100 Best Shows from the Last Five Years

When I learned about Street Food the first time, I was reluctant to sit through yet another Netflix cooking show. They’ve made so many that when I want to bring up an episode with a friend I forget if I saw it in Ugly Delicious, Chef’s Table, Salt Fat Acid Heat or others. I can’t say that Street Food is a different format. It uses the same slow-motion takes of food, the same close-ups on chefs and the same style of interviews. Here is the thing though. Street Food might be similar to other Netflix cooking shows, but it’s also better than them in almost every way. Much better. It’s only 30 minutes long per episode, so it doesn’t indulge in egos or stray into unrelated stories. It doesn’t showcase kitchens where only the rich eat, like Chef’s Table often does, but stalls that are accessible to everyone. And in the best way, it connects the story of the food makers to the food. The show is mostly about middle-aged to senior women, and people who do not make that much money. It’s not about glamorous young chefs. It’s about food stripped away from any marketing or showbiz. Real cooking, real chefs, real diners. In its unpretentious nature, Street Food feels euphoric.

Bosch returned recently for a fifth season, with a sixth one confirmed. It’s a sleeper hit that you may not have heard of, but with time should get the coverage it deserves. Titus Welliver (Lost, Sons of Anarchy, Argo) plays an L.A.P.D. homicide detective who is on trial for using questionable methods during a fatal shootout. At the same time, he is trying to solve an open murder case. Bosch is carried by almost entirely by Welliver, who delivers such a good multi-layered performance that it’s hard to think anyone else could have played this character.

This wonderful Italian epic made by HBO was a huge hit in Italy but remains little-known elsewhere. It’s based on four famous books that tell the coming-of-age story of two brilliant girls who grow up in a poor suburb on Naples in the 1950s. It also has scenes from the current time where one of them mysteriously disappears. Amazing production value, acting, and story make this show so easy to get hooked to.

In 1845, two huge and aptly named ships, the HMS Terror and Erebus, were sent on an expedition to the Arctic to find the Northwest Passage, a century-old dream of connecting Asia and Europe through North America. Now, even when all went well, an Arctic expedition in the mid-19th-century was a pretty horrific affair by today’s standards, and, as you can imagine, all does not go well. In addition to the bitter cold, the cannibalism, and the malnutrition, The Terror throws in some hideous creatures from Inuit folk tales into the mix that hunt and maim the poor sailors. At its core, however, this is not fantasy horror. Co-produced by Ridley Scott and starring Jared Harris from Chernobyl, The Terror is unrelenting in the depiction of the hopelessness on board the two ships. Great timing and a pervasive sense of dread make this a must-watch for every fan of period-piece horror movies.

This mini-series by Alex Garland (28 Days Later writer and Ex Machina director) is about a tech company like Google that has a building that only select developers (devs) work in. Sergei is one of the lucky ones that get the call but he disappears after his first day. His girlfriend, who works for the same company, tries to find out what happened to him, first by uncovering well-kept dark secrets about that building. If you liked Mr. Robot or Ex Machina, you will love this. And a surprise bonus: Nick Offerman plays the CEO of the company, in a great serious role.

This documentary from Ken Burns is a selection of stories from prisoners enrolled in a competitive college program. Many of the prisoners are in maximum-security facilities, some for serious crimes.

Seeing their difficult imprisonment conditions, the struggles they come from, and yet their incredible determination to excel in their education – it’s all such a humbling and emotional affair.

Dark Side of the Ring is where the comfort of pro wrestling and the mystery of true crime meet. The very premise of the series is that the wrestling industry is rife with with sketchy and downright depressing stories; and while it continues the tradition of depicting pro wrestling tragically (to great results), the episodes are streamlined and very consistent with having an insightful and balanced pool of perspectives. There’s a lot of details for wrestling fans to sink their teeth into, but for the true crime and mystery-loving crowd, expect baseline stories about drugs, self-destruction, and outlaw wrestling practices unless it’s one of those transcendent stories.

It’s a solid premise for a show, but it is a pretty scary premise that keeps you a little on edge. The interview segments are just realistic enough to put that image in your head, while the meat of the show is a visualization of a young Dwayne Johnson worrying about girls, keeping up appearances, and just getting by, all to make him appear more real and relatable. Presentation-wise, it feels very much like a lighthearted ‘90s comedy with matching fashion, tunes, and warm messages. Meta aspects aside, it’s effectively Rock’s tribute to his family growing up, full of earnest performances once it gets going.

There’s something strangely nostalgic about the show. From the bright and timeless youth fashion, to the atmospheric soundtrack (kicked off wonderfully by The Feminine Urge in episode 01), to the charming dialogue that keeps things simple—a lot of this show feels current and young, but inexplicably feels like a distant childhood adventure, as well. Its lead storyline (the current time) is seamlessly interspersed with visions of the cold case, but it still makes that distant timeline feel within reach. In terms of balancing the necessary danger of a crime series and the periodic comfort people crave, this show strikes gold.

Do mysteries get better the more questions you resolve? They often don’t, plus resolutions can also eliminate a need for rewatching. But that’s not the case here with Tales from the Loop, a story that gets tighter and more substantial the more answers you get. It goes for an eerie, atmospheric vibe, allowing viewers to get a feel for the world with a slow burn unveiling of context. There’s a gloom to the way it handles the bridge between reality and its (for lack of a better word) supernatural, but it’s still a comfort to watch. It’s easy on the eyes, dialogue and performances are measured, and if you have the headspace for long episodes, it’s a well-executed show in general that’s worth your time.