10 Best TV Shows on Netflix India

This gorgeous drama-thriller is set in bustling Istanbul where different characters, mostly women, cross paths.

And when I say gorgeous, I mean of the drop-dead variety. The cinematography is reminiscent of the Japanese style of Kazuo Miyagawa or Columbus director Kogonada.

And it’s all matched by the dialogue. The first episode follows a woman who lays bare her life in a first session with a psychologist. The story then moves on to her psychologist seeing her own clinician, mostly discussing how she feels about seeing veiled patients.

Wild Wild Country follows the relocation of a hippie cult from India to Oregon in 1981. You haven’t heard of Wasco Country? Nor had anybody else back then. This ghost town with a handful of god-fearing inhabitants, soon became Rajneeshpuram, the cult’s new homestead, home to a thousand disciples, and the subject of nationwide media attention. Spoiler: the town’s old residents did not think much of it.

Will there be debaucherous orgies, long-haired drop-outs, preaching and chanting? Yes. But, through historical footage and interviews with contemporaries, including Ma Anand Sheela, the power-hungry secretary of the orange-clad guru, you will also be absorbed by chemical weapons and attempted murder, one of the biggest immigration fraud case in US history, and, of course, the mysterious and not-so-mysterious ways that a charismatic cult attracts and manipulates its followers. Across six one-hour episodes, this Netflix miniseries by brothers Maclain and Chapman Way gives a captivating, exhaustive, and powerful account of one of the stranger moments in American media history.

Why unlikely? Because, despite all the romance, its plot is fully based on a sexual transmitted infection. Hopelessly romantic twenty-something Dylan (Johnny Flynn) suddenly discovers he has chlamydia and is advised to contact all his (read: many) sexual encounters. Pair this plot summary with the fact that the show was originally called “Scrotal Recall” when it aired on British TV and you can be forgiven for looking the other way.

Underneath its awkward previous moniker, Lovesick is actually very funny, charming, and heavily romantic. Dylan is chaperoned by Luke (Daniel Ings, who you may know from Sex Education and The Crown), a seemingly confident but insecure business-school type, and Evie, Dylan’s smart and cynical best friend, played by Antonia Thomas from Misfits. It soon becomes apparent that Evie and Dylan could be much more than just friends if only their timelines were to align.

Lovesick is a charming little series that homes in on the heart-breaking romance of failed relationships. Something you can easily find yourself watching many episodes in one take.

At first glance, Monster doesn’t seem like the typical anime of the 2000s. With its muted colors, realistic action, and Eastern European setting, it seemed like a more subdued series compared to other thrillers. But because it feels so realistic, Monster is one of the most thrilling psychological series that happens to tackle the value of a human life, as the compassionate doctor Kenzo Tenma grapples with the weight of having saved a boy who grows up into a manipulative psychopath. Mangaka Naoki Urasawa and showrunner Masayuki Kojima directly challenges their respective philosophies through excellently paced investigations, well-developed characters, and the thorough examination of the different ways humanity has failed each other, and it’s downright beautiful to see how this anime adapts Urasawa’s complex, sophisticated story so faithfully.

If you’re looking for a funny yet original sitcom, look no further than Derry Girls. 

It takes place in 1990s Northern Ireland where civil unrest reigns. News of bombings is regular. This is a cause for concern for a lot of people, but for one group of teenage girls life continues as usual. Making fun of the first boy at their all girls school and being embarrassed by crushes are unshakable priorities. 

Derry Girls might have been a good show with just the 90s nostalgia and the political undertone, but the sharp and hilarious writing elevate it to greatness. It is truly one of the best sitcoms ever made. If you liked The End of the F***ing World, you will enjoy Derry Girls. They differ in plot but they both carry similar elements of dark and dry humour. 

Watch out for Sister Michael, she is hilarious. 

