Kerine Wint: My Curated Picks on Streaming Services

Copycat Killer is a gripping and unsettling crime thriller that takes its time to develop its characters and delve into a disturbing cat-and-mouse game between a relentless prosecutor and a manipulative serial killer. The show’s slow-burn approach keeps you invested in the characters’ journey, while the horrifying events remind you of the potential dangers lurking in the real world. With a mix of tension, manipulation, and grisly acts, Copycat Killer leaves you on edge, keeps you guessing at every turn, and serves as a reminder of the dark realities that exist in society.

“No one lives just one article or one headline of a life. There’s more.”

Last Call may be a true-crime docuseries, but it doesn’t pigeonhole itself as such; the advocacy for humanizing LGBTQ+ people is undoubtedly at its helm. The series expands past the context of each crime, giving testimonials and evidence of the lives, struggles, solidarity, and fears of the community. It acknowledges the efforts of the New Jersey State Police whilst shedding light on the inherent biases of society, law enforcement, and media when responding to crimes against gay people. Interviews with family members, detectives, and activists round out the narrative, ensuring that the lives lost are not forgotten due to shame, hatred, or sensationalism.

Set in the Monsterverse—the same shared universe that King Kong, Godzilla, and their respective films inhabit—Skull Island follows a group of shipwrecked travelers who find themselves stranded on the mysterious titular island, which they soon find out is home to a variety of prehistoric creatures, including the mighty Kong.

Skull Island, the series, delivers wholesome relationships and touching character growth in the face of imminent danger, while also offering exciting action scenes, eye-popping visuals, and amusing jokes that are well-served by voice acting. It’s an easy, fun watch that is sure to appeal to fans of the Monsterverse, as well as fans of animated adventure series. 

The Golden Boy is much more than the story of Oscar De La Hoya’s legacy as a boxer; it is a revival of his glory days and the dark, toxic, and violent experiences that upheld his rise to fame. Early in the series, Oscar reveals that the infamous promise he made to his dying mother (of him winning the Olympic gold medal) was actually a lie. And as he recalls the abuse he received from his mother and the pain of meeting the ideal of Mexican masculinity, the somber tone of the documentary successfully cements itself. While expounding on his discipline and drive to win, he also reveals his tumultuous love for boxing and the slow descent into promiscuity and drinking that came with his explosive fame. The two-part series gives De La Hoya and his loved ones the chance to confront how severe his cycle of repression was on the quality of life he could’ve had. Leaving no stone (or controversy) unturned, The Golden Boy uncovers the darkest secrets hidden by the glamour.

There’s no room for glamour in this heartwrenching yet inspiring documentary of first-hand accounts from mothers who went above and beyond for their children. These days it is hard to escape fancy editing, theatrical reenactments, and law enforcement’s clinical recounts in true crime productions, but these four stories inject much-needed empathy for victims. In each episode, the mothers’ fight for justice and their children’s safety illuminates the strength of a community, the goodwill of strangers, and the perseverance of all (with or without the help of the law). Straightforward and respectful, these first-hand accounts will appeal to viewers wanting humane narratives and a few happy endings. 

Netflix India has been dominating the police procedural and mystery market, and Kohrra, its latest addition, is one of its better entries. Officer Balbir (Suvinder Vicky) is under pressure to resolve the case of a dead Non-Resident Indian and his missing white friend, but the fear of local backlash and global attention raises the stakes as the show weaves internal and external politics in India. Drugs, lies, and old grudges eventually surface, complicating the quiet pursuit of truth with public spectacle. This makes for a thrilling mystery, but Kohrra also excels as a family drama as we watch Balbir mend his relationship with his daughter, while his partner Garundi (Barun Sobti) deals with the pressure to get married. 

Michelle Buteau is the hilarious and charismatic lead of this amazingly diverse and body-positive comedy. In her post-breakup glow-up, Buteau’s character Mavis takes no prisoners as she prioritizes herself and her career with the help of her equally funny and wholesomely supportive friends. As with any comedy, there are some cheesy punchlines, but the humor and story still feel authentic (a given since the show is based on Buteau’s collection of essays). Without resorting to self-deprecation or below-the-belt jokes, Survival of the Thickest boasts a refreshingly inclusive, queer, diverse cast that isn’t afraid to take up space. This series is a great comfort watch with fun and laughs guaranteed. 

