They Shall Not Grow Old

Pick #2,866

They Shall Not Grow Old

Dir. Peter Jackson · New-Zealand, Turkey · English

Technique and historical wonder go hand in hand in Peter Jackson’s mesmerizing portrait of world war

7.8 Our score

2018 Movie Documentary, History, War

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Our take

On paper, They Shall Not Grow Old’s concept doesn’t seem exciting: interviews of old soldiers reminiscing about The Great War are superimposed on archival footage from the same era. Sounds straightforward enough. Except, there’s an art to Jackon’s approach to the film. For one, the interviews are brought to life by convincing voice actors. For another, the film footage is stitched together in such a way that it tells its own story. Jackson cuts to some of the same faces repeatedly, as if to suggest they’re the ones the current narrator is referring to, and at one point, nearly all of the film is colorized—by hand, mind you, no need for AI here. There are no dates, names, or even places to be found here, so it’s not your typical war documentary. But it is filled with specificities you won’t normally read about in books. The soldiers tell detailed accounts of how they relieved themselves in the trenches, what kind of beer they got to enjoy, how and they met up with girls. But the grim parts are there too, like how they witnessed heads blowing up and people dying from mere infections to bullets. This, more than anything, feels like a raw account of the war, from people you’ve met firsthand.

Streaming arrival

  • Plex

What it won

Awards

BAFTA

1 nom

Nominated: Documentary

The story

What happens

A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.

Elsewhere

What the critics said

Notable Critics

""They Shall Not Grow Old" is a nearly great talking-head documentary in which the talking heads are never seen, only heard."

— Richard Brody

"On one level a sincere memorial in images and sound. On another, like all his work, it is first and foremost a special effects movie...The color makes certain images indisputably tangible..."

— Jonathan Romney

More about it

What happens

Using archival footage and interviews of British World War I soldiers, director Peter Jackson pieces together a grim but enlightening picture of war, brotherhood, patriotism, and youth.

What sets it apart

The colorized footage is chillingly good. I’m also still scratching my head about how gleeful the survivors sound recounting the war. One of them called it “like a camping holiday with a slight spice of danger.” What a world of difference between this lot and those who lived through World War II (and every other war since).

TL;DR

Who needs AI when you can have something as beautiful as hand-painted films?

The details

About this pick

Year
2018
Type
Movie
Director
Peter Jackson
Cast
Attwood, John Ashby, Thomas Adlam, Walter Aust
Language
English
Country
New-Zealand, Turkey
Rated
R

Who picked it

About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.

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