If you liked Netflix’ Stranger Things gloomy suspense, sit tight because there is a lot more of where that came from in Dark. Here is what they have in common: the aesthetic, great music, and they’re both about the disappearance of a child. Other than that, it is very difficult to compare Dark to anything else I’ve seen before.

This German show is about a town with a long and dark history, which is brought to the forefront of the collective conscious when a child goes missing. The plot twists and turns through decades of history – and that’s as much as I will share without ruining the show for you. 

Dark uses beautiful aesthetic, both visually and musically, to be compelling and painfully tension-ridden. 

Season two has more bouncing between timelines and more dark and inexplicable events, as now six people are missing. 

This excellent drama miniseries starts in the middle of one night when Alex, a 25-year-old, grabs her daughter and flees her home. She is chased by her abusive boyfriend but doesn’t look back. She has 18 dollars to her name.

The story is based on a real-life memoir called “Maid: Hard Work, Low Pay, and a Mother’s Will to Survive”, where Alex’s character (based on executive producer Stephanie Land) does everything to get her daughter and herself to a safe environment. She gets a trial at a cleaning job.

Maid does such a good job at portraying the many stresses that Alex goes through: will she have enough gas? Will she find a safe place to sleep? Will she get to the cleaning job on time? And as the series progresses, the questions become different but the stress is the same – except in episode five, in which she cleans a weird house, and then it becomes an actual horror movie.

And on every other aspect, the show delivers. The cast, led by Margaret Qualley and her real-life mother Andie MacDowell, is phenomenal. Each episode is long enough to leave an impact but not too long to be melodramatic. The scenery (set in Washington state but filmed in British Columbia) is gorgeous. It’s such an all-around great show.

It’s amazing how shows fueled only by fast talk can feel as gripping as any thriller out there. The Diplomat is cerebral and heavy on geopolitical jargon, but somehow, it manages to feel genuinely exciting, each new episode impossible to not play next. Thanks is due in large part to Keri Russell who, fresh out of her incredible stint in The Americans, returns here as messy and intense and endearing as ever. On the one hand, The Diplomat is about the delicacy of diplomacy, about how every decision made at this level has ripples of consequences throughout the globe. But it’s also, amusingly, a marriage story. Russell plays a woman who has long been defined by her more renowned if egotistical husband, played perfectly by Rufus Sewell. They have a complex relationship that is as much a career partnership as it is a romantic one, and part of the show’s charm is blending all these story arcs seamlessly. Fans of West Wing, Veep, and Homeland will find much to like in this series, especially because of its informative takes and engaging performances.

This series’ illustration style and colors are so soothing—a blend and pop of color to make a calming universe, where fantasy elements are introduced with no prior context but fit in snugly with the warm vibes. Hilda and other characters approach things with softness and trust in their communication, which gives both the show and the viewer a feeling of safety and self-assuredness. If you love a good overall gentleness to your shows, you’re in for a treat with Hilda: the writing is excellent and friendly, the humor is on-point when it comes in, and the beautiful lore develops at a welcome, inviting pace.

Have you finished Wild Wild Country and are up for another binge-worthy documentary? If so, 1994 might be a compelling option for you to consider. Released on Netflix for the 25th anniversary of the events in 2019, most of the story would be hard to believe if it wasn’t… you know… based on facts and backed up by archival footage and interviews. As it often goes with documentaries, truth is stranger than fiction.

In 1994, the Ejército Zapatista de Liberación Nacional, also known as the EZLN or the Zapatistas, declared war on the Mexican government. This happened after the North American Free Trade Agreement, or NAFTA, was signed into law. Incumbent Mexican president Salinas (pictured above) selected prominent reformist presidential candidate Luis Donaldo Colosio to become his heir. Just three months later, Colosio was shot in Tijuana on live television.

1994 is a rich, informative, and fascinating account of this violent and tumultuous year in Mexican history, featuring in-depth interviews with many of those pulling the strings at the time, including former president Salinas. As the people being interviewed point out, understanding the relevance of 1994 in Mexican politics will help you understand the country’s political and economic landscape today.