30 Best Coming-of-Age Shows to Watch Right Now

With teen dramas crowding not just Netflix but all of TV, it’s easy to think that the Jordanian series AlRawabi School for Girls won’t be any different. But while it may share a lot of similarities with other coming-of-age stories, it stands out for its willingness to explore dark themes and cultural specificities without a pandering tone. It’s smart, mature, and complex enough to give us a feminist lead who weaponizes misogyny against other girls, for instance, or a fierce bully who eventually earns our sympathy. It’s hard to imagine the treatment being this sensitive, nuanced, and wholly engaging without the all-female cast and crew that AlRawabi thankfully has.

Swagger could’ve easily been a generic sports drama about an ambitious prodigy who, against all odds and through sheer determination, makes it to the top. It is that, but it’s also so much more. Swagger offers biting commentary on race and economic realities, as well as heart-warming and relatable stories about family, love, and coming of age. It’s finely acted, with everyone from the kids and their parents to the coaches offering lived-in and realistic performances. The show is most reminiscent of the 2000 film Love & Basketball, which would make sense since the latter is directed by Swagger director Reggie Bythewood’s spouse, Gina Prince-Bythewood. Swagger and Love & Basketball have unique differences, of course, but both deeply understand and powerfully speak to the Black experience.

This is Breaking Bad meets The Social Network. Based on a true story that took place in Leipzig, Germany in 2015, this show is about Moritz, a high-schooler who starts Europe’s biggest drug market online. He initially does this to impress his ex-girlfriend, who had just come back from the States with new drug experiences.

The transformation of a nerd into a drug kingpin is fascinating. But because it is based on a true story, there is an important nuance to that transformation. Moritz is rarely portrayed as a hero, and his creepy side is always present. This makes for an interesting and exciting plot-heavy show.  

Based on a forthcoming memoir by queer music duo Tegan & Sara, High School follows the twin sisters in ’90s Canada as they figure out their place in school, in family, and ultimately in each other’s lives. Despite the well-worn premise and the throwback setting, High School feels fresh and honest in ways that are not always present in teen stories. It’s delicate and subdued while still being potent and edgy—a great alternative if Netflix’s brasher teen fare isn’t for you. High School has been likened to other great authentic coming-of-age shows like Freaks and Geeks and My So-Called Life.

With the deluge of hyper-stylized teen shows everywhere (but especially on Netflix), Teenage Bounty Hunters comes as a refreshing and welcome surprise. Sisters Blair and Sterling, played by Anjelica Bette Fellini and Maddie Phillips respectively, strike the perfect balance between spiky and endearing, creating a chemistry that’s rare to see among TV siblings. There’s friction but also love all around. 

Their interactions alone make the series thoroughly enjoyable, but their coming-of-age hijinks and comedic timing, especially around their reluctant mentor Bowser (Kadeem Hardison), make it an absolute must-watch. If you enjoyed Booksmart but wished it was more action-packed, you’ll surely love this show.  

Coming-of-age shows are not hard to come by these days. If anything, there might be too many, with a majority of them being hit-or-miss in terms of quality. But before all this, there was one show that tested the waters and bravely went where no teen show had gone: it was called My So-Called Life, and like anything ahead of its time, it was canceled almost from the get-go. 

The show was one of the first to forgo happy endings and neat tie-ups in exchange for depicting the messy, complicated, and real. Fifteen-year-old Angela Chase (Claire Danes) was hardly likable, what with her bouts of angst and anger, but she was always relatable, and you could rely on her and the rest of the Three Rivers gang to deliver the unfiltered truth about teenhood. Even though the ’90s series didn’t attract enough eyeballs to warrant a second season, it’s now getting its due among modern audiences who recognize its influence in every disaffected young lead trying their best to navigate the confusing waters of youth.  

Life should be difficult for Charlie Spring, an openly gay student in an all-boys high school. And it is, to be sure—he’s mocked, ridiculed, and at times literally shoved to the sidelines. But Hearstopper doesn’t just dwell on misery; rather, it shows us the many colors, the multifaceted wonders, of Charlie’s life. His friends, family, and newfound crush, Nick, help keep him afloat in the murky waters of teenhood.

Like the show itself, Charlie and Nick are insistently sweet and charming, which can feel bold in a world that is driven by so much cynicism and hate. It’s this glowing sensitivity, coupled with the show’s inclusive characters and levelheaded insight, that make Hearstopper a heartwarmingly good watch. 

Coming-of-age shows are practically Netflix’s bread-and-butter, but the working class side of Brisbane in the 80’s is a suburb we didn’t expect the international streamer to visit. Based on the semi-autobiographical novel with the same name, Boy Swallows Universe is centered on the precocious Eli Bell, whose age and curiosity naturally pushes him to try and figure out how he fits in the world. There are some magic realist elements, and the crimes escalate as we go further and further into the miniseries, but the show shines best when depicting the slow, day-to-day moments in Bell’s family. The show never judges them, nor does it totally excuse their actions. Instead, Boy Swallows Universe depicts a certain nostalgic compassion one could only have for their hometown, regardless of how downtrodden it is.

With a film version that didn’t live up to the hype of the original novel, Netflix’s adaptation of One Day released just in time to wreck the fans’ hearts all over again, but this time, it’s a good thing. The expanded runtime allowed Netflix to delve more into the moments in the novel, with each episode dedicated to a day in the year in Emma’s and Dexter’s lives, contrasting their respective worlds and opportunities available to them as different members of London society. And the couple is played beautifully by Leo Woodall and Ambika Mod, with a believable chemistry that isn’t formed in a single spark, but made in multiple moments. If you’re needing a good cry just right before Valentine’s Day, One Day is a superb slow burn romance to let those tears out.

Before he was a beloved TV star, comedian Alan Carr was a young boy growing up in a small town not quite ready for his shine. In Changing Ends, he takes us through that childhood, which is sometimes sweet, sometimes tough, but always comfortingly, relatably hilarious. By appearing in it and addressing us, present-day Carr ran the risk of being cheeky, explanatory, self-indulgent, and jarring—the 1980s setting is nice and nostalgic, why ruin it?—but his presence surprisingly works. It’s interesting to see the differences and lasting similarities between Young Carr and Old Carr. The former is naive and unrelentingly himself while the latter is worldly and reflective, and also unrelentingly himself. You don’t have to know who Carr is to enjoy this short but sweet entry (I certainly didn’t), you only have to recall that time in your life when you first started growing into yourself—how simultaneously awkward, painful, and exhilarating it felt.