100 Best Foreign Movies on Tubi Right Now

Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu’ (Babel, Birdman, The Revenant).

This South Korean coming-of-age story, an award-winning debut from Lee Su-jin, is centered around a high school student named Han Gong-ju. There’s a dark aura surrounding our teenage protagonist, as she avoids making new friends and closes herself off from the world. More than anything, she is afraid that people will discover the secret behind her shy persona, and the past events that changed her life forever. This is an intricate and truly devastating tale, sensitively told, and is likely to leave even the most hardened viewers filled with rage at those who have wronged Han Gong-ju.

The Romanian New Wave’s predilection for bleakness gets a tongue-in-cheek dig in this buddy comedy from the same country: “Romanians are bad at making movies,” Pompiliu (Alexandru Papadopol) complains. “They only show doom and gloom.” Indeed, the premise here could easily make for a miserable movie: three hapless working-class pals win a multimillion lottery jackpot but lose their ticket — and, with it, the chance for Dinel (Pedro Pascal-lookalike Dorian Boguță) to pay off the mafia don that’s holding his wife hostage in Italy.

But Two Lottery Tickets takes a decidedly droll view of their predicament. Part of that approach is achieved via the trio’s characterizations: they’re all goofy in different ways, from the ridiculous conspiracy theory-spouting Pompiliu and the gullible Dinel to sleazy chancer Sile (Dragoș Bucur). The rest of the film’s breezy comic tone comes thanks to their amusingly convoluted journey to retrieve the ticket, which they believe is in a bag that was stolen when Dinel was mugged by two thugs. These many segues implicate a cross-section of Romanian society into the film, making it a wry social commentary in places. Mostly, though, Two Lottery Tickets has modest ambitions — to be, simply, an enjoyable comedy — a goal it surpasses thanks to its absurdist humor and pitch-perfect performances.

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy’s intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What’s more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and ’70s paranoid thrillers into a very contemporary Egyptian setting.

Education is a human right, but for many girls around the world, this isn’t necessarily guaranteed– especially if they want to learn past the required years of basic education. Yuni is a coming-of-age drama that depicts a girl in West Java, Indonesia who wants to go to university, but due to the marriage and virginity culture in the area, her main problem isn’t having to pass the entrance exams, or figuring out how to get financial aid. Instead, it’s having to fend off marriage proposals that clearly don’t come from a place of love. Writer-director Kamila Andini depicts the titular protagonist with the freedoms rarely granted to a girl like her, with the happiness and belonging all girls should be able to find solace in, but she also depicts the casual ways oppression lingers in the background, with society just waiting to kill women’s dreams, hopes, and personal goals. Yuni is an honest and powerful portrait of many women around the globe.

A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany’s history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

Sunday Beauty Queen starts with a basic but startling fact: there are about 190,000 Filipina domestic workers in Hong Kong. They toil for six days a week, with little breaks in between, but on Sundays, the one day they are given rest, they choose to take part in a fabulous beauty pageant.  

More than just a mere show, the pageant is a source of joy and relief for the migrant workers who, despite earning significantly more abroad than they would back home, are mired in a host of problems, including discrimination, loneliness, and underemployment. Because of the Philippines’ and Hong Kong’s stringent statutes, some helpers are also forced to go into hiding, unsure of who will protect them each time.

It’s to director Baby Ruth Villarama’s credit that the film feels both like a criticism and celebration of this migrant reality. She exposes the rotten system that forces these women to flee their country but doesn’t forget to highlight the humanity that keeps them going. This result of this deft balance is a story that is just as warm and exacting as any old home. 

The World of Us is a vibrant, colourful movie that follows the story of Lee Sun, a shy and sweet fifth grader who meets Ji Ah, a new girl in town. The movie is innocent, light and relatable, centered around two new friends playing in the summertime. But behind its vibrant colors, there is a very realistic commentary on how children can grow up to realise they are not of equal wealth and social status. The World of Us is not only about the fun of childhood, but also shows its bitterness. It perfectly captures the feeling of being left out by the ones who are supposed to be our friends. The movie shows that children can feel pain and jealousy toward others too, and it encapsulates the highs and lows of being young in the best way possible.

Midnight Runners is a hilarious and action-packed buddy comedy that delivers both laughs and thrills in equal measure. The film follows two police cadets who find themselves embroiled in a dangerous conspiracy after witnessing a kidnapping. The chemistry between the two leads is electric, and their banter and antics provide some of the film’s funniest moments. However, it also has its share of intense and suspenseful scenes, as the cadets race against time to save the victim and uncover the truth. Midnight Runners is a highly entertaining and enjoyable film that will keep you on the edge of your seat.

Slow, contemplative, but captivating, Baraka uses no narration, dialogue, or text to connect its images. The documentary stitches together shots with different subjects from different locations around the world. At first, it seems very peaceful—gorgeous, high-definition shots of nature paired with a soothing, resonant score that lulls you into hypnosis—but as the film progresses, director and cinematographer Ron Fricke presents more scenes with people, from the cities to the countryside, to places rarely documented on film. Depending on how you look at it, Baraka will either feel like just a compilation of screensavers or a profound meditation on how intrinsically connected everything is. It’s totally breathtaking either way.