This British comedy is about Lady Parts, an all-female, all-Muslim Punk band. Their latest member is Amina, a Ph.D student who is a great guitar player but has a form of stage fright that gives her bursts of diarrhea and vomiting. 

To add to this serious obstacle, Amina is also not very “punk”. The reason she joins Lady Parts is to score a blind date with the brother of one of the band members – in hopes of marrying him. 

It’s a fun, unapologetic show that, like the Hulu hit Ramy, digs up the humour in the complexities of being young and Muslim in today’s world.

Directed by Steven Soderbergh (Oceans trilogy, Erin Brockovich, and more recently, Kimi), Full Circle is a twisty and stylish noir that takes a while to grasp, what with its epic ensemble and sweeping storylines, but once that first thread of connection is made, it becomes a series that’s very hard to leave. Each episode leaves you excited for the next, which in turn ups the ante even more. Soderbergh is in his element, and aided by a stacked cast of veterans and newcomers alike, he turns in a series that’s expertly tense and watchable throughout. 

Black Snow has the sleek style of a modern murder mystery, but its concern with Australia’s colonial past that sets this show apart. As a neo-noir series centered on a murder, the show has all the classic elements: the hardboiled detective, the suspicious townsfolk, and the murder. As the murder is set in 1994, nostalgic summer-tinged high school scenes make it easy to root for justice for the show’s young victim.

But the series stands out as it’s always mindful of Isabel Baker, always concerned with her and her dynamics with her friends, family, and her South Sea Islander (ASSI) community. Supported by the strong performance of newcomer Talijah Blackman-Corowa, and even consulting the ASSI community personally in the show’s development and production, Black Snow is excellent not just as a murder mystery but also as a depiction of a community that’s rarely portrayed on screen.

Part police-procedural and part supernatural thriller, The Devil’s Hour is the perfect show to binge if you love solving complicated puzzles and don’t mind being spooked by the occasional jump scare. It’s also co-produced by Steven Moffat, who was the brain behind equally mind-bending thrillers Sherlock (BBC) and Doctor Who.

The six-parter follows social worker Lucy Chambers as she looks after potential victims, a behaviorally challenged son, and a schizophrenic mother—and this is on top of her personal problems, which include bloody hallucinations and waking up every day at exactly 3:33 am, or what she dubs the devil’s hour. There are a lot of moving parts in The Devil’s Hour, but aside from the intricate world-building, it’s the powerful performances from Jessica Raine and Peter Capaldi that truly anchor this ambitious show.

The bizarre case of Kathleen Peterson’s death, which has yet to be fully resolved to this day, has been the subject of many a media article. The press covered it relentlessly when it all started in 2001, then a critically-acclaimed documentary was released in 2004. This was followed up with a sequel in 2018, and now more than 20 years after the deed, a dramatization has come out in the form of a miniseries. You’d be forgiven for thinking the latter couldn’t possibly have anything new to offer, but you would also be wrong. In fact, the series is a masterclass in storytelling. Led by an a-list cast (of which Colin Firth is the absolute standout) and told with such layered depth, The Staircase is a must-watch not just for true crime but for film and TV fans everywhere. 

Utilizing time jumps and crafty transitions, The Staircase isn’t set at one particular time, which is fitting considering the trial lasted for 16 years. It also isn’t centered on just the mystery or the family, but instead is just as interested in the making of the 2004 documentary that introduced (and humanized) the case to an even wider sect of people. If you’re looking for a neat ending or some form of satisfying retribution, you won’t find it here. But you will be getting an engrossing meditation on truth and its elusiveness

Capturing the craziness of a political campaign, Wave Makers portrays a behind-the-scenes look of a fictional campaign team as they work to get their party elected. While branded as a political drama, the Taiwanese Netflix series focuses on the dynamics of its team members, starting with their day-to-day work – how they deal with on-the-spot PR issues, budget cuts, and negotiations – and ending the first episode with the personal issues that affect them, such as work-life balance, career growth, and personal revenge. Focusing on the team makes for an interesting approach in portraying how the personal affects the political, and the show easily balances these two through its well-written sequences and careful direction. It’s no wonder it’s already inspired a #MeToo wave in Taiwan.

Arabella is a Twitter-famous writer from London who has one night to submit a draft of her second book. She gives herself an hour’s break that night to go out for a drink with a close friend. When she gets back, she realizes that far more than one hour had passed, that she had blacked out, and that she had bruises all over her body. Like the excellent Chewing Gum, the BBC/HBO miniseries I May Destroy You is a Michaela Coel one-woman show: she is the showrunner, the writer, co-director, and leading actress. And whatever Coel touches, she makes it personal and without compromises. I May Destroy you is based on her experience of being sexually assaulted while making Chewing Gum. To make sure she told this story right, she turned down a $1 million deal from Netflix over creative ownership. It is not only dizzyingly told and brave, but also original and funny. A timely drama if there ever was one!

Vigil is a murder mystery/political thriller set in the depths of British waters, particularly in the nuclear-powered missile submarine HMS Vigil. When a navy officer dies and a fishing trawler disappears at the same time and place, Detective Chief Inspector Amy Silva (Suranne Jones) is sent in to investigate the case.

While Vigil mostly dove under the radar when it first came out last year, the BBC production is drawing in new audiences as it streams on Peacock. Watching it, it’s easy to forget that this isn’t a box-office production, because it looks and sounds every bit like one. It’s got a massive budget, an epic scale, a thrilling political premise, and talented actors across the board—what’s not to love?

Betty follows a group of young girls unapologetically taking up space in the boys club that is skateboarding. It’s an impressive showcase of skill and an important testament to the need for inclusion, but perhaps more than anything else, it’s an affecting story of sisterhood. It’s about female friendships and how strong the bonds can get at this particular age when you’re still figuring out your place in this world. Kirt, Janay, Honeybear, and later on, Indigo, and Camille, have an effortlessly tight bond that’s made all the more apparent by their natural chemistry with each other. While still retaining an endearing sense of cool, they show us that they can achieve anything, whether it’s breaking up with your boyfriend or breaking barriers, together. 

Even without doing the important and long overdue work of uplifting Native American voices, Dark Winds manages to be an intriguing mystery, layered with complex performances and bolstered by the majestic expanse of the American Southwest (in the ‘70s no less!). Finally released from the shackles of supporting roles, Zahn McClarnon shines here; he’s in top form as the gritty but softhearted police officer who protects his tribe from encroaching federal forces. The mysteries that propel the show are compelling too; they have the same beats as any you’d expect from a crime thriller, but they’re seeped deep into Native American mysticism, making them intriguing and wholly unique.