The Killing Vote takes the “vote to kill” storyline and pairs an anonymous vigilante with an ambitious yet apathetic officer, creating an intriguing setup that questions how everyday inequalities extend to the justice system. The first episode is quite disturbing as it tackles child pornography, but with this pilot, the series is able to cement an expectation it fulfills in succeeding episodes: this is a severe show that tackles severe cases and severe criminals. Coupled with immersive performances across the board (the star-studded cast includes K-drama staples Park Hae-jin, Park Sung-woong, and Lim Ji-yeon), The Killing Vote is already off to a high-intensity start. If it keeps this up, it very well could be one of 2023’s best.

After a healing workshop leads her best friend to sell her belongings and move to a remote island, Nisan becomes suspicious a cult is indoctrinating outcasts. But when she’s diagnosed with cancer and dark memories haunt her dreams, she seeks the island to find hope and happiness. Nisan’s suspicions struggle against her desire to face her past. On the pseudo-utopia island, the idea of safe havens and communities is put to the test forcing Nisan to reckon how isolating living in fear and pain is. With a steady pace, Search stretches the concept of a cult, keeping a refreshingly open mind to all the ways a community with freedom, equality, and care remains unfathomable. 

Set in a fictionalized version of Japan’s Edo period, where a deadly disease affecting only men has led to women taking traditionally-male roles, Ōoku is steeped in social commentary on gender and sexuality. The concept is well-established in its 70+ minute first episode, allowing the story to set a foundation for a fascinating progression in this world. By centering the powerful warlord figure, the Shogun, it illuminates the shadows women occupy to support a country with little to no recognition. With a political throughline and an inherently feminist lens, Ooku: The Inner Chambers offers a beautifully-animated series with few gimmicks and lots of depth.

A mysterious rotting smell and hard thuds heard from above start the series off on an eerie note. Moon Joo-ran (Kim Tae-hee) is a seemingly perfect housewife, but under the guise of her well-kept home are a secretive husband and a son who possibly resents her (currently unknown) condition. Meanwhile, Chu Sang-eun (Lim Ji-yeon) is trapped in an abusive marriage and dreams of escape. As Joo-ran becomes paranoid about the smell in her backyard and Sang-eun gathers evidence to leave her husband, the two women find a harrowing revelation. Leads Kim and Lim immediately offer memorable, haunting performances, while the setup described above is a captivating start to a psychological thriller that promises a web of secrets and lies.

In a world acclimated to the technological advancements and integration of AI, Sudo Hikaru offers illegal medical procedures in the hopes of finding the people behind his mother’s stolen data. The Gene of AI takes an interestingly neutral tone towards the integration of humanoids among the population (akin to our current normal with social media and smartphones). Even as the question of ethics and legality weaves through everyday conversations, the idea of AI being inherently bad is never the conclusion. So far, the narrative follows a procedural format that feeds each new case/scenario back into Hikaru’s search. 

With a small primary cast and a heavy hand on CGI (which feels deliberate given how the show discusses the human-technology relationship), the show has the potential to deliver a memorable narrative in the transhumanism genre.

Mike Atlas is a former police detective now living on the streets as he reopens a supposedly solved murder case with a rookie prosecutor living in her mother’s shadow. As they dig deeper, they uncover a sinister conspiracy that reaches deep into the core of the police and justice system. The series is well-acted, with Max Riemelt giving an outstanding performance of a troubled detective suffering from trauma, guilt, and regret. Now homeless, with gaps in his memories, Atlas uses his dormant detective skills to discover the truth from eight months ago and protect his now-estranged family. There’s never a dull moment as mysteries unfold from multiple angles and pieces fall into place as theories fall apart. Sleeping Dog is an addictive guessing game until the end.

