7.9
What you get if you cross Midsommar with The Vicar of Dibley.
Initially, The Change’s premise might seem as eccentric as its kooky characters, but this comedy series set in ancient woods makes a compelling case for itself over six short episodes. When Linda (writer Bridget Christie) is diagnosed as menopausal, it triggers a flash of clarity: she’s tired of being reduced to “wife” and “mother.” Depressed by all her ledgers recording every second she’s spent doing unappreciated housework, Linda decides to reclaim a few thousand minutes, and takes off on her motorbike to the Forest of Dean to look for the time capsule of cherished belongings she hid there as a child following her mother’s death.
Because this motivation is only explained later, the show has a somewhat perplexing beginning, but a couple of episodes in, it finds its footing. The Change makes sharp punchlines out of boorish man-children — and, although it has varying success getting laughs out of its more bigoted characters, it does decenter them and dole out acceptance to the overlooked, making it refreshingly divergent from “topical” comedies’ usual flippancy. The spiritual link it draws between its apparently unrelated focuses — menopause and the natural environment — adds to its originality and empathy, making this a comedy of untypical thoughtfulness.
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