April 5, 2025
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When you get free streaming, all in exchange for just a few ads, it can be a little hard to believe that Tubi would have a great selection. Yet, for some reason, their library, one of the largest among all streaming sites, is packed with rare, hidden gems that you can’t find anywhere else. And on top of these, these films aren’t just limited to American-made films, the selection includes great titles from all over the world. So if you’re willing to get over the subtitles and watch something out of your comfort zone, all for free, here’s the best foreign films on Tubi:
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People’s first impression of us usually sticks with them, but there are some lucky instances where you meet again, and their impression of you gets updated to the point that you start to care for each other more than you do other people– you both become special to each other. This change is at the center of Hawaii, the 2013 Argentine gay drama. Writer-director Marco Berger crafts a charged, compelling connection because of that change in impression, as their dynamic holds much more at stake than just a summer romance. Through shared, natural moments, Hawaii is content in letting the tension simmer between the two men as they start to reassess the task and their attraction at hand.
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It’s obvious that there’s an inequality between the sexes, but while knowing the problem is helpful, it can be tough to figure out how to solve it. One solution is to withhold something from men that women have control over, and in some cases, that something is sex. Inspired by a real life sex strike in Turkey over the water supply, The Source makes the strange choice to adapt Greek comedy Lysistrata in an unspecified North African town instead. But strange choice aside, the script takes the premise and expands it not just to address the initial war and water issues, but also to expound on many more issues tied to inequality such as women’s literacy, domestic labor, as well as domestic violence. The Source is unsubtle, but the cast’s performances make the film an interesting Lysistrata adaptation.
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Alternatively known as The Chinese Connection due to a translation error, Fist of Fury was the second of Bruce Lee’s leading roles in Hong Kong, this time taking his fists to 1900s Shanghai. As Chen Zhen, fictional apprentice of the real life Jingwu School, Lee fights against the rival Japanese dojo after the death of his master, asserting the honor of his Chinese kung fu school in the face of the foreign occupation. It’s this foundation that sets the stage for Bruce Lee’s fight choreography, delivering spectacular action sequences that are impossible to duplicate in the service of vengeance and justice. It was through this film, and his other Hong Kong features, that Bruce Lee bridged east and west, setting the new standard for martial arts cinema all over the world.
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Not to be confused with a similarly titled Japanese film, Memoir of a Murderer is an intense mindbender of a thriller. Like a cross between Memento (2000) and Seven (1995), the film follows a serial killer with Alzheimer’s, who starts to question his memory when a series of killings occur in the small town he lives in. The non-linear narrative helps recreate the sense of disorientation and confusion the lead experiences, racketing up the suspense, and pushing the audience to keep guessing each time the film goes through each of its twists and turns. This unique storytelling was why it’s one of the many films that popularized South Korean thrillers, becoming the first film in the country to get two million tickets sold.
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When a woman that looks like the love of your life randomly shows up at an empty train station, but strangely has no memory of you, maybe you should try to confirm their identity first– doppelgangers do exist, after all. But aside from this detail, there’s a certain charm in the way Be With You unfolds, as the family gets a second chance to cherish a loved one, and as Woo-jin indulges in sharing their love story, a story that Woo-jin understandably doesn’t want to forget. Be With You doesn’t reinvent the entire genre, and it would inevitably be compared to the 2004 Japanese original, but this Korean remake does it so well, celebrating the way love transcends lifetimes.
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Life can get tough if you move to another country. You have to adjust to the language, to the culture, and to the community you choose to move to, and that’s just if you decided to make the move intentionally. But some of these difficulties can be made much easier to bear with a good friend. Shun Li and the Poet is centered on a friendship between two immigrants in a Venetian island town, and although they come from other sides of the world, the kindnesses they share as strangers, and the intimacy they keep when they share more of their life stories, prove to be lovely. It might be a tad slow for some viewers, but the contemplation and celebration of their shared humanity makes for a lovely watch.
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It won’t be a surprise that a movie titled Violent Cop would have a police officer smacking people left and right. But upon its release, Violent Cop surprised viewers when comedian Beat Takeshi took it upon himself to direct a moody, serious neo-noir where blood splatters come sparingly, knives are drawn on occasion, and the camera is much more interested in lingering between the men inflicting violence rather than flashy choreography– and somehow end up with a pretty solid effort. The film does have a somewhat familiar plot, but its bleak, depressing portrayal of how mundane violence has become makes Violent Cop such a brutal debut to watch.
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There are many ways through which a friendship can form, but sometimes, it’s due to compassion for someone who needs help. Despite the somewhat fantastical clairvoyant premise, Beautiful Beings is mostly about this simple friendship formed with a bullied kid, which turns out not to be so simple at all. From a bummed cigarette, the friendship grows into a protective support system, filling up parental neglect with teaching each other how to live, but while some of these moments are totally wholesome, other moments lean into mischief, and sometimes violent danger. It may be a fairly familiar coming-of-age premise about male friendship, but Berdreymi executes it well, has a compelling cast, and isn’t afraid to go dark when necessary.
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Going through troubles can be made easier by having a friend. That’s true in Mexican drama Violet Perfume: Nobody Hears You, alternatively titled No One is Listening. It follows high school transferee Yessica who befriends the quiet kid in her new class, Miriam, which becomes an unexpected bright spot in her tough life. It’s a hard watch because of how tough her life gets– the bleak and depressing circumstances of her family life require trigger warnings, to say the least– but the film needed to illustrate how far abuse can go unnoticed, and how abusers can take advantage of that lack of awareness. Ultimately, Perfume de Violetas is a tough watch, but through the film’s sensitive depiction and the leads’ masterful performances, it’s an essential one.
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Before CCTV cameras and facial recognition, police had to do their surveillance manually, relying on disguises and, if they were lucky, photographic memory to hunt down bad guys and arrest them. Remaking Hong Kong action thriller Eye in the Sky, Cold Eyes followed one such surveillance team– a hardened captain with a rookie with photographic memory– and the two leads go through many of the beats familiar in many an action thriller, but nonetheless the action sequences are so exciting that the 2 hour runtime flies by. Cold Eyes may be a familiar investigation for most thriller fans, but the film conducts it rather well.
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