From poaching elephants and smuggling sandalwood to killing people in the most ruthless manner possible, Koose Munisamy Veerappan’s crimes are manifold, and they engulfed all of Southern India. The first half of this four-part series chronicles his early life and the escalation of his criminal affairs through talking heads and archival footage. The documentary balances the perspective of the authorities with that of Veerappan’s gang in interesting ways; where officials saw him as cunning, people close to him, like his wife Muthulakshmi, praised his desire to create wealth for his people, regardless of caste. By the end of the pilot, you’re sure to be at the edge of your seat as the series raises the stakes and promises to be as challenging and compelling as the first episode.

Mask Girl is a dark comedic thriller that follows people on the fringes of beauty norms trying to live with their pain and shame. Low self-esteem and a desire for attention are at the center of the drama, making it relatable and easy to empathize with even when everything goes awry. Although Mo-mi, the titular Mask Girl, is at the forefront of the narrative, subsequent episodes switch to new perspectives, allowing us to interact with Mo-mi in different ways. And with each new character’s POV, we witness how other ostracized people find comfort in and hurt each other when there’s no one else to turn to. The first three episodes are intense and surprisingly violent, but ultimately seeing the extremes of the discrimination that beauty standards perpetuate makes the story worthwhile.

Vibrantly and energetically led by a lively quartet, Supa Team 4, though not wholly original, is still a refreshing children’s animated show. There is a slightly new take on the dynamics: a leader with a sense of justice, an intelligent yet shy caregiver, a level-headed athlete, and a hot-headed food lover. It keeps the Teenage Mutant Ninja Turtle quartet formula interesting. 

With episodic villains (leading to the big bad in the shadows), the show reveals the double lives of our teenage protagonists while exploring the neo-futuristic rendition of Zambia’s capital and a surprising focus on socio-political and environmental issues. It’s a series that takes intelligent, talented Black girls and empowers them to be themselves, even as they save and protect.

Making a bucket list at the height of a zombie outbreak seems ridiculous, yet totally reasonable when you’ve spent the last three years overworked and undervalued. In real life, our workforce already feels zombified as higher-ups enslave the working class to high production and insufficient pay, so it’s nice to see Zom 100 exemplify that notion. Zom 100 also immediately captures that essential reminder to “live now,” which has become especially relevant as the Covid-19 pandemic found most people rekindling old hobbies and discovering new ones as death and sickness felt ever near.

Though there isn’t a lot of character-building in episode one, the titular 100-item bucket list promises an eye-opening, personal journey with our protagonist Akira. Thankfully, the opening didn’t shy away from the gore and electrifying tension of the zombie attacks, making this an interesting horror/slice-of-life/coming-of-age/drama to keep an eye on. 

Undeniably breathtaking animation meets uncomplicated narratives and breathes life into this 10-episode speculative anthology. These rich stories take the sci-fi genre and unfurl a multitude of possibilities for a futuristic Africa. Although the episodes are short, there are more hits than misses as the focus on succinct stories creates a net positive viewing experience. Kizazi Moto: Generation Fire boasts an explosive variety of animation styles that make simple yet heartfelt stories shine. The transition from high-action vibrant stories like Mkhuzi: The Spirit Racer to the dark, terrifying visuals of Surf Sangoma in the first half displays the amazing talent of Africa’s filmmakers. 

Self-proclaimed scumbag Sam Lipman-Stern opens the series by explaining how long he’s wanted to make a documentary on the telemarketing company Civil Development Group (CDG). What follows is a massive deep dive into how the CDG used lies and a happy-go-lucky/free-for-all work environment to scam everyday people out of money for a non-existent charity. The first episode covers much of CDG’s background with footage of the dysfunctional office and its rowdy (mostly high and drunk) workers who manage to get their work done. The tone is somewhat jovial as you watch these people reminisce on having fun despite the lawsuits, changing scripts, and constant calls. But as it draws to a close, with Lipman-Stern and Pespas determined to bring down the telemarketer industry, we’re left with a warning that CDG isn’t their biggest villain. 

