100 Best 2024 Shows You Should Watch Right Now

With the gorgeous period costumes, the romance, and the familial dynamics, you would think that Like Water for Chocolate’s latest screen adaptation would be just the same as the film, albeit with a Bridgerton-esque style. To a certain extent, this is true, as the essence of the novel still remains intact and the production is greatly upgraded, however, the added runtime allows this latest adaptation to expand on the novel’s commentary on race and class, and how this played out within the Mexican revolution that was mostly glossed over in the film. Como Agua Para Chocolate captures the novel’s much more rich and layered flavors, in much more fulfilling and scrumptious ways.

I would be okay if Black Doves was just a straightforward spy thriller; Knightley and Whishaw have enough charm, enigma, and kick-ass competence to make it work. But beyond the show’s cool and slick demeanor lies a wealth of other gems. It’s a heartwarming friendship tale for one, and a heartbreaking romance for another. It also manages to be funny at the right times, thanks to Sam’s bumbling accomplices, while evoking Christmas cheer. It sounds like a random mishmash of things, but Black Doves effortlessly blends its many tones and genres. Knightley and Whishaw ground the show’s ambition with their affecting performance as two cold-blooded killers who depend on each other’s trust and friendship. It also helps that there’s a depth to the deaths in Black Doves. There’s a nuance here that’s missing in most crime and action thrillers. Bodies are still dispensable, but you know why and how they’ve reached that point. If you want something smart and gripping that isn’t Die Hard to put on this holiday season, this could be it.

Imagine if the show Girls was Marvel-ized (or if you like, Derry Girls blended with Encanto): that’s kind of what this series is, but actually good.

It has all the trappings of a quarter-life-crisis sitcom—broke 25-year-olds with big dreams and little prospects living under one roof—while also being set in a world where everyday humans develop a superpower by the age of 18. The British series follows Jen, a late bloomer who has yet to find her power. Having had enough of sucky jobs and boyfriends, she sets out to discover her power in the hopes of finally knowing more about herself. It’s a bizarre premise with an authentic, endearing core that’s certainly worth checking out.

If you’re expecting the sleek, playful, and totally over-the-top spy shenanigans of 2005’s Mr. & Mrs. Smith, you’re not going to find it in this 2024 version, not that it’s a bad thing. In fact, this show stands on its own, reinventing the spy couple into a professional partnership rather than an immediate spark that leads to marriage. This decision makes the show feel like the film’s opposite– as the longer runtime and naturalistic aura enables more focus on the incomparable Donald Glover and Maya Erskine rather than the explosions– but it makes the danger feel more unpredictable and not just action set pieces. Mr. & Mrs. Smith may not be the star-powered, guns-blazing action comedy we’re familiar with, but it’s certainly a more thoughtful, fresh take that improves on the concept.

With teen dramas crowding not just Netflix but all of TV, it’s easy to think that the Jordanian series AlRawabi School for Girls won’t be any different. But while it may share a lot of similarities with other coming-of-age stories, it stands out for its willingness to explore dark themes and cultural specificities without a pandering tone. It’s smart, mature, and complex enough to give us a feminist lead who weaponizes misogyny against other girls, for instance, or a fierce bully who eventually earns our sympathy. It’s hard to imagine the treatment being this sensitive, nuanced, and wholly engaging without the all-female cast and crew that AlRawabi thankfully has.

After the only war the Americans have lost, American post-Vietnam war portrayals tend to lean as patriotic revenge fantasies or romanticized disillusionment, but rarely do they portray the people caught in between. HBO’s The Sympathizer is an adaptation of the Pulitzer winning novel of the same name, and while it’s mainly an American production, Park Chan-wook and Robert Downey Jr.’s collaboration sticks to the Captain’s perspective, as the unnamed mole protagonist writes his confession years after from a jail in Vietnam. Chan-wook excellently mirrors his approach to Viet Thanh Nguyen’s agile storytelling, shifting time periods and languages the same way the Captain shifts perspectives, though Nguyen’s dry humor sometimes wavers when translated to the screen. Still, it’s certainly a well-crafted, ambitious depiction coming from a unique perspective.

Dark Side of the Ring is where the comfort of pro wrestling and the mystery of true crime meet. The very premise of the series is that the wrestling industry is rife with with sketchy and downright depressing stories; and while it continues the tradition of depicting pro wrestling tragically (to great results), the episodes are streamlined and very consistent with having an insightful and balanced pool of perspectives. There’s a lot of details for wrestling fans to sink their teeth into, but for the true crime and mystery-loving crowd, expect baseline stories about drugs, self-destruction, and outlaw wrestling practices unless it’s one of those transcendent stories.

Anyone tired of the same old cliches found in true crime shows (and there are a lot of them) will feel reinvigorated watching The Jinx. Director Andrew Jarecki goes one step further from the usual fare by interrogating the subject, himself an unnerving character, and unearthing evidence that changes the trajectory of his story. The Jinx is a great true crime documentary in that it’s gripping and well-researched, but it’s also great television, point blank. It’s thought-provoking, unsettling, and strives to always keep the viewer at the edge of their seat.

There’s something strangely nostalgic about the show. From the bright and timeless youth fashion, to the atmospheric soundtrack (kicked off wonderfully by The Feminine Urge in episode 01), to the charming dialogue that keeps things simple—a lot of this show feels current and young, but inexplicably feels like a distant childhood adventure, as well. Its lead storyline (the current time) is seamlessly interspersed with visions of the cold case, but it still makes that distant timeline feel within reach. In terms of balancing the necessary danger of a crime series and the periodic comfort people crave, this show strikes gold.

During adolescence, teenagers get to learn and discover themselves and the world, but for most people, this means going through puberty, maybe taking up a sport or hobby, and not the occult vs alien shenanigans of DAN DA DAN. The science fiction-fantasy mix is unhinged and chaotic, throwing Momo and Ken directly into the worlds they didn’t believe in, and with each crazy encounter, they gain insane powers that are rendered into (literally) out-of-this-world, kaleidoscopic animation. But it’s their comedic dynamic that makes the show work, as each absurd situation pushes them to share what makes them vulnerable and challenge each other on their beliefs. DAN DA DAN is spectacularly unpredictable, and is a standout from 2024’s anime fall lineup.