35 Best Apple TV Shows Right Now

As classic children’s TV done in the same style as The Muppets, this reboot of Jim Henson’s Fraggle Rock manages to thread together wacky adventures, an environmental message, lots of music, and light satire about human behavior in less-than-30-minute chunks. This show is firmly for kids first, with the carefree, somewhat naive subterranean Fraggles meant to be childlike in nature as they learn how to accept others’ differences and their own complicated feelings through kindness and community. But parents who are at all interested in colorful variety shows should still find lots to enjoy, be it in the intricate craft of puppetry across various species of creatures, or in the genuinely catchy songs that range from innocent earworms to beautifully composed anthems straight out of the musical theater tradition.

Starting the series off with an electric guitar scored wedding, The Buccaneers seems, at first, a vapid cousin to the hit period series Bridgerton. The modern-day scoring, period-inaccurate hairstyles, and the sorority dynamic of the five female protagonists might feel too jarring for viewers looking for a more classical feel. There are certain moments at the start that needed more emotional resonance, like after Nan’s shoe fell into the cake. However, these jarring contrasts smooth over as the series progresses, as the show reveals its melancholy at society’s hypocritical, rigid expectations, but also its care and endearment for these girls’ friendships.

Directed by Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor), Steve! is an appropriately fun and artistic documentary capturing its subject matter’s fun and artistic spirit. It’s a delight to see Martin’s other personas, such as his early magician self, his philosophy major self, and his quietly humorous cartoonist self. We’re so used to seeing his fast-paced zaniness that these parts of the documentary are almost shocking to see. But maybe the most illuminating role Martin plays is that of his current self. In equal measure, he cracks jokes and offers wise words about aging which, at 75, he takes in enviously great stride.

You’d think a caper set in Florida starring Vince Vaughn would be wild, but Bad Monkey is surprisingly chill. The stakes are low, the mystery is revealed quite early, and everyone moves at a languid pace that feels right for the summer season. And yet it’s still fun to watch. It has the right amount of intrigue and it looks enviably nice. Half the time you’ll just be wishing you too could sit back and down a beer while watching the warm Florida waves rock by. Admittedly, the plot lines don’t always mesh and Vaughn could be more dynamic in his performance, but overall, this makes for a perfectly fine summer watch.

Most media that plays on our hyper-usage of technology has a decidedly scary bent: think “screen-life” thrillers like Unfriended, Host, and Searching. But Still Up — which is not strictly a screen-life show, but relies heavily on FaceTime as a storytelling device — uses similar means for a romantic comedy end. Danny (Craig Roberts) and Lisa (Antonia Thomas) are friends with the same problem: they can’t sleep. For that reason, the show — the first three episodes watched for review, at least — takes place entirely at night. If that wasn’t enough of a constraint, Danny is also agoraphobic, so all of his scenes are set in his apartment (hence why the duo communicate through their phones).

It’s to Still Up’s credit that these limits on its setting don’t give us a sense of claustrophobia. The performances gel the conceits together, and the inventive writing makes something technically constrained feel paradoxically expansive by recognizing that strange spike of clarity and introspective energy that comes when the world gets quiet. Though some of its comedy skews a little too kooky in places, initial romantic rumblings build assuredly to suggest that one nocturnal revelation waiting to be had is that these two night owls might actually be each other’s soulmates hiding in plain sight.

A lot goes on in Constellation, Apple TV+’s latest addition to its growing collection of sci-fi shows. It begins as a survival space thriller, then it evolves into a conspiracy mystery with hints of supernatural horror, all while being a family drama centered on the elusive mother-daughter bond. For all that hoopla, however, Constellation moves at a very languid place. It can also get very confusing very fast as it attempts to be all the abovementioned things and juggle multiple possibilities (relating to quantum physics, mind you) at the same time. To quote series creator Peter Harness’ other credited show, Doctor Who, it’s all very wibbly wobbly timey wimey. If you’re one to dive into a sci-fi story’s heady and complex world, however, then Constellation comes highly recommended.

There are two timelines in Monarch, one set in a post-war world where trio Bill (Anders Holm), Shaw (Wyatt Russell), and Keiko (Mari Yamamoto) look for monsters, and another set in 2015, where trio Cate, Kentaro (Ren Watabe), and May (Kiersey Clemons) look for Cate and Kentaro’s missing father. Both timelines are action-packed and mystery-filled, eventually intertwining in a surprising but thrilling way. But for all that’s happening, Monarch is weirdly missing the monsters. Godzilla, along with other creatures old and new, rarely appear, though when they do, they make sure to put on a spectacle you can’t look away from. The show could use a lot more of these monsters, though there’s much to like in the human cast too—especially in Shaw, whose present self is played by Russell’s father, the iconic Kurt Russell. The decision to cast them in this role is more than inspired, it’s downright entertaining. Not only do they look alike, but they have the same mannerisms and charismatic flairs, though both actors make sure to inflect the character with their own specific charms. Seeing their interpretation of Shaw is reason enough to watch this series, but everything else is pretty epic too.

I’ve seen my fair share of true crime documentaries, and a major complaint I have is about how directors tend to overdramatize the story, so much so that it achieves the opposite effect for me. I feel desensitized and irate when the music swells to usher in yet another cliffhanger. So it’s refreshing to see almost none of that in Cowboy Cartel, which is well-edited and gripping enough to keep you hooked till its finale. Of course, the downside to stripping a crime story of sensationalism is that it can get boring in its straightforwardness. This happens more than a few times in Cowboy Cartel, and it doesn’t help that its main interviewee, FBI Agent Scott Lawson, recounts events in a sleepy and monotonous tone. Still, it’s tightly edited, well-researched, and intriguing case. The documentary itself may not always match its energy, but when it does, it’s a show that’s very hard to put down.

With the success of Korean dramas in international streaming services, it made sense for Apple TV+ to jump into the Hallyu wave, especially when they started to introduce their service to the Korean market. Dr. Brain was Apple TV’s first foray into the genre, and while the premise sounds something akin to modern day Frankenstein, the freaky sci-fi thriller grounds itself with its mystery, that of the disappearance of the doctor’s son, and the humanity slowly blooming in Sewon Koh’s normally stoic demeanor. It’s a drama that’s sometimes uneven, one that might be divisive to some viewers as the doctor breaks ethics for his experiments, but Dr. Brain is never boring, delving deep into a surprising drama behind the emotionless doctor.

Imagine a travel show hosted by someone with zero interest in travel. It can go either of two ways: you can hate the guy for his ignorance or love him for trying anyway. Thankfully, veteran comedian Eugene Levy falls in the latter category in the aptly titled series The Reluctant Traveler with Eugene Levy. Here, the unadventurous 75-year-old gets out of his comfort zone and finally explores a world that, according to him, he’s spent his entire life avoiding. Levy may not be a cultural connoisseur, but he’s a pleasant presence with nice comedic timing, warm people skills, and a big sense of gratitude, so really, what’s not to like?