the U.S. on September 2001. She grows up to excel academically but, as she asks from the shrine in her room on her first day of sophomore year, she has yet to be cool. “I want to be invited to a party with hard drugs,” she prays, “not to do them, but just to say: no cocaine for me, thanks. I’m good.”

The show is narrated by tennis legend John McEnroe who was known for his explosive temper (played recently by Shia Laboeuf in Borg vs McEnroe). It’s a genius arc because Devi is a “hothead”, exactly like McEnroe. Instead of recoiling, Devi keeps boiling over, making for a fresh and original high-school comedy.

In one scene, the main character’s husband looks at her with disdain after she makes an inappropriate joke –  “you are somebody’s mother!” She looks back with the same disdain – “I’m sorry, I forgot, moms aren’t supposed to be funny.”

Funny is a good word to use here, because this show is hilarious. Comedian Andrea Savage makes a TV show based on her life, or rather, that is her life (it’s a thin line). The show’s easy going tone is only interrupted by Andrea’s lack of consideration of what is appropriate.

Her jokes are heavy and offensive, and if you don’t mind either, so funny. They range from teaching her mom about unexpected sexual slang to trying a by-all-means approach to comfort her daughter’s fear of Nazis. 

Funny, natural and entertaining – I’m Sorry is a joy to watch.

Phoebe Waller-Bridge became famous for her hit show Fleabag, but few people know about Crashing which she has also created and stars in, and which deserves just as much attention. She plays a girl who moves to London to be with her childhood friend, who’s already in a relationship and living with his partner and four others in an abandoned hospital. Waller-Bridge settles into the hospital as well, and the six twenty-somethings become property guardians of the hospital building.

Funny characters and excellent performances make this show dangerously bingeable.