100 Best Foreign Movies on Tubi Right Now

Going deep undercover, integrating one’s self into a group without any suspicion, and passing out information to another party… That’s the job of a mole. While they mostly lurk in various government agencies, laboratories, and other special circles of power, The Mole Agent instead goes deep undercover in a Chilean retirement home, having stakes that may not be world-ending, but take more personal, domestic weight as Sergio befriends the residents, records and reports on their well-being, and tries to figure out what exactly Romulo wants as evidence. It’s a funny situation, one that depicts the resident home with warmth, albeit with the occasional spy cams and an old-fashioned piano score, but it can be difficult to figure out where the line is between truth and fiction, as some scenes can feel a bit staged. Still, The Mole Agent is a charming portrait of old age, made so compelling with director Maite Alberdi’s unusual perspective.

A woman loses her phone on her way back to her countryside childhood home. Once there, she connects an old landline in hopes of finding her lost mobile, only to start receiving weird calls that seem to be from 20 years ago.

On the other side of the receiver is a girl who seems to be in danger. The Call is thrilling, sometimes scary, but also brilliantly shot, and its plot is so expertly woven. It’s a proper movie-night movie.

This Danish film which was the country’s submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.

There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?

This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.

Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.

This drama from France and Canada is about Matthieu, a 33-year-old from Paris who never knew his father. One morning he gets a call to go to Montreal, where he is told his dad has passed away and where a funeral will take place.

To add to his confusion, upon arrival Matthieu is asked to conceal his identity from his step-mother and step-brothers.

A Kid is made as though the filmmaking styles from the countries it’s set in were mixed together. There are complicated family dynamics reminiscent of Xavier Dolan movies; and identity issues and comments on different compositions of families like the films of Mia Hansen-Løve.

Being named after the genre, Wu xia, the title replaced in English as Dragon, would understandably follow its conventions with dramatic action in ancient China. The plot roughly follows a typical wuxia thread, where a hidden master is revealed, leading to plenty of exciting adventures, and they seek justice in order to return to a state of peace. But the way Dragon approaches this plot is exciting, as the film mixes in the investigation of a murder mystery, with a determined detective suspecting the master through his knowledge of the body, through an eclectic mix of forensics, medicine, and Qi acupuncture. And as the detective is consistently challenged by the former fighter, it’s clear how difficult it can be to master the body, especially after going through trauma and violence and self-doubt. The threads in the film are familiar, but Dragon understands what makes these threads work, and the way these are woven together makes for a good movie to watch.

When a woman that looks like the love of your life randomly shows up at an empty train station, but strangely has no memory of you, maybe you should try to confirm their identity first– doppelgangers do exist, after all. But aside from this detail, there’s a certain charm in the way Be With You unfolds, as the family gets a second chance to cherish a loved one, and as Woo-jin indulges in sharing their love story, a story that Woo-jin understandably doesn’t want to forget. Be With You doesn’t reinvent the entire genre, and it would inevitably be compared to the 2004 Japanese original, but this Korean remake does it so well, celebrating the way love transcends lifetimes.

Life can get tough if you move to another country. You have to adjust to the language, to the culture, and to the community you choose to move to, and that’s just if you decided to make the move intentionally. But some of these difficulties can be made much easier to bear with a good friend. Shun Li and the Poet is centered on a friendship between two immigrants in a Venetian island town, and although they come from other sides of the world, the kindnesses they share as strangers, and the intimacy they keep when they share more of their life stories, prove to be lovely. It might be a tad slow for some viewers, but the contemplation and celebration of their shared humanity makes for a lovely watch.

It won’t be a surprise that a movie titled Violent Cop would have a police officer smacking people left and right. But upon its release, Violent Cop surprised viewers when comedian Beat Takeshi took it upon himself to direct a moody, serious neo-noir where blood splatters come sparingly, knives are drawn on occasion, and the camera is much more interested in lingering between the men inflicting violence rather than flashy choreography– and somehow end up with a pretty solid effort. The film does have a somewhat familiar plot, but its bleak, depressing portrayal of how mundane violence has become makes Violent Cop such a brutal debut to watch.

While adoption doesn’t have the same stigma as it did back in the day, it doesn’t mean that the process is worry-free. There’s still a host of issues surrounding the process, plenty of which have been depicted in film. So, it’s no surprise that True Mothers holds more or less the same themes we’ve seen before, but where some films focus on mining the melodrama, filmmaker Naomi Kawase’s writing is much more restrained, keeping its take as naturalistic and detail-oriented as possible, and thus, demystifying the process. The slow pace may not be to everyone’s taste, but True Mothers is a thoughtful, sensitive portrayal of Japan’s adoption system today.