Upon first watch, it’s easy to relegate Fallout to the heap of video game adaptations that are all show and no substance. There’s the Twisted Metal adaptation that came out with zero fanfare earlier this year, and the Halo series that continues to divide fans and critics alike. Thankfully, Fallout escapes that curse: it’s genuinely good, not because it strains itself to remain faithful to the source material, nor because it strays too far, but because it builds on the existing world with plenty of imagination and original characters. These characters are complex, too, with conflicting morals that are challenged in interesting ways. Lucy is a principled do-gooder, but whether that’s because of her nature or privileged circumstance is continually questioned in the Wasteland. Maximus is a brave warrior you want so badly to root for, but his end-justifies-the-means approach complicates that urge. But probably the best thing about Fallout is its incisive commentary on the evils of capitalism. “The future is management” and “We are all products” are genuinely scary themes that could lead to the end of our world too.

The production design team deserves full praise for building a heaping, disgusting, kooky, mess of a world, which is high praise for a place called The Wasteland! Also, the Ghouls are genuinely scary.