20 Best Foreign Movies on Pluto TV Right Now

At first glance, Drug War is basically just what it says on the tin– cops crack down on kingpins, lords, and lackeys to save regular people from illegal addictive substances. Even the drug lord-cop dynamic would be a familiar plotline for crime thriller fans. But through this familiar plotline, Hong Kong director Johnnie To takes his first mainland China production to subtly comment on the dynamics between his native region and the larger country, taking the contrast to craft simmering tension each time Choi Tin-ming lies to his allies to save his skin. It’s less action-packed than To’s usual, but the subtext and the shift in style makes Drug War a surprisingly dynamic take on the crime thriller scene.

When it comes to fantasy anime between two races, usually there would be some sort of romance between the leads. But Maquia: When the Promised Flower Blooms does it differently. Instead, between the humans and the immortal humanoid lorph race that weaves a chronicle of their history is a mother-son relationship, with the human son set to out-age his mom. It’s a surprising heartbreak to contemplate love, mortality, memory, and greed, and it happens to be paired with downright beautiful animation that easily brings tears to the eye. While it didn’t garner similar popularity as Your Name or A Silent Voice, Maquia: When the Promised Flower Blooms nonetheless is an ambitious directorial debut with an equally bittersweet ending.

Martial arts is awesome, comedy is awesome, but the idea of putting them together wasn’t really explored until the late 1970s, when a young Jackie Chan made his breakthrough. One of the films he starred in was The Drunken Master, where Chan’s mischievous character goes under the tutelege of the titular teacher to fight against his father’s assassin. It’s a funny film, one that presents a different, more playful side to a real-life master, but the hilarious, perfectly choreographed fights eventually formed the foundation for Chan’s action-packed slapstick style, and even moved the entire martial arts genre into a new direction. The Drunken Master hinted at the cinema that was to come.

When a film adaptation takes the story of a beloved Japanese children’s novel, and depicts the characters travelling to heaven as cats, it kinda seems like a random addition. Yet, this decision makes sense for Night on the Galactic Railroad, because while the magic and the dreaminess of the trip to the stars still remains intact, the cats keep a bit of the mystery in a visual manner and keep the touch of whimsy as the train ride leads into darker and heavier turns. The visual poetry and the thoughtful way the film contemplates the novel Kenji Miyazawa wrote in grief makes Night on the Galactic Railroad one to remember.

Given that it is a modern day, colored film remake of a classic, Hara-Kiri: Death of a Samurai was always going to be compared to the 1962 film, especially since it’s considered one of the greatest Japanese films of all time. Admittedly, there’s not a lot added aside from the 3D filming, and for fans of director Takashi Miike, the remake is much more restrained than his other films. However, Nobuyasu Kita’s cinematography is striking, Ryuichi Sakamoto’s score is impeccable, and the performances still deliver on the film’s contemplation of honor, sacrifice, and the self-interest of the elite. Hara-Kiri: Death of a Samurai doesn’t compare to the classic, but it’s nonetheless a decent introduction for the generations that missed the original story.

Admittedly, Giovanni’s Island can seem a bit derivative. Not only does it take on a similar vibe to Studio Ghibli’s Grave of the Fireflies, but the film also makes multiple references to Kenji Miyazawa’s Night on the Galactic Railroad. Thankfully, new viewers don’t need to watch either to understand this film. Giovanni’s Island gets all the important stuff right. From the horrors of war to the connections made across sides, the film depicts this heartbreaking story through beautiful animation, lovely music, and a respect to the storytelling that has helped Japan reckon with the war. Giovanni’s Island remembers the nation’s grief, but also the hope of building all over again.

Without a shadow of a doubt, one of the most gripping thrillers in recent years. It starts in a morgue where a corpse of a deceased femme fatale goes missing. Her husband is the first person to be suspected as evidence starts pointing to him for killing his wife and hiding the body. He is called by the police to the crime scene to help with the investigation that is led by a shady detective. The film then takes you on a journey filled with reflections on marriage, deceit and the character’s urge to safeguard whats their own and the territories they are willing to cross to keep it. Drawing you into the atmosphere from the very start, it refuses to let you go out of it. All while maintaining a simple premise.

This Brazilian drama is about a loving mother of four, Irene, who has to deal with the upcoming departure of her eldest son. This news triggers Irene’s anxiety, who is trying to finish her high-school diploma as well as building a home for her kids.

Loveling is about being relentless in one’s pursuit of improving their situation, about empty-nesters syndrome, and the ups and downs of family life in general.

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader.

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter’s heart for detail while still being graciously its own.

As much as we like to imagine children being innocent, schoolyard bullying does happen, and sometimes it goes way past the regular teasing and ends up becoming something that could only be described as evil. After Lucia is the story of a girl that has experienced this after the death of her mother, leaving only her and her father behind. While Roberto does try to reach out to her, the death of her mother means the loss of a trusted adult, someone that Alejandra can talk about anything and everything with without judgment. Writer-director Michel Franco gradually escalates the terrible deeds done by Alejandra’s classmates, building up mercilessly that it leads to a terrible end. But ultimately, the ugliness of what happens emphasizes how a lack of open communication, a reluctant school administration, and an ineffective policy towards bullying easily places children in danger.

For a while, tigers roamed Korea, garnering fear and respect, as the clawed creature resembled the peninsula. However, tigers roam no more due to Japanese occupation in the early 20th century. The Tiger: An Old Hunter’s Tale takes these historical facts to create a thrilling adventure drama– where man versus the titular beast are compelled to meet again due to political pressure, the government bounty, and personal revenge on both parties. The CGI is occasionally spotty, and the relationship between father and son isn’t as developed as the one between hunter and tiger, but the face-off between the opponents and their shared history makes The Tiger a good movie to watch.