Diving straight into the mystery, never holding back on the steamy scenes, Fatal Seduction is a quick, addictive melodrama. It’s no exaggeration to call this series an erotic thriller as it follows marriage deteriorated by secrets and miscommunication, with a web of lustful characters caught in the crossfire. But under the flings and affairs is the fallout from the heinous death of a child. Although there’s the exploration of sexuality and sexual desires, the show offers much more as it tackles miscarriages, infidelity, and trauma. From its opening scene, we know Nandi is arrested and with every twist and melodramatic reveal, the series is easily binge-able – if only to see how many secrets can be unearthed in seven episodes (before Volume 2).

Based on Nathan Pyle’s famed webcomics of the same name, Strange Planets is a blunt and offbeat series that encapsulates the magic of Pyle’s internet-famous relatable aliens. It uses a sitcom format (complete with recurring characters) to play on the absurdity of these human-like aliens and their human-like problems. With well-delivered jokes, crisp animation, and simple storylines, Strange Planets doesn’t overcomplicate its premise, making it an easy, enjoyable watch. Although the writing and scenarios aren’t entirely original—outside of Pyle’s signature descriptive alien diction, that is—the wholesome, no-brainer vibe is a welcome change in pace for adult animation. Pyle’s original work brought humor to the mundanity of everyday living, and the show (co-created with TV veteran Dan Harmon) doesn’t disappoint.

Not fully a mystery and not entirely a thriller, yet on the cusp of both, the initial setup of Burn the House Down promises a definite answer and dismantles it in every episode. Sure that her mother was framed, Anzu infiltrates Makiko’s new lavish life to prove that the fire set to her home thirteen years ago was no accident. She knows the culprit but lacks evidence, but when she’s reacquainted with Makiko’s eldest son, his reclusive demeanour takes a sinister turn. The premise is straightforward, yet it’s hard to look away from Anzu skulking around as she finds remnants of her mother’s old life and sweet-talking the family that destroyed hers. Trying to piece together that fateful night isn’t simple but feels worth the unexpected detours three episodes in. 

The series follows three perspectives: a government official, a Tokyo Electric Power Company employee, and a worker at the Fukushima Daiichi Nuclear Power Plant, each with their respective teams tackling the aftermath of the March 11, 2001 earthquake and tsunami. From the reporting updates to the public to the dedication of first responders, ‘The Days’ excels at piecing together the macro- and micro-decisions that went into saving the residents of Fukushima. The series deepens the narrative to be more than a mere recollection with its scenes of the families of the victims and the residents as they evacuate their homes. Its steady pace, emotional close-ups, and suspenseful score capture the harrowing atmosphere of Japan’s worst natural disaster. 

It’s a new term at Kimberly Magic School, an academy with an 80% survival rate. Immediately we are introduced to the school’s magical compound and our two main leads, Oliver Horn and Nanao Hibiya. Nanao, in particular, sticks out in her samurai garb and nonchalance toward danger (and most social cues), which is saying something since this is already an odd world filled with talking plants, magical creatures, and a busty, threatening headmistress. Because it chooses worldbuilding over backstories, the fantasy series doesn’t seem as formulaic as it could be. But it does expertly set up the dangers the students will experience in the next seven years. It’s also interesting that the magical students rely on swords instead of the usual wands; the possibility of even deadlier fights later in the series makes it an easy draw.

Often overlooked, overshadowed, and overwritten, the contributions of Black women in the 50-year history of hip-hop are seldom celebrated. In the four-part series, the hip-hop legends (Sha Rock, Roxanne Shanté, Queen Latifa, MC Lyte) all the way to the current stars of the genre (Tierra Whack, Saweetie, Chika, Latto) break down the history and hardships of being a woman in hip-hop. From misogynistic treatment and predatory contracts to the reclamation of sexuality and autonomy, the docu-series covers a broad enough spectrum to be an introduction to the women at the forefront and cornerstones of the beloved genre. The tone is positive and uplifting, building an overall bright sisterhood vibe that never breaches the more tumultuous in-fighting/policing and equally influential controversies. This isn’t necessarily bad but is, instead, limiting for viewers that won’t dig deeper. But in the spirit of celebrating, this series gives these women their flowers, pays homage to the pioneers, and shine a light on the future of hip-hop that fights for inclusivity, representation, and equality. 

