Contributions by: Farah Cheded on Plutotv
Farah Cheded is a curator at A Good Movie to Watch and a freelance critic whose work has been published at outlets including The Playlist, Paste Magazine, and Film School Rejects. She lives in fear of the day she runs out of ‘Columbo’ episodes to watch.
When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to […]
The single-take conceit of this high-camp whodunnit set in the world of competitive hairdressing is not without its knots. Without the charity of a cut, it falls on the screenplay to pull us through the film’s murder mystery in real-time, and the result contains more than a few inorganic segues, despite the cast’s best efforts […]
A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers […]
Remarkably for a movie about women being shunned and exploited by those more powerful than them, I Am Not A Witch is often wryly funny. That’s because this satire about Zambia’s labor camps for “witches” is told with a matter-of-fact-ness that brings out both the heartbreak and absurdity of the film’s events. The bitter gravity […]
The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon […]
One of Shakespeare’s most indelible works is brought roaring to life in this explosive adaptation. The action is transposed from the 1400s to brutalist 1930s England, with the bloody civil war between the houses of Lancaster and York being waged by tanks and planes instead of cavalry. The switch isn’t merely cosmetic, though: in an […]
Here’s a biopic that focuses on capturing the feel of the era it depicts, rather than all the facts — and is all the better for it. 24 Hour Party People takes the same punk approach to storytelling as its subjects did to music, playfully throwing off the dull constraints that often make based-on-a-true-story movies […]
Before The Silence of the Lambs and Anthony Hopkins’ Hannibal, there was Manhunter and Brian Cox’s deeply unnerving Dr. Lecktor. Michael Mann’s neon-lit serial-killer thriller follows Will Graham (William Petersen), a retired FBI agent lured back to work by a psychotic mass murderer whom no one at the Bureau can catch. But Will has something […]
Like a long, slow drag of a cigar, Smoke is a patient pleasure. Adam Holender’s leisurely lingering camera and the film’s relaxed editing allow us to savor the actors’ performances and the thoughtful script uninterrupted, trusting in their ability to captivate us. And captivate us is exactly what novelist Paul Auster’s screenplay and the film’s […]
I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that […]
This cult classic is the first hip-hop movie in cinema’s history — and, aptly, one of the most sampled movies in rap music. With a cast drawn exclusively from the NYC graffiti, breakdancing, and rap subcultures that it spotlights, Wild Style wisely doesn’t try too hard to construct a conventional drama. Instead, there are toe-tapping […]
The visceral pain at the center of this adaptation from period drama powerhouse Merchant-Ivory comes not from fading or unrequited love but unrealized affection. Try as he might to repress his feelings, devoted butler Mr. Stevens (Anthony Hopkins) can’t stifle the blossoming attachment he shares with housemaid Miss Kenton (Emma Thompson). And yet, at every […]
Martin Scorsese — plus screenwriter Paul Schrader, editor Thelma Schoonmaker, and cinematographer Robert Richardson — reimagine nocturnal New York City as an eternally flaming circle of hell in this darkly funny fever dream. Frank Pierce (Nicolas Cage) is an insomniac paramedic who’s haunted by the ghosts of all the lives he couldn’t save and is […]
This anthology of 18 short films — directed by the likes of the Coen brothers, Gurinder Chadha, Wes Craven, and Olivier Assayas — is a cinematic charcuterie board. Each director offers their own creative interpretation of one north star: love in Paris. Romantic love is heavily represented, naturally, but in diverse forms: love that’s run […]
Daniel Day-Lewis earned his breakout performance as Johnny, a reformed skinhead in this tale of interracial gay romance in Thatcher’s Britain. Gordon Warnecke plays Johnny’s lover Omar, the aimless son of a Pakistani intellectual who is given a leg-up by a successful uncle when he’s put in charge of rescuing a failing laundrette in gritty […]
Far from feeling like English literature homework, this version of Shakespeare’s romantic comedy of errors fizzes with vitality and wit. Kenneth Branagh directs and stars in his own sumptuous adaptation, which also features a banquet of dashing talent in their prime, including Emma Thompson and a winning Denzel Washington. Even amongst the film’s superlative ensemble […]
Before he was Jim Morrison, Iceman, or Batman, Val Kilmer made his big screen debut as Nick Rivers, the doltish American rock ‘n’ roll idol who is unwittingly embroiled in an East German underground resistance plot in Top Secret!. Skewering everything from WWII romances and Cold War spy thrillers to ‘60s popstar musicals, this delightfully […]
A classic text of English literature classes is handsomely brought to life in this screen translation of the still-radical play An Inspector Calls. The Birlings, a wealthy industrialist family thriving in 1912 England, have a cozy family celebration shattered by the arrival of a police inspector investigating the suicide of a young working-class woman. But […]