30 Best Movies on Vudu Free Right Now

Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.

An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie. 

«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm.

Widely regarded as one of the finest concert movies of all time, Stop Making Sense depicts musical innovators The Talking Heads at the height of their game. Directed by Jonathan Demme (The Silence of the Lambs, Philadelphia), and starring the eccentric and energetic David Byrne, the show is a marvel of perfectly executed choreography and mid-eighties musicality. Halfway through the set, one might think they've heard all of the hits, but they keep coming and coming. Before Beyonce was Queen, before Bieber was conceived, this film shows what is capable with a camera, a guitar, and some genius.

This offbeat drama is about a Syrian refugee who gets sent to a remote island in northern Scotland. “There was a better signal in the middle of the Mediterranean,” another refugee tells him when he arrives. Omar is as the title suggests stuck: until his asylum request is processed he can't work or continue his journey onwards. His situation is frustrating and difficult, but it's also full of absurdities, as Omar is stuck around some very weird people.

Limbo perfectly portrays the duality between sad and nonsensical in the refugee experience. In the entrance to the isolated and rundown facility that houses Omar, a handmade sign said "refugees welcome". The next day a "not" is added between "refugees" and "welcome", in the exact same paint. 

If you like Finnish director Aki Kaurismäki's work, this has a similar brand of dark humor to his also refugee-themed 2017 drama The Other Side of Hope.

Tilda Swinton stars in this gorgeous Italian production by Luca Guadagnino, part of the director’s “Desire Trilogy”, together with Call Me By Your Name and A Bigger Splash.

Swinton learned to speak Italian and some Russian for the movie, where she plays - to absolute perfection - the wife of a Milan textile mogul who starts having an affair with a cook.

It’s an elegant family drama that’s definitely more concerned with aesthetics than substance, but the setting in snowy Northern Italy and lush 35mm film make that very easy to look past.

The movie starts with Professor John Oldman packing his things to leave and start a new life. He invites his friends to say goodbye and decides to reveal the reason for his departure. The starting point of the narration is a simple question asked by Oldman to his friends: what would a man from the upper paleolithic look like if he had survived until the present day? As scientists, the protagonists play his game and investigate the question, not knowing whether the story is a bad joke or a genuine narration. One of the best movies I've watched and definitely one of the most under-rated.

John Carney, who directed the critically and commercially successful Once, may be the world’s best captor of charm. Begin Again tells the story of a broken-hearted singer who gets discovered by a failed showbiz executive. Their ideas and love for music are all they have to face their failures and bring their creativity to life. The original songs are charming and from Keira Knightley and Mark Ruffalo to Yasiin Bey (Mos Def), Adam Levine, and Cee-Lo Green, the cast generate sparkling chemistry and portray the story beautifully. Begin again is a sweet and effortless watch, yet far from being your classic rom-com.

A slice-of-life true-story-based film on growing old and in love. When on his own land, Craig Morrison (played by James Cromwell) starts building a more convenient house for his ailing wife Irene (Geneviève Bujold), he is faced with crippling bureaucracy. The state gives him the choice between stopping the construction or going to jail, while he is witnessing his wife's health deteriorating even further. The act of going against the system brings out both how beautiful his relationship with his wife is, as well as his own resilience in this moving, insightful drama.

This movie narrated by Nicolas Cage is the incredible story of actor Anton Yelchin (Star Trek, Like Crazy): from being born to a Jewish Russian family in Leningrad to moving to the U.S. and ending with his sudden death at age 27. Anton, or Antosha as his loved ones called him, was a gifted kid: he was making his own movies at seven years old, taking highly sophisticated notes on Fellini movies, and picking up playing guitar in a short time. He took photographs that still show in exhibitions around the world. He led an extraordinary life, portrayed here, one that was cut way too short.