100 Best Shows from the Last Five Years

While the dual lead performance concept can easily be a recipe for disaster at times (cf. Gemini Man), the always amazing J.K. Simmons (Whiplash) shows everybody how it’s done in this tense sci-fi thriller. When the risk pays off, it pays off big time! Set in a counterfactual 1980s East Berlin, Counterpart unfolds in two parallel worlds that were bridged by East German scientists. When a flu pandemic kills millions in the first world, the two worlds enter a Cold War-like state.

Both Simmons’ characters (Simmonses?) work in the institution (“interface”) that oversee this bridge between earths: Howard Silk, a low-level employee who transmits messages he doesn’t understand, and Howard Silk Prime, a clandestine agent working for the parallel world’s interface institution. While this may seem like an overly complicated plot, don’t fret. To be sure, Counterpart is complex, twisted, and raises some big questions, but it’s also a gripping political thriller where everyone tries to kill somebody somewhere, like Bourne. It’s the best of both worlds – pun intended. But if you’re into the philosophical aspects of sci-fi, screenwriter Justin Marks does not disappoint, offering some new answers to the age-old question of what makes us who we are: nature or nurture.

There is footage and coverage to prove that the pizza bomber story actually happened but watching Evil Genius: The True Story of America’s Most Diabolical Bank Heist everything is so intriguing it is almost impossible to believe. A pizza-delivery guy shows up to rob a bank with what he says is a bomb secured around his neck, something that he claims is part of a treasure hunt. By robbing the bank, he will unlock the next set of clues that will allow him to defuse the bomb. Bank tellers comply but on the way out he is suddenly arrested by the police, who doubt his claims, handcuff him and keep him at a distance. The device he has around his neck then starts beeping. What follows is one of the most unusual investigations ever led by security forces, brilliantly framed by executive producers Duplass brothers. A perfect follow-up to their other amazing True-crime Netflix collaboration, Wild Wild Country, it’s a tight 4-episodes that is equally terrifying and intriguing.

This is the type of show where you will laugh your ass off in one scene, and then find yourself moved to tears in the next. It’s so heartfelt, so smart, and so, so well-written. The premise of the show is the revelation of a Nobel laureate that he used his own semen in his trailblazing research on fertilization. This prompts his daughter to search for her unknown siblings. She is stuck with two particularly interesting sisters, one of whom is a lawyer who tries to sue their father. One additional plus for me personally is the Australian accent. I love it in a comedy/drama, ever since I watched The Let Down on Netflix.

I can’t think of a good reason why this review shouldn’t just be two words: David Attenborough. With a voice that makes you wish every other voice in your life was the same, the star of Planet Earth teamed up with Netflix to make this new nature show. It took four years to film, and it bounces countless times between continents in every episode. It’s rich, vivid, and oh so beautiful. So they just made another Planet Earth? Not exactly. Our Planet has a much stronger environmental message. It’s not a line here and there about the negative impact we’ve had on the planet – it’s the theme behind the whole show. It’s frank, sad, but always, always, stunning.

This is one of those reviews where it’s probably enough to say: watch the pilot. There is no better proof of how good Modern Love is than its first episode. The show is based on true stories that were shared in The New York Times column by the same name. That first episode is about the relationship between a doorman and a New Yorker. But, plot twist, Modern Love isn’t just about romantic relationships. It’s also about friendships, family links, and all displays of love and affection. The second episode is with Dev Patel and Catherine Keener, which I found to be also excellent. There are other ones with Tina Fey, Anne Hathaway, and many other big names, but the first two episodes are still my favorites. The power of Modern Love is in the riveting true stories it tells. It might as well have been called “you can’t make this stuff up.”

A five-part mini-series where the camera rarely leaves Benedict Cumberbatch, enabling him to deliver possibly the best performance of his career. He plays Patrick Melrose, an autobiographical character from renown British writer Edward St Aubyn. A wealthy man who in the first scene of the show hears about his father’s death, Patrick tries to get his act together to go retrieve his father’s ashes. However, a nasty drug habit and a dark past stand in the way of sobriety. This is a fast-paced and impeccably-acted show with a solid supporting cast that includes Jennifer Jason Leigh and Hugo Weaving.

This excellent new miniseries is a drama that takes place in an ultra-Orthodox Jewish family. Esty, a nineteen-year-old girl who is unhappy in her arranged marriage, escapes this community and travels from New York to Berlin in hopes of starting a new life.

Like all good realistic dramas, there are no truly bad people in Unorthodox. Everyone is trying to do what they think is right, which still makes for very complicated situations. Esty is played by Israeli actor Shira Haas and I know this word is overused but she really is a revelation.

In certain aspects, it’s a premise straight out of Disney, but the acting feels a bit more charming. It also has some legitimately funny material in the writing, refusing to rest on the laurels of a tight premise and moving the show away from one trick pony territory. The ghost rules aren’t necessarily inconsistent, but it does take a while to establish the patterns, so they feel like they’re often broken. But as a show generally following the tropes of music-centered teen shows, it excels in just about every department, from the original songs, to its themes of grief and the healing power of music.

Produced by Ezra Klein’s Vox Media, an explanatory news site with liberal leanings, this may well be Netflix’s first successful attempt at a traditional weekly television show. And a news show at that. But as the title suggests, Explained doesn’t aim at updating you on current events, but takes short but in-depth looks at topics that tend to get overlooked in news cycles such as the racial wealth gap, monogamy, and the rise of cryptocurrencies. The idea is not unique. The only thing YouTube might have more of than make-up advice videos are explanatory monologues by self-declared Illuminati. However, those familiar with Vox Media’s previous outings on YouTube know to expect high production value, serious research, and digestible visual journalism at its best. Don’t watch it with your special uncle, though because he will start yelling at the television.

Some of the best novels of all time will probably take a few pages to introduce their premise, backstory, and key characters, and might demand some patience until the plot fully unfolds. This might be a hard sell in today’s world of short attention-spans, but some stories just need the time. Rectify is one of those stories. We meet Daniel Holden, played by Aden Young, after he is released from death-row prison after 19 years. While smart and thoughtful, Holden is obviously a damaged man, slightly out of synch with the world outside. His release affects his family very differently – some, like his sister, Agatha, had been fighting for his release since the day he was arrested. Others, like his brother-in-law, suspect he’s guilty of the crime he was accused of. Still others, like the fictional town’s sheriff, are bent on finding new evidence to lock him away again. So, in addition to awe-striking Southern landscapes, thought-provoking themes, subtle writing, you get a deep and detailed character-driven plot played by amazing actors. It might be too slow for some. This is not a who-dunnit or true-crime voyeurism. But you will be hard-pressed to find someone who isn’t enveloped by torrent of emotion when Daniel meets his mother and sister outside of a prison cell for the first time in nearly twenty years in the very first episode. And it really gets better and better with every season.