It’s chilly this summer with vengeful spirits, cursed hands and double pupils in the horror-comedy Dark Gathering. Keitarō Gentōga has always attracted ghosts, and despite his fear, he is ready to socialize again after two years. Unlucky for him, his first student as a tutor is Yayoi Hôzuki, his best friend’s cousin obsessed with finding the ghost that stole her mother. Although Yayoi’s obsession with using a reluctant Keitarō is played up for laughs, her moe appearance preserves a level of disturbing (thanks to her double pupils). By episode two, the story still feels shallow, but there’s enough spook to carry you through the heat. 

After his team loses in the prefectural tournament finals, Yoichi Isagi is invited to join an isolated training program designed to create the best striker in the world in hopes of Japan winning the World Cup. The program’s designer believes that great strikers are selfish and egoistic players. As a more intense sports anime, the stakes of becoming the best striker in Japan (and the world) or never playing football again keeps the suspense high. The series does a great job of balancing the action and taking the time to develop the characters and their motivations. Blue Lock is a solid, high-concept anime for the world’s most beloved sport. 

Aspiring boxer Kim Gun-woo (Woo Do-hwan) befriends fellow rookie Hong Woo-jin (Lee Sang-yi) during the heights of Covid-19. After a ruthless loan shark, Kim Myung-gil (Park Sung-woong) cons Gun-woo’s mother into taking a predatory loan, they team up with a moneylender (motivated by his own painful history with Myung-gil) to shut down his schemes for good. 

As with many South Korean revenge action thrillers, Bloodhounds sheds light on the economic exploitation of the working class. Standard, to the point of being predictable, the fight for justice feels formulaic and quickly paced due to its oversimplified and convenient plot. With an abundance of zestful action scenes and empathic beats, the series delivers enough on its promised premise.

Ray is a captivating anthology series that pays tribute to the genius of renowned Indian filmmaker Satyajit Ray. With four distinct stories, each directed by different acclaimed directors, the series showcases Ray’s signature blend of human drama, mystery, and social commentary. The performances by the talented ensemble cast bring Ray’s nuanced characters to life. From tales of love and betrayal to stories exploring the complexities of human nature, Ray offers a rich and diverse viewing experience. With its engaging narratives, stunning visuals, and thought-provoking themes, there is bound to be an entry in the series for every mystery lover.

Seamlessly blending supernatural folklore and crime noir, the Filipino anime-influenced adaptation of Budjette Tan and Kajo Baldisimo’s award-winning graphic novels offers a fresh and culturally rich take on the supernatural detective genre. Set in Manila, the show follows the fearless detective Alexandra Trese who is tasked with protecting the balance between humanity and the Underworld. From investigating a haunted train to quelling the fight for power between rival aswang clans, Trese and police captain Guerrero’s cases unlock this rich urban world. As Trese gets closer to discovering the powerful perpetrator of various crimes (and how intertwined humans and the Underworld really are), the show’s dark and enchanting Filipino mythology expands. The series masterfully combines elements of horror, mystery, and action, never treating the mythology as a gimmick, creating a unique animated entry from the Philippines.

Hospital Playlist is a heartwarming and engaging South Korean series that follows the lives and friendships of five doctors who work at the same hospital. With its perfect blend of drama, humor, and genuine moments, the show offers an intimate and realistic portrayal of the challenges and joys faced by medical professionals. The characters are beautifully developed, and their personal stories are both relatable and deeply moving. The series strikes a balance between medical cases and the characters’ personal lives, creating a captivating narrative that keeps you invested from beginning to end. A must-watch for its heartfelt storytelling and compelling ensemble cast.

If there’s one thing South Korea has a lock on, it’s great revenge stories. This thrilling and intense series follows the journey of a determined woman turning to a powerful crime ring to help her seek revenge for her father’s death. With a fast-paced storyline and expertly executed action sequences, the show keeps you on the edge of your seat from start to finish within a neat eight episodes.