People’s first impression of us usually sticks with them, but there are some lucky instances where you meet again, and their impression of you gets updated to the point that you start to care for each other more than you do other people– you both become special to each other. This change is at the center of Hawaii, the 2013 Argentine gay drama. Writer-director Marco Berger crafts a charged, compelling connection because of that change in impression, as their dynamic holds much more at stake than just a summer romance. Through shared, natural moments, Hawaii is content in letting the tension simmer between the two men as they start to reassess the task and their attraction at hand.

Going deep undercover, integrating one’s self into a group without any suspicion, and passing out information to another party… That’s the job of a mole. While they mostly lurk in various government agencies, laboratories, and other special circles of power, The Mole Agent instead goes deep undercover in a Chilean retirement home, having stakes that may not be world-ending, but take more personal, domestic weight as Sergio befriends the residents, records and reports on their well-being, and tries to figure out what exactly Romulo wants as evidence. It’s a funny situation, one that depicts the resident home with warmth, albeit with the occasional spy cams and an old-fashioned piano score, but it can be difficult to figure out where the line is between truth and fiction, as some scenes can feel a bit staged. Still, The Mole Agent is a charming portrait of old age, made so compelling with director Maite Alberdi’s unusual perspective.

Alternatively known as The Chinese Connection due to a translation error, Fist of Fury was the second of Bruce Lee’s leading roles in Hong Kong, this time taking his fists to 1900s Shanghai. As Chen Zhen, fictional apprentice of the real life Jingwu School, Lee fights against the rival Japanese dojo after the death of his master, asserting the honor of his Chinese kung fu school in the face of the foreign occupation. It’s this foundation that sets the stage for Bruce Lee’s fight choreography, delivering spectacular action sequences that are impossible to duplicate in the service of vengeance and justice. It was through this film, and his other Hong Kong features, that Bruce Lee bridged east and west, setting the new standard for martial arts cinema all over the world.

A best friendship break-up can be the most devastating thing that can happen to you in high school, especially when it’s because you’re leaving for separate colleges. Liz and the Blue Bird depicts one dynamic through two girls preparing for an orchestral concert. By pairing the two girls with the faux fairy tale that they’re playing, director Naoko Yamada subtly reveals their conflicting feelings in naturalistic, fleeting moments and watercolor fantasy. This subtle expression is helped immensely by the impeccable wind band score by composer Kensuke Ushio. While it doesn’t quite compare to A Silent Voice, Yamada’s previous work, Liz and the Blue Bird nonetheless shares that delicate symphony of art and music that genuinely capture these adolescent feelings.

A story about inspectors on the Hungarian subway and their struggle to get travelers to pay up. Skinheads with attack dogs, drunks and freaks are the harsh reality of these working-class heroes, who themselves of course are quite the weird bunch. Dark post-soviet humor, refreshingly politically incorrect characters and an abstract parallel love story which barely makes sense even at the end. Kontroll is a movie you will regret having waited 10 years to see.

Given that there are 25 other films and 4 seasons depicting the blind swordsman, Shintaro Katsu’s ​​Zatoichi can seem a bit redundant. To a certain extent, it is, as the action set pieces call back to earlier standout moments and the length can feel a tad bloated, so fans of Ichi might find this conclusion still classic, but nothing particularly novel. That being said, with Katsu directing the conclusion after portraying the character for so long, it’s no surprise that everything the Zatoichi is known for– the action, the humor, and the swordfighting– is dialled up to eleven, with a slightly darker and more stylistic tinge that brings the swordsman to better fit the newer decade. Fans would already have their opinions on this film, but for new viewers, Zatoichi: Darkness Is His Ally might find it as a straight-to-the-point snapshot of this classic 70s franchise.

While Hollywood still makes some films in this genre, there are less historical epics being released, in part due to cost, but also in part due to having had so many, ever since the start of the medium. However, there are some historical events that we rarely see on film, and one of them is The Great Battle. Set before the formation of a united Korea, the film is a classic standoff against a larger army, that has all the swordfighting and armies we’ve come to expect, but it’s also grounded by the dynamic between a young warrior sent to assassinate, and the hardened, brilliant commander whose leadership kept the troops protected. While there are moments that definitely eludes historical accuracy, and there are some subplots that distract from the main conflict, The Great Battle is a fairly entertaining historical epic to watch, especially when focused on the action-packed clashes and the spectacular warfare.

Blood Tea and Red String is cryptic as hell. There’s no dialogue, the film was in production for around 13 years, and the stop-motion animated rats and bat-crow creatures fight over a stuffed human-like doll and her bird-bodied child, spilling some tea and sewing her together with help from frog priests and a spider woman that keeps spinning her web. Whether the film is an allegory for class struggle and the inherent destructiveness of art, or is a straightforward Alice-in-Wonderland-esque fairytale with goth and medieval motifs is up to the viewer, but either way, the symbolism of Blood Tea and Red String is interesting enough to watch and try to make your own conclusions.

Much like its monster, Brotherhood of the Wolf is quite a hard movie to pin down. It’s an unscary French creature feature but it’s a rather refreshing period drama romance, made much more action-packed courtesy of a randomly placed, supposedly Iroquois, talented martial artist. Yet somehow, it works. Perhaps it works because it was released ahead of many other early aughts action horror films, and perhaps, at CGI’s infancy, it’s a bit easier to suspend disbelief over the wolf, but the wacky experimentation writer-director Christophe Gans brings in depicting this historical beast is just so entertaining to watch. Brotherhood of the Wolf is just pure bonkers.