100 Best Foreign Movies on Tubi Right Now

Where The Secret Garden championed the restorative powers of tending to a garden as well as one’s thoughts, Swiss novel Heidi touched on similar themes a few decades before, celebrating instead the natural beauty of the Alps mountainside, and the titular character bringing back joy and hope to her family. The film remains faithful to the novel, playing out the book’s events with a more sleek look and even more stunning landscapes of the Swiss Alps. While previous generations would inevitably compare the version of their time to this latest version, 2015’s Heidi is a decent adaptation, recreating the classic tale for today’s kids.

For a while, tigers roamed Korea, garnering fear and respect, as the clawed creature resembled the peninsula. However, tigers roam no more due to Japanese occupation in the early 20th century. The Tiger: An Old Hunter’s Tale takes these historical facts to create a thrilling adventure drama– where man versus the titular beast are compelled to meet again due to political pressure, the government bounty, and personal revenge on both parties. The CGI is occasionally spotty, and the relationship between father and son isn’t as developed as the one between hunter and tiger, but the face-off between the opponents and their shared history makes The Tiger a good movie to watch.

The subject of the Catholic Pieta– the Virgin Mary cradling the corpse of Jesus– has captivated plenty of artists, most famously in the sculpture by Michelangelo in St. Peter’s Basilica. This time, however, director Kim Ki-duk twists the image into modern day Seoul, with a mourning mother and a loan shark in place of their more innocent inspirations. Though with more dialogue than his other works, Kim delves into this crime thriller with his signature slow burn, crafting an intense, emotional healing for the gruff, violent Lee Kang-do, while his past deeds come to catch up with him, and while he reckons with the way money has replaced all what makes life meaningful. While the (thankfully, pseudo-) incest may be hard to stomach, Pieta is nonetheless a haunting, compelling portrayal of revenge. Just don’t watch this with your mom, though.

When visiting a new town, it’s easy to expect that there will be some differences from the place you’ve come from, but the strange small town of Zerograd is downright bizarre. From naked secretaries to cakes with that look exactly like his face, Zerograd is a boggling trip, with writer-director Karen Shakhnazarov parodying the ways the Soviet Union then clung to their distortions of reality, even as it crumbles, but it also eerily echoes the way governments around the world have manipulated their people’s concept of reality all for the sake of their respective states. Zerograd’s bizarre episodes don’t seem to go anywhere, but that’s sort of expected, especially with the world still having to deal with the loss of truth globally.

People’s first impression of us usually sticks with them, but there are some lucky instances where you meet again, and their impression of you gets updated to the point that you start to care for each other more than you do other people– you both become special to each other. This change is at the center of Hawaii, the 2013 Argentine gay drama. Writer-director Marco Berger crafts a charged, compelling connection because of that change in impression, as their dynamic holds much more at stake than just a summer romance. Through shared, natural moments, Hawaii is content in letting the tension simmer between the two men as they start to reassess the task and their attraction at hand.

We Are the Best! is one movie that may be overlooked largely by viewers, though it perfectly captures counterculture, and relates to the misfit young and old. The movie is an adaptation of Moodysson’s wife Coco’s graphic novel “Never Goodnight”. Set in Stockholm, Sweden in 1982, Klara (Mira Grosin) and her best friend Bobo (Mira Barkhammar) are junior high teenage girls who believe in their heart that punk rock is alive and well. With both of their home lives not so pleasant, the girls spend their time at the local youth center while taking up the time slot in the band room to get revenge on the local metal band. That’s when they find themselves starting a punk band without even knowing how to play an instrument. We Are the Best! is a fun and deeply sincere exploration of adventure, friendship, love, and betrayal in adolescence.

A man accidentally gets into a time travel machine and travels one hour back in time. He finds himself stuck in a series of disasters of unforeseeable consequences, with unusual and thrilling moments at every corner. Similarly to Primer, this movie goes to prove that with intelligence and attention to detail, you don’t need a big budget to create an unforgettable story. Great acting, great story-line, and a great thriller.

A woman loses her phone on her way back to her countryside childhood home. Once there, she connects an old landline in hopes of finding her lost mobile, only to start receiving weird calls that seem to be from 20 years ago.

On the other side of the receiver is a girl who seems to be in danger. The Call is thrilling, sometimes scary, but also brilliantly shot, and its plot is so expertly woven. It’s a proper movie-night movie.

This Danish film which was the country’s submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.

There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?

This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.

Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.