Supported by Han So-Hee’s strong performances, a tight script, and the unrelenting bloody fights, My Name delivers a satisfying blend of suspense and drama making it a must-watch for fans of crime thrillers.

A delightful blend of romance, humor, and intrigue (as expected of many historical K-Dramas), this series takes us on a whimsical journey as Crown Prince Lee Yul, suffering from amnesia, is convinced to wed the headstrong Hong Sim due to his own decree. The drama plays into the comedic potential of his lost memory as he maintains his air of nobility—rendering him useless at daily chores and acts of labour to everyone’s dismay. As the effects of political secrets and conspiracies affect the poor of the kingdom, Yul begins to use his intelligence, martial arts skills, and literacy to help people learn and protect themselves. Doh Kyung-soo and Nam Ji-Hyun beautifully perform a fun enemies-to-lovers dynamic of a foolish prince and a justice-oriented woman. 100 Days My Prince delivers ornate kingdoms, cherry blossom-filled sets, and secret coups, all in a comfortable watch.

Centered around a phone with the power to make people disappear, Delete utilizes an intriguing supernatural element to create a steady mystery that thrives on moral dilemmas. With shifting perspectives and a non-linear narrative, it excels at building context and character motivation. What starts as an exposed affair becomes an exploration of the depths of human desires. The series has a strong start, setting a pace that hooks with melodrama and keeps eyes glued with its twists. Whether it’s distrust in relationships or dependency on technology, there isn’t a dull moment as the phones pass from hand to hand, and the stakes are risen by questionable intentions.

Based on a manga (and considered a better adaptation than its anime counterpart), Erased follows a man who can go back in time. Travel, mystery, and human drama blend together well as he tries to prevent a series of tragic events from his childhood. With its well-crafted plot and moments of heart-wrenching tension, the show sustains itself well without knowing the original material. The intricate web of mysteries and the race against time create a sense of urgency even as it manages to stick to the familiar anime time slot (~25 mins per episode). A must for thriller fans looking for a well-plotted, self-contained story.

In the era of behind-the-athlete documentaries, the timing of a series like My Lovely Boxer is perfect. The series follows a young boxing prodigy, Lee Kwon-Sook (Kim So-Hye), who suddenly disappears at the height of her career to escape the toxicity of her home life and avoid becoming commodified as a boxer. In its first two episodes, it’s clear that this isn’t about the sport itself. Rather, as Kwon-Sook and sports agent Kim Tae-Young (Lee Sang-yub) cross paths, the exploitative practices in the sports industry are quickly exposed, showing the disconnect between sports as a profession – both a passion and a way to make ends meet – and sports as entertainment at any cost. The show wastes no time glamourizing an athlete’s life but instead illuminates every dark corner waiting to make a quick buck. And like the tell-all documentaries, the horrors behind the scenes are upsetting, but keep you watching. 

True to its name, Enigma opens with a student sharpening a pencil menacingly before ferociously stabbing a teacher. Encased by stunning visuals, the story gets severely darker when another student troubled by an unseen entity drowns in a swimming pool. Farinda, a daydreamer who’s undeniably intelligent, notices that the incidents coincide with the presence of the new clumsy biology teacher, Mr Ajin. Superb transitions and editing and a solid dose of gore strengthen the underlying criticism of rigid schools that stifle their students from experiencing more than just good grades. It’ll be hard not to watch the [dark] magic continue to unfold. 

Big, wealthy corporations (and families) taking advantage of the working class is the catalyst of many K-drama revenge plots. This one sees Jang Ho-woo devise a plan to infiltrate the accounting firm whose actions led to his adoptive father committing suicide. Surprisingly, Ho-woo is hired straight after high school, catching the attention of the VP’s son, Han Seung-jo. Although most accounting terms go in one ear and out the other, the tension, stakes, and relentless climb to the top are always crystal clear. As the scope of the corporation unfolds, rooting for Ho-woo’s triumph is a solid hook, even if it’s a given.

