20 Best True-Story-Based Movies on Pluto TV Right Now

Simply titled The Imposter, this film by English documentary maker Bart Layton tells an unbelievable tale. Any plot summary doing this film justice has to err on the side of brevity, which is why it will be only one line long: this is the story of Frederic Bourdin, a serial imposter nicknamed “The Chameleon”, who at one time claimed to be the missing son of a family from Texas. The film is so well-shot that it is hard to tell fact from fiction at times and it will force you to remind yourself that this is in fact real life. Expect twists and turns at every corner and brilliant storytelling from real people. If Christopher Nolan created a 48-hour story, it would pale in comparison to this film.

Autobiographical in nature, 120 BPM is French screenwriter Robin Campillo’s first feature film. It revolves around the Parisian chapter of the AIDS advocacy group ACT UP, which Campillo was a member of in the early 1990s, and the love between Nathan, the group’s newest member, who is HIV negative, and Sean, one of its founding and more radical members, who is positive and suffers the consequences of contracting AIDS. Using fake blood and spectacular direct action, ACT UP advocated more and better research of treatment, prevention, and awareness. This was at a time when many, implicitly or explicitly, viewed AIDS as a gay disease, even as a punishment for the gay community’s propensity to pleasure and partying. The latter is reflected by the film’s title, 120 bpm being the average number of beats per minute of a house track. Arnaud Rebotini’s original score echoes the ecstasy-driven house music hedonism of the time with some effective original cuts, albeit with a melancholic streak. Because, for all the love, friendship, and emotion of the ACT UP crew that BPM so passionately portrays, anger and sadness pervade the lives of these young people as the lack of effective treatment threatens to claim the lives of their loved ones.

Based on a true story, The Whistleblower is the biography of a once Nebraskan police officer who volunteers for the U.N. peacekeeping mission in post-war Bosnia. Once there, she uncovers a human trafficking scandal involving peacekeeping officials, and finds herself alone against a hostile system in a devastated country. Rachel Weisz plays the whistleblower in a powerful lead role, but the true star of the movie is its director, Larysa Kondracki, who thanks to near documentary-style film-making delivers a perfectly executed political thriller with utmost authenticity.

The real life situation behind this harrowing drama is quite extraordinary, so adapting Daniel Rye’s captivity straightforwardly would already intrigue viewers into watching it. However, Held for Ransom does more than depict his torture. Alternating between his captivity and the fundraising efforts back home, the film examines the way they have all responded to the unimaginable, the horrible experience that they have gone through because of extremism. The imprisonment sets the stakes, but the humanity held onto by the hostages, the fierce love of Daniel’s family that would bring him home, and the human cost of non-negotiation pushes this story into somewhere new.

When it comes to films depicting America’s history of racism, many white produced films tend to be centered on a white savior. At best, this is just patting each other on the back for actions done a generation or two ago. At worst, it tends to be outright historical revisionism. The difference between these and The Long Walk is that, while clearly made for a white audience, the film doesn’t crown Sissy Spacek’s character as a messiah, but her choice to help the boycott anyway is a message worth depicting, even if it’s small, even if it isn’t the typical, single-handed salvation Hollywood is used to doling out. While the white narrator adds unnecessary distance, and while it would have been better to see more of Whoopi Goldberg in the non-comic role of Odessa Cotter, The Long Walk cares about the everyday, and that’s what makes it mostly work.

There are people in life that have a one of a kind voice that you can’t help but listen to, as they provide different perspectives that challenge your own in compelling ways. The Whole Wide World tries to capture the fairly elusive pulp fiction writer Robert E. Howard, but through the perspective of the one love he once had, Novalyne Price. It’s a unique perspective, one that contrasts the choices the real life couple made that diverged their paths– pursuing the road less travelled over what’s socially expected– and director Dan Ireland crafts some pulp-like moments, especially with the rousing score and the excellent performances. That being said, Ireland does play it safe with his debut, as The Whole Wide World leaves things as vague as Howard did in his relationship with Price.

Artists take what’s intimate and personal and transform it into art, but, especially for those who became famous for their work, it can feel challenging to tackle certain subjects, profit from it, and make it part and parcel of your artistic identity, especially when it stems from personal trauma. Things Behind the Sun depicts a rock singer who became famous on her song about rape. It’s a tad harrowing, and the flashbacks get rather graphic, but through focusing primarily on Sherry’s journey and not forcing forgiveness between the characters, Things Behind the Sun is able to capture what it means to survive the horrible, to confront it again, and to actually heal.

A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it’s a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country’s official submission to the Oscars.

Escape from Mogadishu follows diplomats from the North and South Korean embassies as they put aside their differences and work together to escape from an outbreak of civil war in Mogadishu, Somalia. Director Ryoo Seung-wan provides thrilling, high-budget action, especially intense car chases and suspenseful escape scenes that pump you with adrenaline and leave you on the edge of your seat. However, the Somali side of the story leaves much to be desired. Only existing to kill or be killed, the depiction of the Somalians is distasteful, and the country it’s set in seen as nothing more than a senseless warzone.

It’s in crafting a political thriller where Ryoo strikes a chord, following the tradition of South Korean films and dramas that question the current South/North relations. It’s also the aspect that pushed this film to win awards, given that it’s based on a true story from the 1991 civil war in Somalia, albeit with blockbuster flair. Sure, it’s a highly fictionalized story, but the political tensions and heightened atmosphere make good entertainment. And, as with all Korean thrillers, you’ll have to get on a certain wavelength of melodrama to be fully on board with the bonkers yet emotional escape.

This is not what you are looking for if you are not into slow movies. It ambles along like the East-Texas drawls that populate it, taking its sweet time and letting the story gradually roll out. This true-story-based film is driven by a strong and witty performance from Jack Black –just not the Jack Black you know. A different kind of movie, Bernie is an entertaining mix of true crime and comedy.