Count Abdulla

Count Abdulla

A fresh spin on the horror genre and a welcome addition to TV’s growing roster of by-Muslims-for-Muslims comedies

The Very Best


TV Show

Comedy, Horror
Jonny Green, Manpreet Bambra, Mariska Ariya


This light-hearted sitcom dares to ask: if blood isn't halal, what do Muslim vampires drink?

What it's about

When a British-Pakistani Muslim doctor is bitten by a vampire, it turns his already messy life upside down.

The take

This new six-part comedy series is as razor-sharp as a vampire’s fangs, skewering everything from the horror genre’s historically iffy treatment of people of color, lazy media stereotypes of Muslims, and real-life fixtures of Islamic communities. It never feels bogged down by the weight of the issues behind it, though, always staying true to the lightness of its silly — but ingenious — concept.

The show follows the goofy Abdulla (Arian Nik), a British-Pakistani trainee doctor and horror nerd who has enough on his plate — what with an unavailable crush and the social pressures of being a not-so-perfect Muslim — without also having to contend with being turned by vampire-dominatrix Kathy (played with gusto by Jaime Winstone). Writer Kaamil Shah manages to pack an impressive amount of cutting humor into each 20-ish-minute episode, whether through Kathy railing against the appropriation of vampire culture during Halloween (presented less as an anti-woke joke and more as a wry analogy to media misrepresentation of real minorities) or a wink to Muslims about the epidemic of hypocritical haram police in our communities. This balance between universal humor and inside jokes that speak directly to — rather than over the heads of — British Muslims makes Count Abdulla a very welcome addition to TV comedy in general, as well as a refreshing widening of the horror genre.

What stands out

Though it never loses sight of its comedy roots, Count Abdulla works to redress the sidelining and more explicit mistreatment of people of color that both horror and media in general are guilty of (something it satirizes in its very first minutes). That — plus its commitment to exploring and poking fun at the nuances of British Muslim experiences in close, informed detail — puts it up there with the likes of We Are Lady Parts and Mo in breaking new TV ground and claiming back cultural real estate for much-maligned Muslim communities.


Add a comment

What did you think? Who should watch it?





A level of attention to aesthetics usually reserved for the most elaborate films, mixed with a complex and relevant story, make this series from Turkey unmatched in its quality



A psychological thriller that provides insight on what drove so many young people to ISIS.



A funny enough adult animation from the creator of Community and Rick and Morty


Pretend it’s a City

A wildly entertaining series of interviews with a New York legend



Norway's most expensive show ever is a timely thrill ride with a grim geopolitical premise.



A well-acted fact-based thriller about untangling the grip of a close-knit community


Still Up

A nocturnal screen-centric romcom series that turns what could be a gimmick into something quirkily compelling


Escape at Dannemora

Based on a true prison escape story, this slow-burn suspense thriller features once-in-a-lifetime performances by a star-studded cast


The Looming Tower

A well-written thriller miniseries about the rivalry between the CIA and the FBI and how they failed to prevent 9/11.



A coming-of-age series about a teenager torn between her Romani family and her hip-hop ambitions


Curated by humans, not algorithms.

agmtw logo

© 2023 agoodmovietowatch, all rights reserved.