Yasemin Derin is one of Turkey’s most famous actresses. But when she’s not onscreen or walking the red carpet, she’s murdering evil influential people, which garners her the nickname “Hunter.” Her double life is put in jeopardy, however, when a stalker sends her a series of cryptic texts.

Actress plays into the “unlikeable main character”; a sarcastic anti-hero on the verge of having more weaknesses as she takes in a young actress and falls in love with a mysterious man. The series has a nice cinematic finish, and Pinar Deniz as Yasemin delivers a nonchalant charisma that’s easy to follow.

Young love, gunslinging, and the players of an opium ring open the first episode of the Indian comedy-crime-thriller, Guns & Gulaabs. The show alternates between scenes of serious crime, gruesome murder, love confessions, and comedic bits, which all blend surprisingly well. It also employs various quirks, including movie soundtrack references and fast-paced action scenes, that strengthen its 90s worldbuilding. And the multiple storylines quickly allude to each other in the first two episodes, allowing them all to progress without any lag. With its deft balance of crime and comedy, Guns & Gulaabs begins with a bang and a chuckle that’s hard to turn away from.

Glossy and intense, Celebrity strips away the glamour of influencer life by taking the allure of fame and weaving an entrancing mystery into it at the end of every episode. A-ri’s climb to the top is paralleled by the secret of her supposed death and return, which she reveals through a live stream. With a large cast, the intrigue never fully wanes as these influencers grate the nerves while contributing to their own demise. The promise of learning about everyone’s secrets and finally understanding how A-ri dies keeps you at the edge of your seat, even if the influencer angle feels cliche. 

At Home School, the parents take the entrance exam before signing away their children’s freedom to the staff of this prestigious boarding school. But the promise of an elite education becomes a nightmare when the students have to endure the school’s unorthodox curriculum. Unlike her schoolmates, Maki enrolls through a scholarship, purposely applying to find her missing brother. 

Joining the growing number of dark school dramas examining harsh societal norms in Thailand, Home School delivers mystery and suspense through the isolated, remote grounds of the school. In the first four episodes alone, the Headmaster’s abstract rules, devious staff, and sinister punishments set up a promising series

Based on a webtoon, Moving is for the fans of the ’06 series, Heroes. Initially, we follow a teen, Kim Bong-Seok, who has to be constantly tied down or weighed down to keep from spontaneously levitating. But the mystery and thrills immediately kick off when an assassin starts killing “retired” supers, and it becomes obvious that agencies, parents, and even teachers are aware of this. So far, the pacing allows for introductions, backstories, and action to breathe whilst quickly establishing connections between storylines to feed the intrigue. Hopefully, this carries through the entire 20-episode run and delivers a cohesive, high-action fantasy series. 

After years of separation, White returns to Thailand and disguises himself as his twin brother Black to investigate who attacked Black and put him in a coma. As he infiltrates his brother’s life, he discovers the violent activism Black was a part of, deciding to join the gang to find more information. Soon he gets caught up in this struggle to justify the violent means and how it affects the very people they are trying to protect. With strong social commentary on Thailand and its laws, it is a powerful look at the mistreatment of the working class and marginalized groups like the LGBTQ community.

Overseeing drug rings, cult machinations, and human sacrifice under the guise of practicing the religion known as Santeria defined the crimes of Adolfo de Jesús Constanzo in Mexico during the late 1980s. And instead of following one straight recollection, the documentary tells two sides of the case: one from Sara Aldrete and the police and media as everything unfolds. What starts as a disjointed journey to proving Sara’s involvement and guilt becomes blurred as the documentary asks the audience to contemplate a different outcome. Does Sara’s young age afford her more sympathy? Was the case rushed and mishandled? Did the police (and other powerful people) force the outcome of the case? Watching only the first episode would be a disservice to the broader context and overlooked participants the producers shine a light on. 

