The Best Anime Shows of All Time

It’s cool that more and more people are drawing attention to the cleanup after the cinematic explosions — much more kaiju explosions. This series is balls to the wall action, giving us the monsters and the raining down of blood and guts right away. The details are graphic and satisfying like a perverse cooking show or a horror film. When it’s not about that, we’re looking at hardworking, disciplined laborers in this absurd setting. Like many kaiju films, it’s a pretty easy show to get into, shining with its punchy animations, high octane action, ever-present danger, and a surprisingly adorable factor.

After his team loses in the prefectural tournament finals, Yoichi Isagi is invited to join an isolated training program designed to create the best striker in the world in hopes of Japan winning the World Cup. The program’s designer believes that great strikers are selfish and egoistic players. As a more intense sports anime, the stakes of becoming the best striker in Japan (and the world) or never playing football again keeps the suspense high. The series does a great job of balancing the action and taking the time to develop the characters and their motivations. Blue Lock is a solid, high-concept anime for the world’s most beloved sport. 

Set in a fictionalized version of Japan’s Edo period, where a deadly disease affecting only men has led to women taking traditionally-male roles, Ōoku is steeped in social commentary on gender and sexuality. The concept is well-established in its 70+ minute first episode, allowing the story to set a foundation for a fascinating progression in this world. By centering the powerful warlord figure, the Shogun, it illuminates the shadows women occupy to support a country with little to no recognition. With a political throughline and an inherently feminist lens, Ooku: The Inner Chambers offers a beautifully-animated series with few gimmicks and lots of depth.

More a showcase of various styles of animation than an expansion of Star Wars lore (and all the better for it), Visions finds some of the freshest expression for these tired tropes—rendered in what are easily the best visuals this franchise has ever seen. Across the 18 episodes of its first two seasons, the series communicates the mystical nature of this universe with much more ease than the live-action films do. And even as Visions begins to repeat some of the exact same ideas and story structures in multiple episodes, the repetition also begins to feel like the reinforcement of a universal narrative throughout time and space: there will always be light that will counter the darkness, often coming from the bonds between family and friends.

Pokémon is one of the world’s most popular franchises, and it’s mainly centered around the idea of cute, colorful creatures with special powers to be caught, trained, and put into battles. Pokémon Concierge is a different side to the franchise, but instead of the high-octane action and world-ending fights, the four-episode series contemplates the idea that maybe these cuddly creatures need to rest too. As anxious newbie Haru adjusts to the laidback, paradisal resort, and acquaints herself with felt-fabric versions of the familiar cartoon creatures, Pokémon Concierge is an excellent reminder to enjoy yourself once in a while.

The last time Junji Ito’s work was animated by a Western studio, it wasn’t terrible, but it didn’t match up to the terror of his original stories. Nevertheless, animators persisted, and Production I.G. and Adult Swim’s attempt is a mini-series adaptation of the three volume manga Uzumaki. Uzumaki: Spiral Into Horror is a peculiar horror series, one that may not be downright terrifying with its small-town tale, but it’s much scarier than other Western adaptations with its faithfulness to Ito’s black-and-white intricate line work. There’s probably no other way to depict this particular story– after all, it’s all about spirals– but director Hiroshi Nagahama adds dizzying movement and composer Colin Stetson adds eerie extended techniques that match the terror Kirie and Shuichi share as they struggle against the neverending spiral spell that takes over their town.

In a world acclimated to the technological advancements and integration of AI, Sudo Hikaru offers illegal medical procedures in the hopes of finding the people behind his mother’s stolen data. The Gene of AI takes an interestingly neutral tone towards the integration of humanoids among the population (akin to our current normal with social media and smartphones). Even as the question of ethics and legality weaves through everyday conversations, the idea of AI being inherently bad is never the conclusion. So far, the narrative follows a procedural format that feeds each new case/scenario back into Hikaru’s search. 

With a small primary cast and a heavy hand on CGI (which feels deliberate given how the show discusses the human-technology relationship), the show has the potential to deliver a memorable narrative in the transhumanism genre.

Undead Unluck is such a strange anime with such a strange duo. Named after their respective powers, the undead Andy seems familiar with his Deadpool-like regeneration, albeit with such a fast rate that he can shoot out body parts with such gruesome animation. However it’s the unlucky Fuuko that brings them to the most absurd comedic scenarios, including, but not limited to, surviving a giant truck crash, a lightning strike, and a whole meteor. In order to achieve their goal of dying, they have to build up a bond to maximize her unluck. As they learn more about Fuuko’s abilities, as well as the organization hunting them down, it’s likely that they’ll go through wackier situations that will escalate as the show progresses. It’s definitely something uniquely watchable, if you can handle the off-putting gore that’s part and parcel of Andy’s powers.

You know how How to Train Your Dragon has a town terrified of dragons, but it turns out they’re actually cute? My Daemon has a similar situation, except this happens after a nuclear explosion, plenty of these monsters are still murderously terrifying, and even the cute ones are fairly creepy. But that doesn’t keep elementary schoolkid Kento Tachibana from adopting one, even as they get hunted down by bounty hunters. The bond between boy and his daemon is a heartwarming one, but the treatment between the various monsters questions the different ways we treat different animals, and whether or not we can successfully live alongside them. With its unique art style, it’s a totally stunning adventure, though with some creepy crawlies along the way.

With its slice-of-life approach, A Sign of Affection immediately tugs at the heartstrings with its sweet romance between a deaf university student and a multilingual traveller from manga duo Suu Morishita. The anime adaptation sees the world in Yuki’s eyes, with delicately lined shapes and pink-tinted watercolor paired with Sumire Morohoshi’s sweet voice, and it’s lovely to see the unjaded, kind way she interprets the world. The series does have some of the familiar romance tropes, like love triangles, wingman friends, and the glowy, bokeh lighting, but it’s sort of the point in this charming show. A Sign of Affection likens the careful, hesitant way of falling in love with the way Yuki interacts with the world, or rather, the reactions abled people have to her disability.