Our take
Autobiographical in nature, 120 BPM is French screenwriter Robin Campillo’s first feature film. It revolves around the Parisian chapter of the AIDS advocacy group ACT UP, which Campillo was a member of in the early 1990s, and the love between Nathan, the group’s newest member, who is HIV negative, and Sean, one of its founding and more radical members, who is positive and suffers the consequences of contracting AIDS. Using fake blood and spectacular direct action, ACT UP advocated more and better research of treatment, prevention, and awareness. This was at a time when many, implicitly or explicitly, viewed AIDS as a gay disease, even as a punishment for the gay community’s propensity to pleasure and partying. The latter is reflected by the film’s title, 120 bpm being the average number of beats per minute of a house track. Arnaud Rebotini’s original score echoes the ecstasy-driven house music hedonism of the time with some effective original cuts, albeit with a melancholic streak. Because, for all the love, friendship, and emotion of the ACT UP crew that BPM so passionately portrays, anger and sadness pervade the lives of these young people as the lack of effective treatment threatens to claim the lives of their loved ones.
What it won
Other
1 nom
The story
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
Elsewhere
"This is a Serious Movie that engages the intellect with compelling depictions of place, time and people."
— Sophie Monks Kaufman
"BPM is vital for the history it depicts, but it's also important in the here and now, as a testament to public action - even messy, not-always-effective public action."
— David Edelstein
The details
Streaming arrival
Who picked it
Bilal Zouheir is the founder of A Good Movie to Watch. He is based in the US and a member of the Nevada Film Critics Society. He grew up in Morocco, where he learned English from watching movies. Bilal's work with A Good Movie to Watch is focused on offering an alternative to streaming algorithms, which are often used as commercial tools by streaming services.
