How far would you go for the people that you love? Regardless of the answer, whether that would be one mile, five hundred, or five hundred more, the distance won’t matter if there’s something that blocks you. 200 Meters is a drive with the titular length, it’s not even longer than a mile. But it feels so much longer. Writer-director Ameen Nayfeh does just straightforwardly present these hurdles– the permits required, the time limits allowed, and the tollways guarded– but that’s just because the actual path to get there isn’t straightforward at all, transforming a drive to somewhat closer to an intense rescue operation with the plot, the score, and the performances by the cast. 200 Meters isn’t as harrowing as dramas about occupation are, but it’s because of this that Nayfeh can delve into the day-to-day nuances people like Mustafa must face.
"Debuting writer-director Ameen Nayfeh's depiction of the shameful hurdles Palestinians must overcome in their daily lives rings true even when the script falters."
— Jay Weissberg
Mustafa and his wife Salwa come from two Palestinian villages that are only 200 meters apart, but separated by the wall. Their unusual living situation is starting to affect their otherwise happy marriage, but the couple does what they can to make it work. Every night, Mustafa flashes a light from his balcony to wish his children on the other side a goodnight, and they signal him back. One day Mustafa gets a call that every parent dreads: his son has been in an accident. He rushes to the checkpoint where he must agonisingly wait in line only to find out there is a problem with his fingerprints and is denied entry. Desperate, Mustafa resorts to hiring a smuggler to bring him across. His once 200-meter journey becomes a 200-kilometer odyssey joined by other travellers determined to cross.
Palestinian construction worker Mustafa lives away from his wife Salwa and their children. Though his family are all Israeli citizens, Mustafa refuses to obtain a permit to live with them, since he already has a work permit to visit daily. However, when his son is injured, Mustafa is denied entrance on a technicality, bringing him to figure out how to smuggle himself on the other side of the wall.
Ali Suliman. This film wouldn’t work without him.
Man, this was stressful. Can’t imagine having to do this everyday.
Venice
1 win