At 20 minutes per episode, the story of two brothers trying to make their dream of becoming professional, industry-changing dancers a reality is surprisingly uninteresting. Roni and Sakke are chasing their big break, but Roni is rude to anyone who doesn’t think he’s transformative, and Sakke insists on sticking by his brother even as he ruins their chances. By the end of episode two, they’re offered a chance to open their own club and work with a suspiciously generous patron from their mother’s laundromat. But despite the compelling gist of it all, nothing holds attention. The dancing sequences are mostly a miss, and the story’s progression feels painfully by the numbers. If “chasing your dreams” is supposed to be the redeeming quality, the execution alone dismantles it.

At its core, this series is a socio-economic commentary wrapped in heavy discrimination of poor and queer communities with a sprinkle of Disney Channel music numbers. It tackles issues like gentrification, climate change, the refugee crisis, and homophobia, but even for a teen drama, this all feels like too much, especially since it forwards a forbidden romance above all else. It tries to save face with music; the show uses songs and musical expression to bridge the divide between the people about to lose their neighborhood and the rich kids oblivious to it all. But the talent show quality eclipses the impact. One should expect the large cast and storylines to iron themselves out after two episodes, but with the class-difference romance carrying the bulk of the story forward, the investment isn’t worth it.

Painkiller is a dramatized account of the opioid crisis that details how Purdue Pharmaceuticals manufactured and marketed the highly addictive pain medication OxyContin. Before each episode, the family member of an opioid victim recounts how the drug scarred their lives. Although the intentions seem righteous, the execution begs to differ. The drama leans heavily into crime thriller tropes, overproducing the events to a sensational degree with flat, cookie-cutter characters making it unwatchable at times.  

Two episodes in, the theatrics in the production choices feel dismissive of the severity of the opioid crisis, prioritizing eccentricities and a shallow textbook overview.

Being reincarnated as a vending machine is, admittedly, a good hook. But when you’re watching a machine fight frogs in a new dimension, the plot starts to lose you. At its core, it’s an easy watch, without any nefarious characters (yet), but even though Boxxo always finds a way to utilize the powers of his new vending machine body and has a genuine, endearing personality, the gimmick doesn’t hold attention past that. It is a wholesome isekai adventure, but the vending machine-loving vending machine isn’t as memorable as you’d think.

Based on Mark Miller and Peter Gross’ graphic novel American Jesus, The Chosen One opens with a tedious build-up and a predictable plot. The possibilities are endless when you have a superpowered Christ-like boy as a protagonist, but in four of the six episodes watched, the pacing only manages to come up with a myriad of miracles, a teenage love triangle, and strange voices in the wind. Even more potential is lost as side stories begin and never end, giving side characters backstories that only resurface to contextualize Jodie’s story. The worst of these is when one of Jodie’s spiritual possessions overshadows Tuka (the only native in his friend group), who is protesting the mistreatment of the Yaqui tribe. And although the Mexican setting and the secrets behind Jodie’s powers were initially exciting, the show ends up feeling as narrow as its 4:3 ratio.

A vampire story is a tale as old as time (I couldn’t resist), and adding a long-lost love to the narrative is the cherry on top of a potentially swoon-worthy supernatural romance. But despite the addition of elements like centuries-long sleep, talking cats, and a school nurse whose bad luck welcomes shenanigans every other second, there is only so much to expect with this basic premise, and the quest to become human is not a solid anchor to keep watching. Although if you’re after an effortless watch, then HeartBeat’s handsome lead, quirky sidekicks, and headstrong leading lady check all the boxes for an easy watch to fall into.

With the ingredients of a standard sci-fi animated series, Mech Cadets almost shines with its thoughtful approach to grief, parental expectations, and self-discovery for its child-to-teen audience. From Stanford losing his father and his dream of being a pilot to Frank becoming a Robo pilot despite his prosthetic leg, the series tries to build something substantial beneath the generic giant mechas and alien antagonists. But with so many mecha/robot franchises coming to mind, the show has no distinctive qualities to stand apart. It’s an overall straightforward animation that carries expected lessons on responsibility and teamwork, which kids will surely enjoy, that is, until the next Transformers-esque show is released.