The 25 Best Weird Movies on Netflix

For a film with virtually no plot, there’s a lot of fuss going on in Oregon. The characters are constantly yelling and complaining, but the noise—like the plot, the set, and everything else about the film—is empty. The beauty of a Turkish summer is reduced to indoor sets, where much of the film takes place, and there here’s barely any movement, leaving us stuck with dialogue and half-baked backstories that don’t seem to serve any real purpose other than to fill in the film’s overlong runtime. The problems are superficial and solved almost immediately, purely by talking it seems, and there’s no attempt to connect the many disparate stories it shows. A farce like this could’ve worked if it got sillier and more ridiculous by the minute, but Oregon just goes in repetitive, unfunny circles. 

The new stand-up special from Pete Davidson won’t win over any skeptics, but there’s something to admire in how the comedian heads straight towards edgy material, tells us he’s going to go there, and still manages to surprise when he follows through. Which is to say Davidson’s audacity might be more impressive than any of his actual writing in this special, with a good number of his jokes highlighting the bizarre situations his fame leads him into, but little more than that. It’s stoner comedy for better or worse—observations about a strange world from a hazy point of view that may not always be coherent.

From Turkish comedian Cem Yilmaz, Do Not Disturb feels like it was meant to be a wholesome slice-of-life comedy-drama where a hotel manager has meaningful interactions with his fellow co-workers and his guests at night. It’s not quite like the Grand Budapest Hotel, though the film shares its fondness of bright, vivid colors and old-style aesthetics. As the film deals with a character hoping for a new start post-pandemic, there is something here about loneliness and coping mechanisms, as Ayzek relies on an Instagram influencer for all his life wisdom. However, the film makes it hard to make it care about its characters, as everyone but the main character seem one dimensional. When the film makes a surprising shift two-thirds of the way through, it feels like it came by too late.