Every once in a while there are movies that expand the definition of quality film-making. This is one of those movies.

Here is an incredible, yet delicate film that follows three children from poor families who are stuck living in subpar motels. Their lives and friendships are portrayed with honesty and precise aesthetics. It’s a story that at first seems as plot-free as life itself.

It succeeds in capturing an innocence that is usually reserved to a child’s imagination: a precarious living condition full of adventures and fun. It’s hard to describe it beyond that; it’s the kind of film that must be seen to be fully understood.

And it ends on a very high note.

This is a gorgeous French-Canadian movie with out-of-this-world sound work.

Laurence is deeply in love with his girlfriend, Fred. On his birthday, he announces to her that he wants to restart his life as a woman, having always hated his male body. Fred doesn’t know how to take the news: “everything I love about you is everything you hate about yourself”.

Laurence Anyways is about how their romance continues after this revelation. There are so many reasons to watch this movie: the story, the acting, the cinematography; but trust me, the soundtrack alone is reason enough.

Ryan Gosling plays a Jewish Neo-Nazi in this extremely riveting window into the definition of inner conflict. It is a prime example of how character development should be done and it put Gosling on the map for me. He starts out as an exemplary student in Hebrew school until he starts questioning his teachings and exploring alternative ideologies, leading him to the neo-Nazi movement. Won the Grand Jury Prize at Sundance

Will Ferrell plays a well organized IRS agent named Harold Crick who seems to have figured out everything in his life to the dot. Little does he know his life is being run by someone else, a nervous and morbid novelist, famous for ending her works with the death of the main character. As the nature of his life and eventual doom, he decides to lay back and enjoy the ride, breaking all his ingrained and boring habits. While this film is recommended for everyone, Will Ferrel fans, especially, need to watch this to see Will’s acting variety.

Leave No Trace is the amazing new movie from the director of Winter’s Bone, Debra Granik. It’s the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It’s not the sensational, tear-jerker story that you’d expect something with this premise to be. Rather, and like Winter’s Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time – this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.

The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of “Drive” and “The Network”.

The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you’re the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal’s performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.

This movie is gentle and utterly chaotic, intimate and massive, beautiful and ugly… it tries to be so many things and somehow pulls it off. It tells two stories parallel in time, based on the real-life diaries of two European scientists who traveled through the Amazon in the early and mid-twentieth century. Their stories are some of the only of accounts of Amazonian tribes in written history. The main character and guide in the movie is a shaman who met them both. At times delicate to the point of almost being able to feel the water, at times utterly apocalyptic and grand… to watch this movie is to take a journey through belief systems, through film… and to be brought along by cinematography that is at times unbelievably and absurdly beautiful. Meditative, violent, jarring, peaceful, luminous, ambitious, artful, heavy handed, graceful… it’s really an incredible film.

This is an excellent Russian movie about an ambulance unit and the paramedic that leads it. 

His long-time relationship starts suffering from a combination of alcoholism and his devotion to his work, which are also linked together. This is set in a country where ambulances are underfunded and the health-care system is frail. 

As a consequence, the story of Arrhythmia is one of a worker dedicated to saving their patients’ lives in a system that seems not to care. This is portrayed in the ambulance’s everyday missions, but also in the paramedic’s decaying relationship. It’s Blue Valentine meets an Andrey Zvyagintsev movie like Elena. Sadly, it might be more realistic than both those movies, and added to the fact that it’s Russian, it has stayed severely under-watched since it came out.

When asked about starring in First Reformed, Ethan Hawke said it’s the kind of role he would have never dared to audition for 10 years ago. This is coming from the same goatee icon who did Gattaca 22 years ago, and Training Day 18 years ago. 

Needless to say that his performance in this movie is exceptional, and we hope that it will be rewarded with an Oscar. The film centers around his character, a reverend of a church in New York, who is trying to help a couple with marital issues (deciding the fate of a pregnancy). Instead, he uncovers a deeper story and becomes unexpectedly involved. 

Religion intersects with ethical questions on activism, abortion, and environmental issues. I know that sounds like a lot, but First Reformed delivers on everything. The writing by Paul Schrader is delicate yet ensures that the movie keeps a gripping pace.